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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 75 / 0 / 4 it is the complementary color CMYK 87 / 0 / 95 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 75 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 6 / 75 / 0 / 4: CMYK 2 / 75 / 0 / 6, CMYK 1 / 69 / 0 / 0, CMYK 0 / 62 / 0 / 0, CMYK 0 / 55 / 0 / 0 and CMYK 0 / 48 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 75 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 6 / 75 / 0 / 4: CMYK 6 / 75 / 0 / 4, CMYK 6 / 81 / 0 / 11, CMYK 5 / 88 / 0 / 19, CMYK 5 / 96 / 0 / 26 and CMYK 4 / 100 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

Complementary color

CMYK 87 / 0 / 95 / 24

HEX #19C20A

RGB 25 194 10

HSL 115.11, 0.9%, 0.4%

LAB 68.61, -68.58, 66.78

 

CMYK 2 / 75 / 0 / 6

HEX #EB3DF0

RGB 235 61 240

HSL 298.32, 0.86%, 0.59%

LAB 59.24, 83.72, -54.41

 

CMYK 1 / 69 / 0 / 0

HEX #FC4FFF

RGB 252 79 255

HSL 298.98, 1%, 0.65%

LAB 64.57, 83.98, -54.1

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

CMYK 6 / 81 / 0 / 11

HEX #D52BE2

RGB 213 43 226

HSL 295.74, 0.76%, 0.53%

LAB 53.35, 82.03, -56.17

 

CMYK 5 / 88 / 0 / 19

HEX #C419CF

RGB 196 25 207

HSL 296.37, 0.78%, 0.45%

LAB 48.18, 79.6, -53.76

 

CMYK 5 / 96 / 0 / 26

HEX #B307BC

RGB 179 7 188

HSL 297.02, 0.93%, 0.38%

LAB 43.31, 76.03, -50.69

 

CMYK 4 / 100 / 0 / 34

HEX #A200A9

RGB 162 0 169

HSL 297.51, 1%, 0.33%

LAB 38.8, 71.05, -46.82

 

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

CMYK 0 / 75 / 6 / 4

HEX #F43DE5

RGB 244 61 229

HSL 304.92, 0.89%, 0.6%

LAB 60.09, 83.86, -46.82

 

CMYK 0 / 75 / 19 / 4

HEX #F43DC6

RGB 244 61 198

HSL 315.08, 0.89%, 0.6%

LAB 58.65, 79.63, -31.52

 

CMYK 0 / 75 / 31 / 4

HEX #F43DA8

RGB 244 61 168

HSL 324.92, 0.89%, 0.6%

LAB 57.46, 76.05, -16.01

 

CMYK 0 / 75 / 44 / 4

HEX #F43D89

RGB 244 61 137

HSL 335.08, 0.89%, 0.6%

LAB 56.46, 72.96, 0.73

 

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

CMYK 7 / 76 / 0 / 84

HEX #260A29

RGB 38 10 41

HSL 294.19, 0.61%, 0.1%

LAB 7.13, 20.13, -14.44

 

CMYK 7 / 75 / 0 / 64

HEX #56175C

RGB 86 23 92

HSL 294.78, 0.6%, 0.23%

LAB 21.45, 38.52, -27.02

 

CMYK 6 / 75 / 0 / 44

HEX #86248F

RGB 134 36 143

HSL 294.95, 0.6%, 0.35%

LAB 34.63, 54.48, -38.02

 

CMYK 6 / 75 / 0 / 24

HEX #B630C2

RGB 182 48 194

HSL 295.07, 0.6%, 0.47%

LAB 46.91, 69.58, -48.39

 

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

CMYK 0 / 66 / 75 / 4

HEX #F4523D

RGB 244 82 61

HSL 6.89, 0.89%, 0.6%

LAB 57.66, 60.81, 46.17

 

CMYK 75 / 0 / 36 / 4

HEX #3DF49C

RGB 61 244 156

HSL 151.15, 0.89%, 0.6%

LAB 86.05, -64.33, 29.82

 

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

CMYK 0 / 6 / 75 / 4

HEX #F4E53D

RGB 244 229 61

HSL 55.08, 0.89%, 0.6%

LAB 89.68, -12.36, 77.73

 

CMYK 75 / 0 / 6 / 4

HEX #3DF4E5

RGB 61 244 229

HSL 175.08, 0.89%, 0.6%

LAB 87.66, -47.46, -5.69

 

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

CMYK 0 / 66 / 75 / 4

HEX #F4523D

RGB 244 82 61

HSL 6.89, 0.89%, 0.6%

LAB 57.66, 60.81, 46.17

 

CMYK 69 / 0 / 75 / 4

HEX #4CF43D

RGB 76 244 61

HSL 115.08, 0.89%, 0.6%

LAB 85.29, -74.25, 70.53

 

CMYK 75 / 9 / 0 / 4

HEX #3DDFF4

RGB 61 223 244

HSL 186.89, 0.89%, 0.6%

LAB 82, -33.76, -22.06

 

CMYK 6 / 75 / 0 / 4

HEX #E63DF5

RGB 230 61 245

HSL 295.11, 0.9%, 0.6%

LAB 58.75, 83.55, -58.04

 

CMYK 0 / 44 / 75 / 4

HEX #F4893D

RGB 244 137 61

HSL 24.92, 0.89%, 0.6%

LAB 67.62, 35.22, 56.53

 

CMYK 69 / 0 / 75 / 4

HEX #4CF43D

RGB 76 244 61

HSL 115.08, 0.89%, 0.6%

LAB 85.29, -74.25, 70.53

 

CMYK 75 / 31 / 0 / 4

HEX #3DA8F4

RGB 61 168 244

HSL 204.92, 0.89%, 0.6%

LAB 66.16, -5.37, -46.56

 

Description

Color code: CMYK 6 / 75 / 0 / 4 | qconv.com Color code: CMYK 6 / 75 / 0 / 4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 61 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 61 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 75 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 75% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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