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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 2 / 36 it is the complementary color CMYK 25 / 0 / 23 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 2 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 19 / 2 / 36: CMYK 0 / 21 / 8 / 34, CMYK 0 / 19 / 6 / 27, CMYK 0 / 17 / 4 / 21, CMYK 0 / 15 / 3 / 14 and CMYK 0 / 14 / 2 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 2 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 19 / 2 / 36: CMYK 0 / 19 / 2 / 36, CMYK 0 / 22 / 3 / 43, CMYK 0 / 26 / 5 / 49, CMYK 0 / 30 / 8 / 56 and CMYK 0 / 37 / 12 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

Complementary color

CMYK 25 / 0 / 23 / 52

HEX #5C7B5F

RGB 92 123 95

HSL 125.81, 0.14%, 0.42%

LAB 48.6, -17.15, 11.78

 

CMYK 0 / 21 / 8 / 34

HEX #A8849B

RGB 168 132 155

HSL 321.67, 0.17%, 0.59%

LAB 59.15, 17.69, -6.99

 

CMYK 0 / 19 / 6 / 27

HEX #B996AE

RGB 185 150 174

HSL 318.86, 0.2%, 0.66%

LAB 65.89, 17.15, -7.57

 

CMYK 0 / 17 / 4 / 21

HEX #CAA8C1

RGB 202 168 193

HSL 315.88, 0.24%, 0.73%

LAB 72.5, 16.65, -8.12

 

CMYK 0 / 15 / 3 / 14

HEX #DBBAD4

RGB 219 186 212

HSL 312.73, 0.31%, 0.79%

LAB 79, 16.2, -8.65

 

CMYK 0 / 14 / 2 / 7

HEX #ECCCE7

RGB 236 204 231

HSL 309.38, 0.46%, 0.86%

LAB 85.4, 15.78, -9.17

 

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

CMYK 0 / 22 / 3 / 43

HEX #92728D

RGB 146 114 141

HSL 309.38, 0.13%, 0.51%

LAB 51.91, 17.39, -9.9

 

CMYK 0 / 26 / 5 / 49

HEX #81607A

RGB 129 96 122

HSL 312.73, 0.15%, 0.44%

LAB 44.85, 18.02, -9.36

 

CMYK 0 / 30 / 8 / 56

HEX #704E67

RGB 112 78 103

HSL 315.88, 0.18%, 0.37%

LAB 37.61, 18.72, -8.78

 

CMYK 0 / 37 / 12 / 63

HEX #5F3C54

RGB 95 60 84

HSL 318.86, 0.23%, 0.3%

LAB 30.17, 19.53, -8.12

 

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

CMYK 0 / 19 / 4 / 36

HEX #A2849B

RGB 162 132 155

HSL 314, 0.14%, 0.58%

LAB 58.56, 15.51, -7.94

 

CMYK 0 / 19 / 7 / 36

HEX #A28496

RGB 162 132 150

HSL 324, 0.14%, 0.58%

LAB 58.4, 14.58, -5.3

 

CMYK 0 / 19 / 10 / 36

HEX #A28491

RGB 162 132 145

HSL 334, 0.14%, 0.58%

LAB 58.25, 13.67, -2.64

 

CMYK 0 / 19 / 14 / 36

HEX #A2848C

RGB 162 132 140

HSL 344, 0.14%, 0.58%

LAB 58.11, 12.8, 0.03

 

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

CMYK 0 / 19 / 2 / 16

HEX #D6ADD2

RGB 214 173 210

HSL 305.85, 0.33%, 0.76%

LAB 75.35, 21.15, -13.07

 

CMYK 0 / 20 / 0 / 96

HEX #0A080A

RGB 10 8 10

HSL 300, 0.11%, 0.04%

LAB 2.35, 0.8, -0.57

 

CMYK 0 / 20 / 2 / 76

HEX #3D313C

RGB 61 49 60

HSL 305, 0.11%, 0.22%

LAB 22, 7.76, -4.9

 

CMYK 0 / 19 / 2 / 56

HEX #705B6E

RGB 112 91 110

HSL 305.71, 0.1%, 0.4%

LAB 41.3, 12.19, -7.58

 

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

CMYK 0 / 13 / 19 / 36

HEX #A28D84

RGB 162 141 132

HSL 18, 0.14%, 0.58%

LAB 60.25, 6.37, 7.69

 

CMYK 19 / 0 / 6 / 36

HEX #84A299

RGB 132 162 153

HSL 162, 0.14%, 0.58%

LAB 64.2, -12.25, 1.23

 

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

CMYK 1 / 0 / 19 / 36

HEX #A0A284

RGB 160 162 132

HSL 64, 0.14%, 0.58%

LAB 65.73, -5.98, 15.4

 

CMYK 19 / 1 / 0 / 36

HEX #84A0A2

RGB 132 160 162

HSL 184, 0.14%, 0.58%

LAB 63.88, -9.23, -4.28

 

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

CMYK 0 / 13 / 19 / 36

HEX #A28D84

RGB 162 141 132

HSL 18, 0.14%, 0.58%

LAB 60.25, 6.37, 7.69

 

CMYK 19 / 0 / 17 / 36

HEX #84A287

RGB 132 162 135

HSL 126, 0.14%, 0.58%

LAB 63.75, -15.84, 10.65

 

CMYK 19 / 5 / 0 / 36

HEX #849AA2

RGB 132 154 162

HSL 196, 0.14%, 0.58%

LAB 62.19, -5.95, -6.79

 

CMYK 0 / 19 / 2 / 36

HEX #A384A0

RGB 163 132 160

HSL 305.81, 0.14%, 0.58%

LAB 58.81, 16.82, -10.41

 

CMYK 0 / 7 / 19 / 36

HEX #A29684

RGB 162 150 132

HSL 36, 0.14%, 0.58%

LAB 62.64, 1.35, 11.09

 

CMYK 19 / 0 / 17 / 36

HEX #84A287

RGB 132 162 135

HSL 126, 0.14%, 0.58%

LAB 63.75, -15.84, 10.65

 

CMYK 19 / 10 / 0 / 36

HEX #8491A2

RGB 132 145 162

HSL 214, 0.14%, 0.58%

LAB 59.68, -0.94, -10.54

 

Description

Color code: CMYK 0 / 19 / 2 / 36 | qconv.com Color code: CMYK 0 / 19 / 2 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 132 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 132 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 2 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 2% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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