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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 67 / 57 / 0 / 15 it is the complementary color CMYK 0 / 11 / 79 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 67 / 57 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 67 / 57 / 0 / 15: CMYK 64 / 56 / 0 / 17, CMYK 59 / 52 / 0 / 9, CMYK 56 / 48 / 0 / 2, CMYK 50 / 42 / 0 / 0 and CMYK 43 / 35 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 67 / 57 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 67 / 57 / 0 / 15: CMYK 67 / 57 / 0 / 15, CMYK 72 / 62 / 0 / 22, CMYK 79 / 68 / 0 / 30, CMYK 87 / 76 / 0 / 37 and CMYK 97 / 85 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

Complementary color

CMYK 0 / 11 / 79 / 28

HEX #B7A226

RGB 183 162 38

HSL 51.31, 0.66%, 0.43%

LAB 66.56, -5.14, 61.98

 

CMYK 64 / 56 / 0 / 17

HEX #4D5DD4

RGB 77 93 212

HSL 232.89, 0.61%, 0.57%

LAB 44.46, 31.02, -63.31

 

CMYK 59 / 52 / 0 / 9

HEX #5E6FE7

RGB 94 111 231

HSL 232.55, 0.74%, 0.64%

LAB 51.29, 29.14, -62.99

 

CMYK 56 / 48 / 0 / 2

HEX #6F81FA

RGB 111 129 250

HSL 232.23, 0.93%, 0.71%

LAB 58.02, 27.55, -62.67

 

CMYK 50 / 42 / 0 / 0

HEX #8093FF

RGB 128 147 255

HSL 231.02, 1%, 0.75%

LAB 63.9, 21.96, -55.96

 

CMYK 43 / 35 / 0 / 0

HEX #91A5FF

RGB 145 165 255

HSL 229.09, 1%, 0.78%

LAB 69.58, 15.52, -46.91

 

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

CMYK 72 / 62 / 0 / 22

HEX #374BC6

RGB 55 75 198

HSL 231.61, 0.57%, 0.5%

LAB 37.7, 34.36, -66.29

 

CMYK 79 / 68 / 0 / 30

HEX #2639B3

RGB 38 57 179

HSL 231.91, 0.65%, 0.43%

LAB 30.86, 37.15, -66.36

 

CMYK 87 / 76 / 0 / 37

HEX #1527A0

RGB 21 39 160

HSL 232.23, 0.77%, 0.35%

LAB 24.16, 40.22, -66.01

 

CMYK 97 / 85 / 0 / 45

HEX #04158D

RGB 4 21 141

HSL 232.55, 0.94%, 0.28%

LAB 17.85, 42.99, -64.77

 

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

CMYK 65 / 67 / 0 / 15

HEX #4B48D9

RGB 75 72 217

HSL 241.24, 0.66%, 0.57%

LAB 39.82, 45.18, -73.76

 

CMYK 54 / 67 / 0 / 15

HEX #6348D9

RGB 99 72 217

HSL 251.17, 0.66%, 0.57%

LAB 41.68, 48.69, -70.63

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 32 / 67 / 0 / 15

HEX #9348D9

RGB 147 72 217

HSL 271.03, 0.66%, 0.57%

LAB 46.77, 57.6, -62.12

 

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

CMYK 69 / 54 / 0 / 95

HEX #04060D

RGB 4 6 13

HSL 226.67, 0.53%, 0.03%

LAB 1.67, 0.49, -2.93

 

CMYK 67 / 58 / 0 / 75

HEX #151B40

RGB 21 27 64

HSL 231.63, 0.51%, 0.17%

LAB 11.37, 10.88, -24.52

 

CMYK 67 / 57 / 0 / 55

HEX #263173

RGB 38 49 115

HSL 231.43, 0.5%, 0.3%

LAB 23.16, 18.47, -39.54

 

CMYK 67 / 57 / 0 / 35

HEX #3747A6

RGB 55 71 166

HSL 231.35, 0.5%, 0.43%

LAB 34.13, 25.43, -53.22

 

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

CMYK 0 / 67 / 3 / 15

HEX #D948D2

RGB 217 72 210

HSL 302.9, 0.66%, 0.57%

LAB 56.13, 71.65, -42.62

 

CMYK 30 / 0 / 67 / 15

HEX #98D948

RGB 152 217 72

HSL 86.9, 0.66%, 0.57%

LAB 80.05, -42.68, 62.23

 

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

CMYK 0 / 67 / 57 / 15

HEX #D9485E

RGB 217 72 94

HSL 350.9, 0.66%, 0.57%

LAB 52.06, 57.91, 19.49

 

CMYK 57 / 0 / 67 / 15

HEX #5ED948

RGB 94 217 72

HSL 110.9, 0.66%, 0.57%

LAB 77.56, -60.61, 58.84

 

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

CMYK 0 / 67 / 3 / 15

HEX #D948D2

RGB 217 72 210

HSL 302.9, 0.66%, 0.57%

LAB 56.13, 71.65, -42.62

 

CMYK 0 / 10 / 67 / 15

HEX #D9C448

RGB 217 196 72

HSL 51.31, 0.66%, 0.57%

LAB 78.87, -6.57, 62.43

 

CMYK 67 / 0 / 63 / 15

HEX #48D950

RGB 72 217 80

HSL 123.31, 0.66%, 0.57%

LAB 77.03, -64.65, 54.81

 

CMYK 67 / 57 / 0 / 15

HEX #485DD9

RGB 72 93 217

HSL 231.31, 0.66%, 0.57%

LAB 44.54, 31.97, -66.05

 

CMYK 0 / 67 / 23 / 15

HEX #D948A7

RGB 217 72 167

HSL 320.69, 0.66%, 0.57%

LAB 54.21, 65.4, -20.79

 

CMYK 0 / 10 / 67 / 15

HEX #D9C448

RGB 217 196 72

HSL 51.31, 0.66%, 0.57%

LAB 78.87, -6.57, 62.43

 

CMYK 67 / 0 / 43 / 15

HEX #48D97B

RGB 72 217 123

HSL 141.1, 0.66%, 0.57%

LAB 77.54, -58.79, 35.28

 

Description

Color code: CMYK 67 / 57 / 0 / 15 | qconv.com Color code: CMYK 67 / 57 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 93 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 93 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 57 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 57% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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