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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 67 / 0 / 89 / 41 it is the complementary color CMYK 14 / 56 / 0 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 67 / 0 / 89 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 67 / 0 / 89 / 41: CMYK 63 / 0 / 92 / 41, CMYK 57 / 0 / 82 / 34, CMYK 52 / 0 / 73 / 27, CMYK 48 / 0 / 66 / 20 and CMYK 45 / 0 / 60 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 67 / 0 / 89 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 67 / 0 / 89 / 41: CMYK 67 / 0 / 89 / 41, CMYK 75 / 0 / 100 / 48, CMYK 86 / 0 / 100 / 55, CMYK 100 / 0 / 100 / 62 and CMYK 100 / 0 / 100 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

Complementary color

CMYK 14 / 56 / 0 / 7

HEX #CD69EE

RGB 205 105 238

HSL 285.11, 0.8%, 0.67%

LAB 61.01, 59.67, -50.75

 

CMYK 63 / 0 / 92 / 41

HEX #37960C

RGB 55 150 12

HSL 101.3, 0.85%, 0.32%

LAB 54.71, -50.19, 55.11

 

CMYK 57 / 0 / 82 / 34

HEX #48A81F

RGB 72 168 31

HSL 102.04, 0.69%, 0.39%

LAB 61.2, -51.49, 56.6

 

CMYK 52 / 0 / 73 / 27

HEX #59BA32

RGB 89 186 50

HSL 102.79, 0.58%, 0.46%

LAB 67.63, -52.3, 56.82

 

CMYK 48 / 0 / 66 / 20

HEX #6ACC45

RGB 106 204 69

HSL 103.56, 0.57%, 0.54%

LAB 73.98, -52.77, 56.33

 

CMYK 45 / 0 / 60 / 13

HEX #7BDE58

RGB 123 222 88

HSL 104.33, 0.67%, 0.61%

LAB 80.27, -53.02, 55.48

 

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

CMYK 75 / 0 / 100 / 48

HEX #218400

RGB 33 132 0

HSL 105, 1%, 0.26%

LAB 48.04, -49.17, 51.52

 

CMYK 86 / 0 / 100 / 55

HEX #107200

RGB 16 114 0

HSL 111.58, 1%, 0.22%

LAB 41.45, -46, 46.14

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

CMYK 81 / 0 / 89 / 41

HEX #1C9710

RGB 28 151 16

HSL 114.67, 0.81%, 0.33%

LAB 54.47, -55.45, 53.9

 

CMYK 89 / 0 / 81 / 41

HEX #10971C

RGB 16 151 28

HSL 125.33, 0.81%, 0.33%

LAB 54.37, -56.1, 50.67

 

CMYK 89 / 0 / 67 / 41

HEX #109732

RGB 16 151 50

HSL 135.11, 0.81%, 0.33%

LAB 54.53, -54.17, 42.52

 

CMYK 89 / 0 / 52 / 41

HEX #109748

RGB 16 151 72

HSL 144.89, 0.81%, 0.33%

LAB 54.77, -51.13, 32.22

 

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

CMYK 67 / 0 / 89 / 21

HEX #43C917

RGB 67 201 23

HSL 105.17, 0.79%, 0.44%

LAB 71.57, -64.3, 67.63

 

CMYK 67 / 0 / 88 / 1

HEX #54FC1D

RGB 84 252 29

HSL 105.2, 0.97%, 0.55%

LAB 87.77, -76.74, 80.58

 

CMYK 67 / 0 / 90 / 81

HEX #103005

RGB 16 48 5

HSL 104.65, 0.81%, 0.1%

LAB 16.68, -21.33, 21.5

 

CMYK 67 / 0 / 89 / 61

HEX #21630B

RGB 33 99 11

HSL 105, 0.8%, 0.22%

LAB 36.5, -37.1, 39.25

 

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

CMYK 89 / 0 / 5 / 41

HEX #109790

RGB 16 151 144

HSL 176.89, 0.81%, 0.33%

LAB 56.34, -33.95, -5.71

 

CMYK 0 / 89 / 31 / 41

HEX #971068

RGB 151 16 104

HSL 320.89, 0.81%, 0.33%

LAB 33.88, 57.87, -14.51

 

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

CMYK 89 / 67 / 0 / 41

HEX #103297

RGB 16 50 151

HSL 224.89, 0.81%, 0.33%

LAB 25.64, 29.5, -58.07

 

CMYK 0 / 89 / 67 / 41

HEX #971032

RGB 151 16 50

HSL 344.89, 0.81%, 0.33%

LAB 32.21, 53.21, 18.4

 

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

CMYK 89 / 0 / 5 / 41

HEX #109790

RGB 16 151 144

HSL 176.89, 0.81%, 0.33%

LAB 56.34, -33.95, -5.71

 

CMYK 23 / 89 / 0 / 41

HEX #751097

RGB 117 16 151

HSL 284.89, 0.81%, 0.33%

LAB 30.37, 58.46, -49.94

 

CMYK 0 / 89 / 85 / 41

HEX #971017

RGB 151 16 23

HSL 356.89, 0.81%, 0.33%

LAB 31.83, 52.11, 34.81

 

CMYK 67 / 0 / 89 / 41

HEX #329611

RGB 50 150 17

HSL 105.11, 0.8%, 0.33%

LAB 54.59, -51.19, 53.96

 

CMYK 89 / 23 / 0 / 41

HEX #107597

RGB 16 117 151

HSL 195.11, 0.81%, 0.33%

LAB 45.73, -14.11, -25.92

 

CMYK 23 / 89 / 0 / 41

HEX #751097

RGB 117 16 151

HSL 284.89, 0.81%, 0.33%

LAB 30.37, 58.46, -49.94

 

CMYK 0 / 67 / 89 / 41

HEX #973210

RGB 151 50 16

HSL 15.11, 0.81%, 0.33%

LAB 35.79, 40.82, 41.67

 

Description

Color code: CMYK 67 / 0 / 89 / 41 | qconv.com Color code: CMYK 67 / 0 / 89 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 150 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 150 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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