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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 151 72 it is the complementary color RGB 239 104 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 151 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 151 72 shade: RGB 21 151 67, RGB 38 169 86, RGB 55 187 105, RGB 72 205 124 and RGB 89 223 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 151 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 151 72 shade: RGB 16 151 72, RGB 0 133 53, RGB 0 115 34, RGB 0 97 15 and RGB 0 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 151 72 shade: RGB 15 152 72, RGB 15 152 35, RGB 32 152 15, RGB 69 152 15 and RGB 106 152 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 151 72 shade: RGB 15 152 72, RGB 15 152 109, RGB 15 152 146, RGB 15 121 152 and RGB 15 85 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 151 72 shade matches the following richer shades: RGB 15 152 72 and RGB 2 165 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 151 72 shade: RGB 15 152 72, RGB 29 138 74, RGB 43 125 77, RGB 56 111 79 and RGB 70 97 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 151 72 shade: RGB 34 152 15, RGB 15 152 34, RGB 15 152 70, RGB 15 152 106 and RGB 15 152 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 151 72 shade: RGB 8 77 36, RGB 12 114 54, RGB 15 152 72, RGB 19 189 90 and RGB 23 226 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 151 72 shade: RGB 16 151 72, RGB 15 70 152 and RGB 152 15 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 151 72 shade: RGB 16 151 72, RGB 70 15 152 and RGB 152 70 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 151 72 shade: RGB 16 151 72, RGB 15 70 152, RGB 152 15 97 and RGB 152 97 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 151 72 shade: RGB 16 151 72, RGB 15 29 152, RGB 152 15 97 and RGB 152 138 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 52 / 41

HEX #109748

RGB 16 151 72

HSL 144.89, 0.81%, 0.33%

LAB 54.77, -51.13, 32.22

 

Complementary color

CMYK 0 / 56 / 23 / 6

HEX #EF68B7

RGB 239 104 183

HSL 324.89, 0.81%, 0.67%

LAB 63.07, 60.36, -16.23

 

CMYK 86 / 0 / 56 / 41

HEX #159743

RGB 21 151 67

HSL 141.23, 0.76%, 0.34%

LAB 54.76, -51.48, 34.75

 

CMYK 78 / 0 / 49 / 34

HEX #26A956

RGB 38 169 86

HSL 141.98, 0.63%, 0.41%

LAB 61.19, -52.83, 33.07

 

CMYK 71 / 0 / 44 / 27

HEX #37BB69

RGB 55 187 105

HSL 142.73, 0.55%, 0.47%

LAB 67.56, -53.65, 31.47

 

CMYK 65 / 0 / 40 / 20

HEX #48CD7C

RGB 72 205 124

HSL 143.46, 0.57%, 0.54%

LAB 73.87, -54.1, 29.98

 

CMYK 60 / 0 / 36 / 13

HEX #59DF8F

RGB 89 223 143

HSL 144.18, 0.68%, 0.61%

LAB 80.11, -54.32, 28.58

 

CMYK 89 / 0 / 52 / 41

HEX #109748

RGB 16 151 72

HSL 144.89, 0.81%, 0.33%

LAB 54.77, -51.13, 32.22

 

CMYK 100 / 0 / 60 / 48

HEX #008535

RGB 0 133 53

HSL 143.91, 1%, 0.26%

LAB 48.3, -49.01, 34

 

CMYK 100 / 0 / 70 / 55

HEX #007322

RGB 0 115 34

HSL 137.74, 1%, 0.23%

LAB 41.81, -45.56, 35.69

 

CMYK 100 / 0 / 85 / 62

HEX #00610F

RGB 0 97 15

HSL 129.28, 1%, 0.19%

LAB 35.17, -41.56, 36.54

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 90 / 0 / 53 / 40

HEX #0F9848

RGB 15 152 72

HSL 144.96, 0.82%, 0.33%

LAB 55.1, -51.55, 32.62

 

CMYK 90 / 0 / 77 / 40

HEX #0F9823

RGB 15 152 35

HSL 128.76, 0.82%, 0.33%

LAB 54.74, -55.99, 48.72

 

CMYK 79 / 0 / 90 / 40

HEX #20980F

RGB 32 152 15

HSL 112.55, 0.82%, 0.33%

LAB 54.86, -55.24, 54.47

 

CMYK 55 / 0 / 90 / 40

HEX #45980F

RGB 69 152 15

HSL 96.35, 0.82%, 0.33%

LAB 55.84, -47.07, 55.7

 

