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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #969F12 it is the complementary color #6960ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #969F12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #969F12: #9B9F0D, #ACB120, #BDC333, #CED546 and #DFE759

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #969F12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #969F12: #969F12, #858D00, #747B00, #636900 and #525700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

Complementary color

CMYK 56 / 59 / 0 / 7

HEX #6960ED

RGB 105 96 237

HSL 243.83, 0.8%, 0.65%

LAB 48.86, 42.03, -70.25

 

CMYK 3 / 0 / 92 / 38

HEX #9B9F0D

RGB 155 159 13

HSL 61.64, 0.85%, 0.34%

LAB 63.17, -16.73, 64.18

 

CMYK 3 / 0 / 82 / 31

HEX #ACB120

RGB 172 177 32

HSL 62.07, 0.69%, 0.41%

LAB 69.7, -17.97, 66.1

 

CMYK 3 / 0 / 74 / 24

HEX #BDC333

RGB 189 195 51

HSL 62.5, 0.59%, 0.48%

LAB 76.12, -18.99, 66.73

 

CMYK 3 / 0 / 67 / 16

HEX #CED546

RGB 206 213 70

HSL 62.94, 0.63%, 0.55%

LAB 82.46, -19.82, 66.59

 

CMYK 3 / 0 / 61 / 9

HEX #DFE759

RGB 223 231 89

HSL 63.38, 0.75%, 0.63%

LAB 88.71, -20.52, 66.02

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 6 / 0 / 100 / 45

HEX #858D00

RGB 133 141 0

HSL 63.4, 1%, 0.28%

LAB 56.12, -17.52, 60

 

CMYK 6 / 0 / 100 / 52

HEX #747B00

RGB 116 123 0

HSL 63.41, 1%, 0.24%

LAB 49.35, -15.84, 54.36

 

CMYK 6 / 0 / 100 / 59

HEX #636900

RGB 99 105 0

HSL 63.43, 1%, 0.21%

LAB 42.39, -14.11, 48.58

 

CMYK 6 / 0 / 100 / 66

HEX #525700

RGB 82 87 0

HSL 63.45, 1%, 0.17%

LAB 35.22, -12.33, 42.62

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 19 / 0 / 89 / 37

HEX #81A011

RGB 129 160 17

HSL 73.01, 0.81%, 0.35%

LAB 61.52, -28.44, 61.35

 

CMYK 34 / 0 / 89 / 37

HEX #69A011

RGB 105 160 17

HSL 83.08, 0.81%, 0.35%

LAB 60.06, -38.07, 59.53

 

CMYK 49 / 0 / 89 / 37

HEX #52A011

RGB 82 160 17

HSL 92.73, 0.81%, 0.35%

LAB 58.95, -46.12, 58.16

 

CMYK 64 / 0 / 89 / 37

HEX #3AA011

RGB 58 160 17

HSL 102.8, 0.81%, 0.35%

LAB 58.11, -52.8, 57.11

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 6 / 0 / 89 / 18

HEX #C6D218

RGB 198 210 24

HSL 63.87, 0.79%, 0.46%

LAB 80.83, -23.39, 77.81

 

CMYK 0 / 0 / 83 / 98

HEX #060601

RGB 6 6 1

HSL 60, 0.71%, 0.01%

LAB 1.55, -0.7, 1.89

 

CMYK 5 / 0 / 89 / 78

HEX #363906

RGB 54 57 6

HSL 63.53, 0.81%, 0.12%

LAB 22.74, -8.65, 28.73

 

CMYK 6 / 0 / 89 / 58

HEX #666C0C

RGB 102 108 12

HSL 63.75, 0.8%, 0.24%

LAB 43.62, -14, 46.77

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 89 / 0 / 67 / 37

HEX #11A035

RGB 17 160 53

HSL 135.1, 0.81%, 0.35%

LAB 57.58, -56.62, 44.56

 

CMYK 31 / 89 / 0 / 37

HEX #6E11A0

RGB 110 17 160

HSL 279.02, 0.81%, 0.35%

LAB 30.04, 58.99, -56.01

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 89 / 4 / 0 / 37

HEX #1199A0

RGB 17 153 160

HSL 182.94, 0.81%, 0.35%

LAB 57.5, -29.86, -13.12

 

CMYK 0 / 89 / 4 / 37

HEX #A01199

RGB 160 17 153

HSL 302.94, 0.81%, 0.35%

LAB 38.15, 66.18, -38.24

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 89 / 0 / 67 / 37

HEX #11A035

RGB 17 160 53

HSL 135.1, 0.81%, 0.35%

LAB 57.58, -56.62, 44.56

 

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

CMYK 0 / 89 / 23 / 37

HEX #A0117C

RGB 160 17 124

HSL 315.1, 0.81%, 0.35%

LAB 36.61, 62.13, -22.8

 

CMYK 6 / 0 / 89 / 38

HEX #969F12

RGB 150 159 18

HSL 63.83, 0.8%, 0.35%

LAB 62.78, -18.85, 62.82

 

CMYK 89 / 0 / 40 / 37

HEX #11A060

RGB 17 160 96

HSL 153.15, 0.81%, 0.35%

LAB 58.14, -49.88, 23.8

 

CMYK 85 / 89 / 0 / 37

HEX #1811A0

RGB 24 17 160

HSL 242.94, 0.81%, 0.35%

LAB 20.57, 51.18, -71.96

 

CMYK 0 / 89 / 49 / 37

HEX #A01152

RGB 160 17 82

HSL 332.73, 0.81%, 0.35%

LAB 34.97, 57.64, 1.52

 

Description

Color code: HEX #969F12 | qconv.com Color code: HEX #969F12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 159 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 159 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 89 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 89% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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