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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C419CF it is the complementary color #3BE630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C419CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C419CF shade: #C919CA, #DA2BDD, #EB3DF0, #FC4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C419CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C419CF shade: #C419CF, #B307BC, #A200A9, #910096 and #800083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C419CF shade: #C119CC, #CC19A7, #CC1977, #CC1946 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C419CF shade: #C119CC, #9119CC, #6119CC, #3119CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C419CF shade matches the following richer shades: #C119CC and #D207DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C419CF shade: #C119CC, #B12CBA, #A13EA7, #905195 and #806482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C419CF shade: #6119CC, #9119CC, #C019CC, #CC19A8 and #CC1979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C419CF shade: #7C1083, #9F15A8, #C119CC, #D92AE5 and #E04FE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C419CF shade: #C419CF, #CC3119 and #19CC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C419CF shade: #C419CF, #CCC019 and #19CCC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C419CF shade: #C419CF, #CC3119, #25CC19 and #19B4CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C419CF shade: #C419CF, #CC6719, #25CC19 and #197FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 88 / 0 / 19

HEX #C419CF

RGB 196 25 207

HSL 296.37, 0.78%, 0.45%

LAB 48.18, 79.6, -53.76

 

Complementary color

CMYK 74 / 0 / 79 / 10

HEX #3BE630

RGB 59 230 48

HSL 116.37, 0.78%, 0.55%

LAB 80.59, -73.53, 69.79

 

CMYK 0 / 88 / 0 / 21

HEX #C919CA

RGB 201 25 202

HSL 299.66, 0.78%, 0.45%

LAB 48.73, 79.69, -49.94

 

CMYK 1 / 81 / 0 / 13

HEX #DA2BDD

RGB 218 43 221

HSL 298.99, 0.72%, 0.52%

LAB 53.87, 82.16, -52.45

 

CMYK 2 / 75 / 0 / 6

HEX #EB3DF0

RGB 235 61 240

HSL 298.32, 0.86%, 0.59%

LAB 59.24, 83.72, -54.41

 

CMYK 1 / 69 / 0 / 0

HEX #FC4FFF

RGB 252 79 255

HSL 298.98, 1%, 0.65%

LAB 64.57, 83.98, -54.1

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 5 / 88 / 0 / 19

HEX #C419CF

RGB 196 25 207

HSL 296.37, 0.78%, 0.45%

LAB 48.18, 79.6, -53.76

 

CMYK 5 / 96 / 0 / 26

HEX #B307BC

RGB 179 7 188

HSL 297.02, 0.93%, 0.38%

LAB 43.31, 76.03, -50.69

 

CMYK 4 / 100 / 0 / 34

HEX #A200A9

RGB 162 0 169

HSL 297.51, 1%, 0.33%

LAB 38.8, 71.05, -46.82

 

CMYK 3 / 100 / 0 / 41

HEX #910096

RGB 145 0 150

HSL 298, 1%, 0.29%

LAB 34.44, 65.3, -42.5

 

CMYK 2 / 100 / 0 / 49

HEX #800083

RGB 128 0 131

HSL 298.63, 1%, 0.26%

LAB 29.98, 59.42, -38.06

 

CMYK 5 / 88 / 0 / 20

HEX #C119CC

RGB 193 25 204

HSL 296.31, 0.78%, 0.45%

LAB 47.49, 78.63, -53.17

 

CMYK 0 / 88 / 18 / 20

HEX #CC19A7

RGB 204 25 167

HSL 312.4, 0.78%, 0.45%

LAB 47.39, 75.39, -31.52

 

CMYK 0 / 88 / 42 / 20

HEX #CC1977

RGB 204 25 119

HSL 328.49, 0.78%, 0.45%

LAB 45.45, 70.11, -5.45

 

CMYK 0 / 88 / 66 / 20

HEX #CC1946

RGB 204 25 70

HSL 344.92, 0.78%, 0.45%

LAB 44.2, 66.58, 23.28

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 5 / 88 / 0 / 20

HEX #C119CC

RGB 193 25 204

HSL 296.31, 0.78%, 0.45%

LAB 47.49, 78.63, -53.17

 

CMYK 29 / 88 / 0 / 20

HEX #9119CC

RGB 145 25 204

HSL 280.22, 0.78%, 0.45%

LAB 39.71, 71.12, -66.13

 

CMYK 52 / 88 / 0 / 20

HEX #6119CC

RGB 97 25 204

HSL 264.13, 0.78%, 0.45%

LAB 33.13, 65.33, -77.18

 

CMYK 76 / 88 / 0 / 20

HEX #3119CC

RGB 49 25 204

HSL 248.04, 0.78%, 0.45%

LAB 28.66, 61.85, -84.72

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 5 / 88 / 0 / 20

HEX #C119CC

RGB 193 25 204

HSL 296.31, 0.78%, 0.45%

LAB 47.49, 78.63, -53.17

 

CMYK 6 / 97 / 0 / 13

HEX #D207DF

RGB 210 7 223

HSL 296.39, 0.94%, 0.45%

LAB 50.9, 86.26, -58.42

 

CMYK 5 / 88 / 0 / 20

HEX #C119CC

RGB 193 25 204

HSL 296.31, 0.78%, 0.45%

LAB 47.49, 78.63, -53.17

 

CMYK 5 / 76 / 0 / 27

HEX #B12CBA

RGB 177 44 186

HSL 296.2, 0.62%, 0.45%

LAB 45.21, 68.43, -46.49

 

