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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #795585 it is the complementary color #86AA7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #795585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #795585: #7E5580, #8F6793, #A079A6, #B18BB9 and #C29DCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #795585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #795585: #795585, #684372, #57315F, #461F4C and #350D39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

Complementary color

CMYK 21 / 0 / 28 / 33

HEX #86AA7A

RGB 134 170 122

HSL 105, 0.22%, 0.57%

LAB 65.92, -21.54, 20.85

 

CMYK 2 / 34 / 0 / 50

HEX #7E5580

RGB 126 85 128

HSL 297.21, 0.2%, 0.42%

LAB 41.99, 24.68, -17.39

 

CMYK 3 / 30 / 0 / 42

HEX #8F6793

RGB 143 103 147

HSL 294.55, 0.18%, 0.49%

LAB 49.06, 23.94, -17.79

 

CMYK 4 / 27 / 0 / 35

HEX #A079A6

RGB 160 121 166

HSL 292, 0.2%, 0.56%

LAB 55.99, 23.25, -18.16

 

CMYK 4 / 25 / 0 / 27

HEX #B18BB9

RGB 177 139 185

HSL 289.57, 0.25%, 0.64%

LAB 62.77, 22.63, -18.53

 

CMYK 5 / 23 / 0 / 20

HEX #C29DCC

RGB 194 157 204

HSL 287.23, 0.32%, 0.71%

LAB 69.43, 22.06, -18.88

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 9 / 41 / 0 / 55

HEX #684372

RGB 104 67 114

HSL 287.23, 0.26%, 0.35%

LAB 34.34, 24.85, -20.76

 

CMYK 8 / 48 / 0 / 63

HEX #57315F

RGB 87 49 95

HSL 289.57, 0.32%, 0.28%

LAB 26.87, 25.72, -20.42

 

CMYK 8 / 59 / 0 / 70

HEX #461F4C

RGB 70 31 76

HSL 292, 0.42%, 0.21%

LAB 19.24, 26.54, -19.93

 

CMYK 7 / 77 / 0 / 78

HEX #350D39

RGB 53 13 57

HSL 294.55, 0.63%, 0.14%

LAB 11.55, 26.91, -19.01

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 3 / 36 / 0 / 48

HEX #815585

RGB 129 85 133

HSL 295, 0.22%, 0.43%

LAB 42.55, 26.76, -19.53

 

CMYK 0 / 36 / 3 / 48

HEX #855581

RGB 133 85 129

HSL 305, 0.22%, 0.43%

LAB 42.87, 27.34, -16.58

 

CMYK 0 / 36 / 9 / 48

HEX #855579

RGB 133 85 121

HSL 315, 0.22%, 0.43%

LAB 42.56, 25.8, -12.17

 

CMYK 0 / 36 / 15 / 48

HEX #855571

RGB 133 85 113

HSL 325, 0.22%, 0.43%

LAB 42.27, 24.35, -7.71

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 9 / 36 / 0 / 28

HEX #A776B8

RGB 167 118 184

HSL 284.55, 0.32%, 0.59%

LAB 56.72, 30.99, -27.33

 

CMYK 9 / 36 / 0 / 8

HEX #D696EB

RGB 214 150 235

HSL 285.18, 0.68%, 0.75%

LAB 70.94, 38.41, -33.45

 

CMYK 10 / 35 / 0 / 88

HEX #1C141F

RGB 28 20 31

HSL 283.64, 0.22%, 0.1%

LAB 7.64, 6.78, -6.18

 

CMYK 9 / 37 / 0 / 68

HEX #4B3452

RGB 75 52 82

HSL 286, 0.22%, 0.26%

LAB 25.45, 16.52, -14.24

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 0 / 36 / 35 / 48

HEX #855557

RGB 133 85 87

HSL 357.5, 0.22%, 0.43%

LAB 41.49, 20.24, 7.13

 

CMYK 36 / 0 / 23 / 48

HEX #558566

RGB 85 133 102

HSL 141.25, 0.22%, 0.43%

LAB 51.46, -23.4, 11.65

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 0 / 9 / 36 / 48

HEX #857955

RGB 133 121 85

HSL 45, 0.22%, 0.43%

LAB 51.06, -1.11, 21.44

 

CMYK 36 / 0 / 9 / 48

HEX #558579

RGB 85 133 121

HSL 165, 0.22%, 0.43%

LAB 51.94, -19.15, 1.31

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 0 / 36 / 35 / 48

HEX #855557

RGB 133 85 87

HSL 357.5, 0.22%, 0.43%

LAB 41.49, 20.24, 7.13

 

CMYK 27 / 0 / 36 / 48

HEX #618555

RGB 97 133 85

HSL 105, 0.22%, 0.43%

LAB 51.81, -22.32, 21.93

 

CMYK 36 / 0 / 2 / 48

HEX #558583

RGB 85 133 131

HSL 177.5, 0.22%, 0.43%

LAB 52.23, -16.68, -4.09

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 0 / 27 / 36 / 48

HEX #856155

RGB 133 97 85

HSL 15, 0.22%, 0.43%

LAB 44.51, 12.88, 12.57

 

CMYK 27 / 0 / 36 / 48

HEX #618555

RGB 97 133 85

HSL 105, 0.22%, 0.43%

LAB 51.81, -22.32, 21.93

 

CMYK 36 / 9 / 0 / 48

HEX #557985

RGB 85 121 133

HSL 195, 0.22%, 0.43%

LAB 48.64, -9.5, -10.62

 

Description

Color code: HEX #795585 | qconv.com Color code: HEX #795585 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 85 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 85 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 36 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 36% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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