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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 75 / 39 / 0 / 28 it is the complementary color CMYK 0 / 32 / 66 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 75 / 39 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 75 / 39 / 0 / 28: CMYK 72 / 37 / 0 / 30, CMYK 66 / 34 / 0 / 22, CMYK 61 / 32 / 0 / 15, CMYK 57 / 30 / 0 / 7 and CMYK 53 / 28 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 75 / 39 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 75 / 39 / 0 / 28: CMYK 75 / 39 / 0 / 28, CMYK 82 / 43 / 0 / 35, CMYK 92 / 48 / 0 / 43, CMYK 100 / 54 / 0 / 50 and CMYK 100 / 63 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

Complementary color

CMYK 0 / 32 / 66 / 18

HEX #D18F47

RGB 209 143 71

HSL 31.3, 0.6%, 0.55%

LAB 64.69, 18.12, 47.42

 

CMYK 72 / 37 / 0 / 30

HEX #3370B3

RGB 51 112 179

HSL 211.41, 0.56%, 0.45%

LAB 46.37, 3.11, -41.26

 

CMYK 66 / 34 / 0 / 22

HEX #4482C6

RGB 68 130 198

HSL 211.38, 0.53%, 0.52%

LAB 53.25, 1.67, -41.28

 

CMYK 61 / 32 / 0 / 15

HEX #5594D9

RGB 85 148 217

HSL 211.36, 0.63%, 0.59%

LAB 60, 0.54, -41.3

 

CMYK 57 / 30 / 0 / 7

HEX #66A6EC

RGB 102 166 236

HSL 211.34, 0.78%, 0.66%

LAB 66.64, -0.37, -41.34

 

CMYK 53 / 28 / 0 / 0

HEX #77B8FF

RGB 119 184 255

HSL 211.32, 1%, 0.73%

LAB 73.17, -1.12, -41.39

 

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

CMYK 82 / 43 / 0 / 35

HEX #1D5EA5

RGB 29 94 165

HSL 211.32, 0.7%, 0.38%

LAB 39.55, 6.41, -43.94

 

CMYK 92 / 48 / 0 / 43

HEX #0C4C92

RGB 12 76 146

HSL 211.34, 0.85%, 0.31%

LAB 32.53, 9.25, -43.8

 

CMYK 100 / 54 / 0 / 50

HEX #003A7F

RGB 0 58 127

HSL 212.6, 1%, 0.25%

LAB 25.44, 12.94, -43.51

 

CMYK 100 / 63 / 0 / 58

HEX #00286C

RGB 0 40 108

HSL 217.78, 1%, 0.21%

LAB 18.37, 17.67, -42.9

 

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

CMYK 75 / 51 / 0 / 28

HEX #2D59B7

RGB 45 89 183

HSL 220.87, 0.61%, 0.45%

LAB 39.78, 18.49, -54.16

 

CMYK 75 / 64 / 0 / 28

HEX #2D42B7

RGB 45 66 183

HSL 230.87, 0.61%, 0.45%

LAB 33.72, 33.56, -64.03

 

CMYK 74 / 75 / 0 / 28

HEX #302DB7

RGB 48 45 183

HSL 241.3, 0.61%, 0.45%

LAB 29.22, 46.55, -71.43

 

CMYK 61 / 75 / 0 / 28

HEX #472DB7

RGB 71 45 183

HSL 251.3, 0.61%, 0.45%

LAB 30.96, 49, -68.49

 

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

CMYK 75 / 39 / 0 / 8

HEX #3B8FEB

RGB 59 143 235

HSL 211.36, 0.81%, 0.58%

LAB 58.58, 5.69, -53.62

 

CMYK 74 / 39 / 0 / 88

HEX #08131F

RGB 8 19 31

HSL 211.3, 0.59%, 0.08%

LAB 5.57, -0.22, -9.5

 

CMYK 74 / 39 / 0 / 68

HEX #153252

RGB 21 50 82

HSL 211.48, 0.59%, 0.2%

LAB 20.24, 1.32, -22.7

 

CMYK 75 / 39 / 0 / 48

HEX #215185

RGB 33 81 133

HSL 211.2, 0.6%, 0.33%

LAB 33.78, 2.75, -33.81

 

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

CMYK 21 / 75 / 0 / 28

HEX #902DB7

RGB 144 45 183

HSL 283.04, 0.61%, 0.45%

LAB 39.96, 61.02, -53.44

 

CMYK 9 / 0 / 75 / 28

HEX #A7B72D

RGB 167 183 45

HSL 66.96, 0.61%, 0.45%

LAB 71.06, -22.61, 63.35

 

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

CMYK 0 / 75 / 39 / 28

HEX #B72D70

RGB 183 45 112

HSL 330.87, 0.61%, 0.45%

LAB 42.93, 59.31, -5.29

 

CMYK 39 / 0 / 75 / 28

HEX #70B72D

RGB 112 183 45

HSL 90.87, 0.61%, 0.45%

LAB 67.65, -44.15, 58.91

 

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

CMYK 21 / 75 / 0 / 28

HEX #902DB7

RGB 144 45 183

HSL 283.04, 0.61%, 0.45%

LAB 39.96, 61.02, -53.44

 

CMYK 0 / 36 / 75 / 28

HEX #B7752D

RGB 183 117 45

HSL 31.3, 0.61%, 0.45%

LAB 55.05, 19.83, 48.44

 

CMYK 54 / 0 / 75 / 28

HEX #54B72D

RGB 84 183 45

HSL 103.04, 0.61%, 0.45%

LAB 66.48, -52.92, 57.36

 

CMYK 75 / 39 / 0 / 28

HEX #2E70B8

RGB 46 112 184

HSL 211.3, 0.6%, 0.45%

LAB 46.49, 4.26, -44

 

CMYK 0 / 75 / 1 / 28

HEX #B72DB5

RGB 183 45 181

HSL 300.87, 0.61%, 0.45%

LAB 46.02, 68.55, -42.21

 

CMYK 0 / 36 / 75 / 28

HEX #B7752D

RGB 183 117 45

HSL 31.3, 0.61%, 0.45%

LAB 55.05, 19.83, 48.44

 

CMYK 75 / 0 / 74 / 28

HEX #2DB730

RGB 45 183 48

HSL 121.3, 0.61%, 0.45%

LAB 65.47, -61.12, 54.97

 

Description

Color code: CMYK 75 / 39 / 0 / 28 | qconv.com Color code: CMYK 75 / 39 / 0 / 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 112 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 112 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 39 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 39% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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