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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4482C6 it is the complementary color #BB7D39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4482C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4482C6 shade: #4982C1, #5A94D4, #6BA6E7, #7CB8FA and #8DCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4482C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4482C6 shade: #4482C6, #3370B3, #225EA0, #114C8D and #003A7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4482C6 shade: #4482C5, #445FC5, #4C44C5, #6F44C5 and #9244C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4482C6 shade: #4482C5, #445FC5 and #4444C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4482C6 shade matches the following richer shades: #4482C5, #3081D9 and #1C80ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4482C6 shade: #4482C5, #5883B2, #6B839E, #7F848A and #938576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4482C6 shade: #44C5C3, #44A5C5, #4482C5, #4460C5 and #4A44C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4482C6 shade: #2B598C, #356DAB, #4482C5, #6397CF and #83ACD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4482C6 shade: #4482C6, #A144C5 and #B6C544

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4482C6 shade: #4482C6, #C54482 and #82C544

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4482C6 shade: #4482C6, #A144C5, #C58744 and #68C544

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4482C6 shade: #4482C6, #C544C3, #C58744 and #44C546

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 34 / 0 / 22

HEX #4482C6

RGB 68 130 198

HSL 211.38, 0.53%, 0.52%

LAB 53.25, 1.67, -41.28

 

Complementary color

CMYK 0 / 33 / 70 / 27

HEX #BB7D39

RGB 187 125 57

HSL 31.38, 0.53%, 0.48%

LAB 57.59, 17.74, 45.65

 

CMYK 62 / 33 / 0 / 24

HEX #4982C1

RGB 73 130 193

HSL 211.5, 0.49%, 0.52%

LAB 53.2, 0.86, -38.48

 

CMYK 58 / 30 / 0 / 17

HEX #5A94D4

RGB 90 148 212

HSL 211.48, 0.59%, 0.59%

LAB 59.99, -0.1, -38.51

 

CMYK 54 / 28 / 0 / 9

HEX #6BA6E7

RGB 107 166 231

HSL 211.45, 0.72%, 0.66%

LAB 66.65, -0.88, -38.56

 

CMYK 50 / 26 / 0 / 2

HEX #7CB8FA

RGB 124 184 250

HSL 211.43, 0.93%, 0.73%

LAB 73.2, -1.51, -38.63

 

CMYK 45 / 21 / 0 / 0

HEX #8DCAFF

RGB 141 202 255

HSL 207.89, 1%, 0.78%

LAB 79.11, -5.92, -32.09

 

CMYK 66 / 34 / 0 / 22

HEX #4482C6

RGB 68 130 198

HSL 211.38, 0.53%, 0.52%

LAB 53.25, 1.67, -41.28

 

CMYK 72 / 37 / 0 / 30

HEX #3370B3

RGB 51 112 179

HSL 211.41, 0.56%, 0.45%

LAB 46.37, 3.11, -41.26

 

CMYK 79 / 41 / 0 / 37

HEX #225EA0

RGB 34 94 160

HSL 211.43, 0.65%, 0.38%

LAB 39.38, 5, -41.22

 

CMYK 88 / 46 / 0 / 45

HEX #114C8D

RGB 17 76 141

HSL 211.45, 0.78%, 0.31%

LAB 32.28, 7.51, -41.13

 

CMYK 100 / 52 / 0 / 52

HEX #003A7A

RGB 0 58 122

HSL 211.48, 1%, 0.24%

LAB 25.05, 10.74, -40.99

 

CMYK 65 / 34 / 0 / 23

HEX #4482C5

RGB 68 130 197

HSL 211.16, 0.53%, 0.52%

LAB 53.2, 1.33, -40.79

 

CMYK 65 / 52 / 0 / 23

HEX #445FC5

RGB 68 95 197

HSL 227.44, 0.53%, 0.52%

LAB 43.43, 23.08, -56.38

 

CMYK 61 / 65 / 0 / 23

HEX #4C44C5

RGB 76 68 197

HSL 243.72, 0.53%, 0.52%

LAB 37.3, 41.2, -66.31

 

CMYK 44 / 65 / 0 / 23

HEX #6F44C5

RGB 111 68 197

HSL 260, 0.53%, 0.52%

LAB 40.48, 47.35, -60.99

 

CMYK 26 / 65 / 0 / 23

HEX #9244C5

RGB 146 68 197

HSL 276.28, 0.53%, 0.52%

LAB 44.63, 54.7, -54.09

 

CMYK 65 / 34 / 0 / 23

HEX #4482C5

RGB 68 130 197

HSL 211.16, 0.53%, 0.52%

LAB 53.2, 1.33, -40.79

 

CMYK 65 / 52 / 0 / 23

HEX #445FC5

RGB 68 95 197

HSL 227.44, 0.53%, 0.52%

LAB 43.43, 23.08, -56.38

 

CMYK 65 / 65 / 0 / 23

HEX #4444C5

RGB 68 68 197

HSL 240, 0.53%, 0.52%

LAB 36.73, 40.05, -67.26

 

CMYK 65 / 34 / 0 / 23

HEX #4482C5

RGB 68 130 197

HSL 211.16, 0.53%, 0.52%

LAB 53.2, 1.33, -40.79

 

CMYK 78 / 41 / 0 / 15

HEX #3081D9

RGB 48 129 217

HSL 211.24, 0.69%, 0.52%

LAB 53.32, 6.31, -51.96

 

CMYK 88 / 46 / 0 / 7

HEX #1C80ED

RGB 28 128 237

HSL 211.29, 0.85%, 0.52%

LAB 53.81, 12.83, -62.4

 