CMYK 4 / 63 / 0 / 35

HEX #A13EA7

RGB 161 62 167

HSL 296.57, 0.46%, 0.45%

LAB 43.96, 54.89, -37.42

 

CMYK 3 / 46 / 0 / 42

HEX #905195

RGB 144 81 149

HSL 295.59, 0.3%, 0.45%

LAB 44.21, 37.22, -26.46

 

CMYK 2 / 23 / 0 / 49

HEX #806482

RGB 128 100 130

HSL 296, 0.13%, 0.45%

LAB 46.06, 16.87, -12.37

 

CMYK 52 / 88 / 0 / 20

HEX #6119CC

RGB 97 25 204

HSL 264.13, 0.78%, 0.45%

LAB 33.13, 65.33, -77.18

 

CMYK 29 / 88 / 0 / 20

HEX #9119CC

RGB 145 25 204

HSL 280.22, 0.78%, 0.45%

LAB 39.71, 71.12, -66.13

 

CMYK 6 / 88 / 0 / 20

HEX #C019CC

RGB 192 25 204

HSL 295.98, 0.78%, 0.45%

LAB 47.32, 78.46, -53.45

 

CMYK 0 / 88 / 18 / 20

HEX #CC19A8

RGB 204 25 168

HSL 312.07, 0.78%, 0.45%

LAB 47.44, 75.52, -32.04

 

CMYK 0 / 88 / 41 / 20

HEX #CC1979

RGB 204 25 121

HSL 327.82, 0.78%, 0.45%

LAB 45.51, 70.29, -6.59

 

CMYK 5 / 88 / 0 / 49

HEX #7C1083

RGB 124 16 131

HSL 296.35, 0.78%, 0.29%

LAB 30.14, 56.01, -37.84

 

CMYK 5 / 88 / 0 / 34

HEX #9F15A8

RGB 159 21 168

HSL 296.33, 0.78%, 0.37%

LAB 39.13, 67.66, -45.73

 

CMYK 5 / 88 / 0 / 20

HEX #C119CC

RGB 193 25 204

HSL 296.31, 0.78%, 0.45%

LAB 47.49, 78.63, -53.17

 

CMYK 5 / 82 / 0 / 10

HEX #D92AE5

RGB 217 42 229

HSL 296.15, 0.78%, 0.53%

LAB 54.1, 83.44, -56.63

 

CMYK 4 / 66 / 0 / 9

HEX #E04FE9

RGB 224 79 233

HSL 296.49, 0.78%, 0.61%

LAB 59.27, 74.4, -50.56

 

CMYK 5 / 88 / 0 / 19

HEX #C419CF

RGB 196 25 207

HSL 296.37, 0.78%, 0.45%

LAB 48.18, 79.6, -53.76

 

CMYK 0 / 76 / 88 / 20

HEX #CC3119

RGB 204 49 25

HSL 8.04, 0.78%, 0.45%

LAB 45.78, 59.03, 50.01

 

CMYK 88 / 0 / 41 / 20

HEX #19CC79

RGB 25 204 121

HSL 152.18, 0.78%, 0.45%

LAB 72.74, -60.26, 29.9

 

CMYK 5 / 88 / 0 / 19

HEX #C419CF

RGB 196 25 207

HSL 296.37, 0.78%, 0.45%

LAB 48.18, 79.6, -53.76

 

CMYK 0 / 6 / 88 / 20

HEX #CCC019

RGB 204 192 25

HSL 55.98, 0.78%, 0.45%

LAB 76.44, -11.87, 74.33

 

CMYK 88 / 0 / 6 / 20

HEX #19CCC0

RGB 25 204 192

HSL 175.98, 0.78%, 0.45%

LAB 74.32, -43.25, -5.77

 

CMYK 5 / 88 / 0 / 19

HEX #C419CF

RGB 196 25 207

HSL 296.37, 0.78%, 0.45%

LAB 48.18, 79.6, -53.76

 

CMYK 0 / 76 / 88 / 20

HEX #CC3119

RGB 204 49 25

HSL 8.04, 0.78%, 0.45%

LAB 45.78, 59.03, 50.01

 

CMYK 82 / 0 / 88 / 20

HEX #25CC19

RGB 37 204 25

HSL 115.98, 0.78%, 0.45%

LAB 71.99, -69.84, 67.4

 

CMYK 88 / 12 / 0 / 20

HEX #19B4CC

RGB 25 180 204

HSL 188.04, 0.78%, 0.45%

LAB 67.43, -28.44, -22.68

 

CMYK 5 / 88 / 0 / 19

HEX #C419CF

RGB 196 25 207

HSL 296.37, 0.78%, 0.45%

LAB 48.18, 79.6, -53.76

 

CMYK 0 / 50 / 88 / 20

HEX #CC6719

RGB 204 103 25

HSL 26.15, 0.78%, 0.45%

LAB 54.67, 35.56, 57.02

 

CMYK 82 / 0 / 88 / 20

HEX #25CC19

RGB 37 204 25

HSL 115.98, 0.78%, 0.45%

LAB 71.99, -69.84, 67.4

 

CMYK 88 / 38 / 0 / 20

HEX #197FCC

RGB 25 127 204

HSL 205.81, 0.78%, 0.45%

LAB 51.55, 0.63, -47.45

 

Description

Color code: HEX #C419CF | qconv.com Color code: HEX #C419CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 25 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 25 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 88 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 88% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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