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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 29 / 0 / 33 it is the complementary color CMYK 25 / 0 / 37 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 29 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 9 / 29 / 0 / 33: CMYK 4 / 27 / 0 / 35, CMYK 4 / 25 / 0 / 27, CMYK 5 / 23 / 0 / 20, CMYK 5 / 22 / 0 / 13 and CMYK 6 / 20 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 29 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 9 / 29 / 0 / 33: CMYK 9 / 29 / 0 / 33, CMYK 9 / 32 / 0 / 40, CMYK 9 / 36 / 0 / 48, CMYK 9 / 41 / 0 / 55 and CMYK 8 / 48 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

Complementary color

CMYK 25 / 0 / 37 / 47

HEX #648654

RGB 100 134 84

HSL 100.8, 0.23%, 0.43%

LAB 52.29, -21.87, 23.16

 

CMYK 4 / 27 / 0 / 35

HEX #A079A6

RGB 160 121 166

HSL 292, 0.2%, 0.56%

LAB 55.99, 23.25, -18.16

 

CMYK 4 / 25 / 0 / 27

HEX #B18BB9

RGB 177 139 185

HSL 289.57, 0.25%, 0.64%

LAB 62.77, 22.63, -18.53

 

CMYK 5 / 23 / 0 / 20

HEX #C29DCC

RGB 194 157 204

HSL 287.23, 0.32%, 0.71%

LAB 69.43, 22.06, -18.88

 

CMYK 5 / 22 / 0 / 13

HEX #D3AFDF

RGB 211 175 223

HSL 285, 0.43%, 0.78%

LAB 75.97, 21.53, -19.24

 

CMYK 6 / 20 / 0 / 5

HEX #E4C1F2

RGB 228 193 242

HSL 282.86, 0.65%, 0.85%

LAB 82.4, 21.04, -19.59

 

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

CMYK 9 / 32 / 0 / 40

HEX #8A6798

RGB 138 103 152

HSL 282.86, 0.19%, 0.5%

LAB 48.72, 23.28, -21.31

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 9 / 41 / 0 / 55

HEX #684372

RGB 104 67 114

HSL 287.23, 0.26%, 0.35%

LAB 34.34, 24.85, -20.76

 

CMYK 8 / 48 / 0 / 63

HEX #57315F

RGB 87 49 95

HSL 289.57, 0.32%, 0.28%

LAB 26.87, 25.72, -20.42

 

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

CMYK 5 / 29 / 0 / 33

HEX #A278AA

RGB 162 120 170

HSL 290.4, 0.23%, 0.57%

LAB 56.1, 25.32, -20.27

 

CMYK 0 / 29 / 0 / 33

HEX #AA78AA

RGB 170 120 170

HSL 300, 0.23%, 0.57%

LAB 56.96, 28.02, -18.89

 

CMYK 0 / 29 / 5 / 33

HEX #AA78A2

RGB 170 120 162

HSL 309.6, 0.23%, 0.57%

LAB 56.67, 26.49, -14.72

 

CMYK 0 / 29 / 10 / 33

HEX #AA7899

RGB 170 120 153

HSL 320.4, 0.23%, 0.57%

LAB 56.37, 24.85, -9.97

 

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

CMYK 9 / 29 / 0 / 13

HEX #C99DDE

RGB 201 157 222

HSL 280.62, 0.5%, 0.74%

LAB 70.74, 27.95, -26.75

 

CMYK 11 / 28 / 0 / 93

HEX #100D12

RGB 16 13 18

HSL 276, 0.16%, 0.06%

LAB 3.99, 1.92, -2.17

 

CMYK 9 / 29 / 0 / 73

HEX #3F3145

RGB 63 49 69

HSL 282, 0.17%, 0.23%

LAB 22.59, 10.73, -10.06

 

CMYK 9 / 29 / 0 / 53

HEX #6D5578

RGB 109 85 120

HSL 281.14, 0.17%, 0.4%

LAB 39.76, 16.93, -16.08

 

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

CMYK 0 / 29 / 26 / 33

HEX #AA787E

RGB 170 120 126

HSL 352.8, 0.23%, 0.57%

LAB 55.57, 20.44, 4.55

 

CMYK 29 / 0 / 22 / 33

HEX #78AA85

RGB 120 170 133

HSL 135.6, 0.23%, 0.57%

LAB 65.31, -24.42, 13.84

 

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

CMYK 0 / 10 / 29 / 33

HEX #AA9978

RGB 170 153 120

HSL 39.6, 0.23%, 0.57%

LAB 63.9, 1.08, 19.66

 

CMYK 29 / 0 / 10 / 33

HEX #78AA99

RGB 120 170 153

HSL 159.6, 0.23%, 0.57%

LAB 65.78, -20.33, 3.44

 

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

CMYK 0 / 29 / 26 / 33

HEX #AA787E

RGB 170 120 126

HSL 352.8, 0.23%, 0.57%

LAB 55.57, 20.44, 4.55

 

CMYK 20 / 0 / 29 / 33

HEX #88AA78

RGB 136 170 120

HSL 100.8, 0.23%, 0.57%

LAB 66.01, -21.13, 22.08

 

CMYK 29 / 0 / 4 / 33

HEX #78AAA3

RGB 120 170 163

HSL 171.6, 0.23%, 0.57%

LAB 66.05, -18.09, -1.74

 

CMYK 9 / 29 / 0 / 33

HEX #9B79AB

RGB 155 121 171

HSL 280.8, 0.23%, 0.57%

LAB 55.67, 22.61, -21.58

 

CMYK 0 / 25 / 29 / 33

HEX #AA8078

RGB 170 128 120

HSL 9.6, 0.23%, 0.57%

LAB 57.41, 15.04, 10.64

 

CMYK 20 / 0 / 29 / 33

HEX #88AA78

RGB 136 170 120

HSL 100.8, 0.23%, 0.57%

LAB 66.01, -21.13, 22.08

 

CMYK 29 / 5 / 0 / 33

HEX #78A2AA

RGB 120 162 170

HSL 189.6, 0.23%, 0.57%

LAB 63.95, -12.21, -8.76

 

Description

Color code: CMYK 9 / 29 / 0 / 33 | qconv.com Color code: CMYK 9 / 29 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 121 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 121 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 29 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 29% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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