CMYK 65 / 34 / 0 / 23

HEX #4482C5

RGB 68 130 197

HSL 211.16, 0.53%, 0.52%

LAB 53.2, 1.33, -40.79

 

CMYK 51 / 26 / 0 / 30

HEX #5883B2

RGB 88 131 178

HSL 211.33, 0.37%, 0.52%

LAB 53.52, -1.37, -29.35

 

CMYK 32 / 17 / 0 / 38

HEX #6B839E

RGB 107 131 158

HSL 211.76, 0.21%, 0.52%

LAB 53.84, -1.92, -17.22

 

CMYK 8 / 4 / 0 / 46

HEX #7F848A

RGB 127 132 138

HSL 212.73, 0.04%, 0.52%

LAB 54.92, -0.6, -3.87

 

CMYK 0 / 10 / 20 / 42

HEX #938576

RGB 147 133 118

HSL 31.03, 0.12%, 0.52%

LAB 56.37, 2.71, 10.01

 

CMYK 65 / 0 / 1 / 23

HEX #44C5C3

RGB 68 197 195

HSL 179.07, 0.53%, 0.52%

LAB 72.96, -34.88, -9.34

 

CMYK 65 / 16 / 0 / 23

HEX #44A5C5

RGB 68 165 197

HSL 194.88, 0.53%, 0.52%

LAB 63.48, -18.37, -24.77

 

CMYK 65 / 34 / 0 / 23

HEX #4482C5

RGB 68 130 197

HSL 211.16, 0.53%, 0.52%

LAB 53.2, 1.33, -40.79

 

CMYK 65 / 51 / 0 / 23

HEX #4460C5

RGB 68 96 197

HSL 226.98, 0.53%, 0.52%

LAB 43.69, 22.45, -55.95

 

CMYK 62 / 65 / 0 / 23

HEX #4A44C5

RGB 74 68 197

HSL 242.79, 0.53%, 0.52%

LAB 37.15, 40.9, -66.56

 

CMYK 69 / 36 / 0 / 45

HEX #2B598C

RGB 43 89 140

HSL 211.55, 0.53%, 0.36%

LAB 37.03, 1.86, -32.92

 

CMYK 69 / 36 / 0 / 33

HEX #356DAB

RGB 53 109 171

HSL 211.53, 0.53%, 0.44%

LAB 45.13, 2.37, -38.56

 

CMYK 65 / 34 / 0 / 23

HEX #4482C5

RGB 68 130 197

HSL 211.16, 0.53%, 0.52%

LAB 53.2, 1.33, -40.79

 

CMYK 52 / 27 / 0 / 19

HEX #6397CF

RGB 99 151 207

HSL 211.11, 0.53%, 0.6%

LAB 61.04, -1.46, -34.04

 

CMYK 40 / 21 / 0 / 15

HEX #83ACD9

RGB 131 172 217

HSL 211.4, 0.53%, 0.68%

LAB 69, -2.48, -27.14

 

CMYK 66 / 34 / 0 / 22

HEX #4482C6

RGB 68 130 198

HSL 211.38, 0.53%, 0.52%

LAB 53.25, 1.67, -41.28

 

CMYK 18 / 65 / 0 / 23

HEX #A144C5

RGB 161 68 197

HSL 283.26, 0.53%, 0.52%

LAB 46.63, 58.07, -50.75

 

CMYK 8 / 0 / 65 / 23

HEX #B6C544

RGB 182 197 68

HSL 66.98, 0.53%, 0.52%

LAB 76.25, -22, 60.44

 

CMYK 66 / 34 / 0 / 22

HEX #4482C6

RGB 68 130 198

HSL 211.38, 0.53%, 0.52%

LAB 53.25, 1.67, -41.28

 

CMYK 0 / 65 / 34 / 23

HEX #C54482

RGB 197 68 130

HSL 331.16, 0.53%, 0.52%

LAB 49.03, 56.79, -6.97

 

CMYK 34 / 0 / 65 / 23

HEX #82C544

RGB 130 197 68

HSL 91.16, 0.53%, 0.52%

LAB 72.95, -42.18, 55.96

 

CMYK 66 / 34 / 0 / 22

HEX #4482C6

RGB 68 130 198

HSL 211.38, 0.53%, 0.52%

LAB 53.25, 1.67, -41.28

 

CMYK 18 / 65 / 0 / 23

HEX #A144C5

RGB 161 68 197

HSL 283.26, 0.53%, 0.52%

LAB 46.63, 58.07, -50.75

 

CMYK 0 / 31 / 65 / 23

HEX #C58744

RGB 197 135 68

HSL 31.16, 0.53%, 0.52%

LAB 61.32, 17.19, 44.73

 

CMYK 47 / 0 / 65 / 23

HEX #68C544

RGB 104 197 68

HSL 103.26, 0.53%, 0.52%

LAB 71.75, -50.71, 54.31

 

CMYK 66 / 34 / 0 / 22

HEX #4482C6

RGB 68 130 198

HSL 211.38, 0.53%, 0.52%

LAB 53.25, 1.67, -41.28

 

CMYK 0 / 65 / 1 / 23

HEX #C544C3

RGB 197 68 195

HSL 300.93, 0.53%, 0.52%

LAB 51.77, 66.06, -41.1

 

CMYK 0 / 31 / 65 / 23

HEX #C58744

RGB 197 135 68

HSL 31.16, 0.53%, 0.52%

LAB 61.32, 17.19, 44.73

 

CMYK 65 / 0 / 64 / 23

HEX #44C546

RGB 68 197 70

HSL 120.93, 0.53%, 0.52%

LAB 70.6, -59.64, 51.87

 

Description

Color code: HEX #4482C6 | qconv.com Color code: HEX #4482C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 130 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 130 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 34 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 34% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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