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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 7 / 19 / 0 / 36 it is the complementary color CMYK 16 / 0 / 25 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 7 / 19 / 0 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 7 / 19 / 0 / 36: CMYK 1 / 16 / 0 / 38, CMYK 2 / 15 / 0 / 31, CMYK 3 / 14 / 0 / 23, CMYK 3 / 13 / 0 / 16 and CMYK 4 / 13 / 0 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 7 / 19 / 0 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 7 / 19 / 0 / 36: CMYK 7 / 19 / 0 / 36, CMYK 6 / 21 / 0 / 44, CMYK 6 / 23 / 0 / 51, CMYK 5 / 26 / 0 / 58 and CMYK 3 / 31 / 0 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

Complementary color

CMYK 16 / 0 / 25 / 52

HEX #677B5C

RGB 103 123 92

HSL 98.71, 0.14%, 0.42%

LAB 49.28, -13.55, 14.59

 

CMYK 1 / 16 / 0 / 38

HEX #9D849E

RGB 157 132 158

HSL 297.69, 0.12%, 0.57%

LAB 58.17, 14.29, -10.29

 

CMYK 2 / 15 / 0 / 31

HEX #AE96B1

RGB 174 150 177

HSL 293.33, 0.15%, 0.64%

LAB 64.95, 13.83, -10.76

 

CMYK 3 / 14 / 0 / 23

HEX #BFA8C4

RGB 191 168 196

HSL 289.29, 0.19%, 0.71%

LAB 71.6, 13.41, -11.22

 

CMYK 3 / 13 / 0 / 16

HEX #D0BAD7

RGB 208 186 215

HSL 285.52, 0.27%, 0.79%

LAB 78.13, 13.02, -11.67

 

CMYK 4 / 13 / 0 / 8

HEX #E1CCEA

RGB 225 204 234

HSL 282, 0.42%, 0.86%

LAB 84.55, 12.67, -12.12

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 6 / 21 / 0 / 44

HEX #877290

RGB 135 114 144

HSL 282, 0.12%, 0.51%

LAB 50.92, 14.03, -13.28

 

CMYK 6 / 23 / 0 / 51

HEX #76607D

RGB 118 96 125

HSL 285.52, 0.13%, 0.43%

LAB 43.8, 14.58, -12.89

 

CMYK 5 / 26 / 0 / 58

HEX #654E6A

RGB 101 78 106

HSL 289.29, 0.15%, 0.36%

LAB 36.47, 15.2, -12.5

 

CMYK 3 / 31 / 0 / 66

HEX #543C57

RGB 84 60 87

HSL 293.33, 0.18%, 0.29%

LAB 28.91, 15.91, -12.1

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 4 / 19 / 0 / 36

HEX #9C84A2

RGB 156 132 162

HSL 288, 0.14%, 0.58%

LAB 58.21, 14.74, -12.54

 

CMYK 1 / 19 / 0 / 36

HEX #A184A2

RGB 161 132 162

HSL 298, 0.14%, 0.58%

LAB 58.68, 16.5, -11.77

 

CMYK 0 / 19 / 2 / 36

HEX #A2849E

RGB 162 132 158

HSL 308, 0.14%, 0.58%

LAB 58.65, 16.08, -9.52

 

CMYK 0 / 19 / 6 / 36

HEX #A28499

RGB 162 132 153

HSL 318, 0.14%, 0.58%

LAB 58.49, 15.13, -6.88

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 7 / 19 / 0 / 16

HEX #C8ADD6

RGB 200 173 214

HSL 279.51, 0.33%, 0.76%

LAB 74.2, 17.23, -17.1

 

CMYK 10 / 20 / 0 / 96

HEX #09080A

RGB 9 8 10

HSL 270, 0.11%, 0.04%

LAB 2.29, 0.54, -0.67

 

CMYK 7 / 20 / 0 / 76

HEX #39313D

RGB 57 49 61

HSL 280, 0.11%, 0.22%

LAB 21.59, 6.31, -6.23

 

CMYK 7 / 19 / 0 / 56

HEX #685B70

RGB 104 91 112

HSL 277.14, 0.1%, 0.4%

LAB 40.57, 9.6, -9.99

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 0 / 19 / 15 / 36

HEX #A28489

RGB 162 132 137

HSL 350, 0.14%, 0.58%

LAB 58.03, 12.28, 1.63

 

CMYK 19 / 0 / 14 / 36

HEX #84A28B

RGB 132 162 139

HSL 134, 0.14%, 0.58%

LAB 63.84, -15.08, 8.55

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 0 / 7 / 19 / 36

HEX #A29784

RGB 162 151 132

HSL 38, 0.14%, 0.58%

LAB 62.91, 0.8, 11.47

 

CMYK 19 / 0 / 7 / 36

HEX #84A297

RGB 132 162 151

HSL 158, 0.14%, 0.58%

LAB 64.15, -12.67, 2.27

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 0 / 19 / 15 / 36

HEX #A28489

RGB 162 132 137

HSL 350, 0.14%, 0.58%

LAB 58.03, 12.28, 1.63

 

CMYK 12 / 0 / 19 / 36

HEX #8FA284

RGB 143 162 132

HSL 98, 0.14%, 0.58%

LAB 64.44, -12.41, 13.4

 

CMYK 19 / 0 / 3 / 36

HEX #84A29D

RGB 132 162 157

HSL 170, 0.14%, 0.58%

LAB 64.31, -11.4, -0.85

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 0 / 16 / 19 / 36

HEX #A28884

RGB 162 136 132

HSL 8, 0.14%, 0.58%

LAB 58.93, 9.19, 5.81

 

CMYK 12 / 0 / 19 / 36

HEX #8FA284

RGB 143 162 132

HSL 98, 0.14%, 0.58%

LAB 64.44, -12.41, 13.4

 

CMYK 19 / 2 / 0 / 36

HEX #849EA2

RGB 132 158 162

HSL 188, 0.14%, 0.58%

LAB 63.32, -8.15, -5.12

 

Description

Color code: CMYK 7 / 19 / 0 / 36 | qconv.com Color code: CMYK 7 / 19 / 0 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 132 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 132 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 19 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 19% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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