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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 72 217 it is the complementary color RGB 132 183 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 72 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 72 217: RGB 128 72 212, RGB 145 90 231, RGB 162 108 250, RGB 179 126 255 and RGB 196 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 72 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 72 217: RGB 123 72 217, RGB 106 54 198, RGB 89 36 179, RGB 72 18 160 and RGB 55 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

Complementary color

CMYK 28 / 0 / 79 / 28

HEX #84B726

RGB 132 183 38

HSL 81.1, 0.66%, 0.43%

LAB 68.69, -37.17, 62.48

 

CMYK 40 / 66 / 0 / 17

HEX #8048D4

RGB 128 72 212

HSL 264, 0.62%, 0.56%

LAB 44.2, 52.56, -63.54

 

CMYK 37 / 61 / 0 / 9

HEX #915AE7

RGB 145 90 231

HSL 263.4, 0.75%, 0.63%

LAB 50.81, 51.55, -63.56

 

CMYK 35 / 57 / 0 / 2

HEX #A26CFA

RGB 162 108 250

HSL 262.82, 0.93%, 0.7%

LAB 57.37, 50.51, -63.49

 

CMYK 30 / 51 / 0 / 0

HEX #B37EFF

RGB 179 126 255

HSL 264.65, 1%, 0.75%

LAB 63.12, 46.07, -56.96

 

CMYK 23 / 44 / 0 / 0

HEX #C490FF

RGB 196 144 255

HSL 268.11, 1%, 0.78%

LAB 68.68, 40.74, -48.04

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 46 / 73 / 0 / 22

HEX #6A36C6

RGB 106 54 198

HSL 261.67, 0.57%, 0.49%

LAB 37.44, 53.85, -66.55

 

CMYK 50 / 80 / 0 / 30

HEX #5924B3

RGB 89 36 179

HSL 262.24, 0.67%, 0.42%

LAB 30.97, 54.4, -66.03

 

CMYK 55 / 89 / 0 / 37

HEX #4812A0

RGB 72 18 160

HSL 262.82, 0.8%, 0.35%

LAB 24.79, 54.03, -64.84

 

CMYK 61 / 100 / 0 / 45

HEX #37008D

RGB 55 0 141

HSL 263.4, 1%, 0.28%

LAB 18.95, 52.59, -62.84

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 32 / 67 / 0 / 15

HEX #9348D9

RGB 147 72 217

HSL 271.03, 0.66%, 0.57%

LAB 46.77, 57.6, -62.12

 

CMYK 21 / 67 / 0 / 15

HEX #AB48D9

RGB 171 72 217

HSL 280.97, 0.66%, 0.57%

LAB 49.86, 62.63, -56.99

 

CMYK 10 / 67 / 0 / 15

HEX #C448D9

RGB 196 72 217

HSL 291.31, 0.66%, 0.57%

LAB 53.36, 68.09, -51.19

 

CMYK 0 / 67 / 1 / 15

HEX #D948D7

RGB 217 72 215

HSL 300.83, 0.66%, 0.57%

LAB 56.38, 72.44, -45.07

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 46 / 69 / 0 / 95

HEX #07040D

RGB 7 4 13

HSL 260, 0.53%, 0.03%

LAB 1.45, 2.07, -3.23

 

CMYK 44 / 67 / 0 / 75

HEX #241540

RGB 36 21 64

HSL 260.93, 0.51%, 0.17%

LAB 11.15, 19.19, -24.8

 

CMYK 43 / 67 / 0 / 55

HEX #412673

RGB 65 38 115

HSL 261.04, 0.5%, 0.3%

LAB 22.82, 31.4, -39.97

 

CMYK 43 / 67 / 0 / 35

HEX #5E37A6

RGB 94 55 166

HSL 261.08, 0.5%, 0.43%

LAB 33.7, 42.5, -53.77

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 0 / 67 / 36 / 15

HEX #D9488A

RGB 217 72 138

HSL 332.69, 0.66%, 0.57%

LAB 53.19, 61.91, -5.21

 

CMYK 63 / 0 / 67 / 15

HEX #50D948

RGB 80 217 72

HSL 116.69, 0.66%, 0.57%

LAB 77.16, -63.83, 58.29

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 0 / 43 / 67 / 15

HEX #D97B48

RGB 217 123 72

HSL 21.1, 0.66%, 0.57%

LAB 61.12, 32.23, 43.15

 

CMYK 67 / 0 / 43 / 15

HEX #48D97B

RGB 72 217 123

HSL 141.1, 0.66%, 0.57%

LAB 77.54, -58.79, 35.28

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 0 / 67 / 36 / 15

HEX #D9488A

RGB 217 72 138

HSL 332.69, 0.66%, 0.57%

LAB 53.19, 61.91, -5.21

 

CMYK 23 / 0 / 67 / 15

HEX #A7D948

RGB 167 217 72

HSL 80.69, 0.66%, 0.57%

LAB 80.91, -37.12, 63.39

 

CMYK 67 / 0 / 30 / 15

HEX #48D998

RGB 72 217 152

HSL 153.1, 0.66%, 0.57%

LAB 78.03, -53.36, 21.02

 

CMYK 43 / 67 / 0 / 15

HEX #7B48D9

RGB 123 72 217

HSL 261.1, 0.66%, 0.57%

LAB 44.02, 52.9, -66.71

 

CMYK 0 / 67 / 57 / 15

HEX #D9485E

RGB 217 72 94

HSL 350.9, 0.66%, 0.57%

LAB 52.06, 57.91, 19.49

 

CMYK 23 / 0 / 67 / 15

HEX #A7D948

RGB 167 217 72

HSL 80.69, 0.66%, 0.57%

LAB 80.91, -37.12, 63.39

 

CMYK 67 / 0 / 10 / 15

HEX #48D9C4

RGB 72 217 196

HSL 171.31, 0.66%, 0.57%

LAB 79.03, -43.08, -0.9

 

Description

Color code: RGB 123 72 217 | qconv.com Color code: RGB 123 72 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 72 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 72 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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