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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 88 / 41 / 0 / 38 it is the complementary color CMYK 0 / 31 / 59 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 88 / 41 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 88 / 41 / 0 / 38: CMYK 84 / 39 / 0 / 40, CMYK 76 / 35 / 0 / 33, CMYK 70 / 32 / 0 / 25, CMYK 64 / 30 / 0 / 18 and CMYK 60 / 28 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 88 / 41 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 88 / 41 / 0 / 38: CMYK 88 / 41 / 0 / 38, CMYK 99 / 46 / 0 / 45, CMYK 100 / 53 / 0 / 53, CMYK 100 / 61 / 0 / 60 and CMYK 100 / 74 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

Complementary color

CMYK 0 / 31 / 59 / 7

HEX #ECA261

RGB 236 162 97

HSL 28.06, 0.79%, 0.65%

LAB 72.59, 20.9, 44.44

 

CMYK 84 / 39 / 0 / 40

HEX #185D99

RGB 24 93 153

HSL 207.91, 0.73%, 0.35%

LAB 38.42, 1.81, -38.6

 

CMYK 76 / 35 / 0 / 33

HEX #296FAC

RGB 41 111 172

HSL 207.94, 0.62%, 0.42%

LAB 45.39, -0.25, -38.76

 

CMYK 70 / 32 / 0 / 25

HEX #3A81BF

RGB 58 129 191

HSL 207.97, 0.53%, 0.49%

LAB 52.24, -1.8, -38.89

 

CMYK 64 / 30 / 0 / 18

HEX #4B93D2

RGB 75 147 210

HSL 208, 0.6%, 0.56%

LAB 58.99, -3.01, -39

 

CMYK 60 / 28 / 0 / 10

HEX #5CA5E5

RGB 92 165 229

HSL 208.03, 0.72%, 0.63%

LAB 65.63, -3.96, -39.11

 

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

CMYK 99 / 46 / 0 / 45

HEX #024B8B

RGB 2 75 139

HSL 208.03, 0.97%, 0.28%

LAB 31.6, 6.4, -41.02

 

CMYK 100 / 53 / 0 / 53

HEX #003978

RGB 0 57 120

HSL 211.5, 1%, 0.24%

LAB 24.58, 10.57, -40.48

 

CMYK 100 / 61 / 0 / 60

HEX #002765

RGB 0 39 101

HSL 216.83, 1%, 0.2%

LAB 17.42, 15.27, -39.88

 

CMYK 100 / 74 / 0 / 68

HEX #001552

RGB 0 21 82

HSL 224.63, 1%, 0.16%

LAB 10.15, 20.34, -39.06

 

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

CMYK 89 / 56 / 0 / 38

HEX #12469F

RGB 18 70 159

HSL 217.87, 0.8%, 0.35%

LAB 31.83, 19.13, -52.81

 

CMYK 89 / 71 / 0 / 38

HEX #122E9F

RGB 18 46 159

HSL 228.09, 0.8%, 0.35%

LAB 25.52, 35.34, -63.15

 

CMYK 89 / 86 / 0 / 38

HEX #12179F

RGB 18 23 159

HSL 237.87, 0.8%, 0.35%

LAB 21, 48.23, -70.65

 

CMYK 77 / 89 / 0 / 38

HEX #25129F

RGB 37 18 159

HSL 248.09, 0.8%, 0.35%

LAB 21.32, 51.08, -70.09

 

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

CMYK 88 / 41 / 0 / 18

HEX #197BD1

RGB 25 123 209

HSL 208.04, 0.79%, 0.46%

LAB 50.66, 4.99, -51.71

 

CMYK 80 / 40 / 0 / 98

HEX #010305

RGB 1 3 5

HSL 210, 0.67%, 0.01%

LAB 0.75, -0.24, -0.94

 

CMYK 88 / 41 / 0 / 78

HEX #072138

RGB 7 33 56

HSL 208.16, 0.78%, 0.12%

LAB 12.08, -0.09, -17.76

 

CMYK 88 / 41 / 0 / 58

HEX #0D3F6B

RGB 13 63 107

HSL 208.09, 0.78%, 0.24%

LAB 25.87, 1.71, -30.12

 

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

CMYK 30 / 89 / 0 / 38

HEX #70129F

RGB 112 18 159

HSL 280, 0.8%, 0.35%

LAB 30.35, 58.85, -54.88

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

CMYK 0 / 89 / 42 / 38

HEX #9F125D

RGB 159 18 93

HSL 328.09, 0.8%, 0.35%

LAB 35.19, 58.22, -5.3

 

CMYK 42 / 0 / 89 / 38

HEX #5D9F12

RGB 93 159 18

HSL 88.09, 0.8%, 0.35%

LAB 59.13, -42, 58.3

 

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

CMYK 30 / 89 / 0 / 38

HEX #70129F

RGB 112 18 159

HSL 280, 0.8%, 0.35%

LAB 30.35, 58.85, -54.88

 

CMYK 0 / 47 / 89 / 38

HEX #9F5412

RGB 159 84 18

HSL 28.09, 0.8%, 0.35%

LAB 43.88, 26.77, 47.95

 

CMYK 59 / 0 / 89 / 38

HEX #419F12

RGB 65 159 18

HSL 100, 0.8%, 0.35%

LAB 58, -50.67, 56.89

 

CMYK 88 / 41 / 0 / 38

HEX #135D9E

RGB 19 93 158

HSL 208.06, 0.79%, 0.35%

LAB 38.61, 3.4, -41.28

 

CMYK 3 / 89 / 0 / 38

HEX #9B129F

RGB 155 18 159

HSL 298.3, 0.8%, 0.35%

LAB 37.67, 66.02, -42.7

 

CMYK 0 / 47 / 89 / 38

HEX #9F5412

RGB 159 84 18

HSL 28.09, 0.8%, 0.35%

LAB 43.88, 26.77, 47.95

 

CMYK 86 / 0 / 89 / 38

HEX #179F12

RGB 23 159 18

HSL 117.87, 0.8%, 0.35%

LAB 57.1, -58.38, 55.75

 

Description

Color code: CMYK 88 / 41 / 0 / 38 | qconv.com Color code: CMYK 88 / 41 / 0 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 93 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 93 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 41 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 41% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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