CMYK 30 / 0 / 90 / 40

HEX #6A980F

RGB 106 152 15

HSL 80.15, 0.82%, 0.33%

LAB 57.61, -34.16, 57.9

 

CMYK 90 / 0 / 53 / 40

HEX #0F9848

RGB 15 152 72

HSL 144.96, 0.82%, 0.33%

LAB 55.1, -51.55, 32.62

 

CMYK 90 / 0 / 28 / 40

HEX #0F986D

RGB 15 152 109

HSL 161.17, 0.82%, 0.33%

LAB 55.75, -44.04, 13.36

 

CMYK 90 / 0 / 4 / 40

HEX #0F9892

RGB 15 152 146

HSL 177.37, 0.82%, 0.33%

LAB 56.72, -33.87, -6.3

 

CMYK 90 / 20 / 0 / 40

HEX #0F7998

RGB 15 121 152

HSL 193.58, 0.82%, 0.33%

LAB 47.03, -16.06, -24.48

 

CMYK 90 / 44 / 0 / 40

HEX #0F5598

RGB 15 85 152

HSL 209.34, 0.82%, 0.33%

LAB 35.72, 5.9, -42.3

 

CMYK 90 / 0 / 53 / 40

HEX #0F9848

RGB 15 152 72

HSL 144.96, 0.82%, 0.33%

LAB 55.1, -51.55, 32.62

 

CMYK 99 / 0 / 58 / 35

HEX #02A546

RGB 2 165 70

HSL 145.03, 0.98%, 0.33%

LAB 59.31, -56.93, 38.7

 

CMYK 90 / 0 / 53 / 40

HEX #0F9848

RGB 15 152 72

HSL 144.96, 0.82%, 0.33%

LAB 55.1, -51.55, 32.62

 

CMYK 79 / 0 / 46 / 46

HEX #1D8A4A

RGB 29 138 74

HSL 144.77, 0.65%, 0.33%

LAB 50.61, -44.7, 25.94

 

CMYK 66 / 0 / 38 / 51

HEX #2B7D4D

RGB 43 125 77

HSL 144.88, 0.49%, 0.33%

LAB 46.6, -36.42, 19.09

 

CMYK 50 / 0 / 29 / 56

HEX #386F4F

RGB 56 111 79

HSL 145.09, 0.33%, 0.33%

LAB 42.42, -26.25, 12.32

 

CMYK 28 / 0 / 16 / 62

HEX #466151

RGB 70 97 81

HSL 144.44, 0.16%, 0.33%

LAB 38.63, -13.78, 5.91

 

CMYK 78 / 0 / 90 / 40

HEX #22980F

RGB 34 152 15

HSL 111.68, 0.82%, 0.33%

LAB 54.9, -54.94, 54.51

 

CMYK 90 / 0 / 78 / 40

HEX #0F9822

RGB 15 152 34

HSL 128.32, 0.82%, 0.33%

LAB 54.73, -56.07, 49.06

 

CMYK 90 / 0 / 54 / 40

HEX #0F9846

RGB 15 152 70

HSL 144.09, 0.82%, 0.33%

LAB 55.07, -51.87, 33.61

 

CMYK 90 / 0 / 30 / 40

HEX #0F986A

RGB 15 152 106

HSL 159.85, 0.82%, 0.33%

LAB 55.68, -44.75, 14.95

 

CMYK 90 / 0 / 6 / 40

HEX #0F988F

RGB 15 152 143

HSL 176.06, 0.82%, 0.33%

LAB 56.63, -34.78, -4.72

 

CMYK 90 / 0 / 53 / 70

HEX #084D24

RGB 8 77 36

HSL 144.35, 0.81%, 0.17%

LAB 28.08, -30.72, 18.66

 

CMYK 89 / 0 / 53 / 55

HEX #0C7236

RGB 12 114 54

HSL 144.71, 0.81%, 0.25%

LAB 41.81, -41.27, 25.66

 

CMYK 90 / 0 / 53 / 40

HEX #0F9848

RGB 15 152 72

HSL 144.96, 0.82%, 0.33%

LAB 55.1, -51.55, 32.62

 

CMYK 90 / 0 / 52 / 26

HEX #13BD5A

RGB 19 189 90

HSL 145.06, 0.82%, 0.41%

LAB 67.48, -60.9, 38.84

 

CMYK 90 / 0 / 52 / 11

HEX #17E26C

RGB 23 226 108

HSL 145.12, 0.82%, 0.49%

LAB 79.42, -69.89, 44.83

 

CMYK 89 / 0 / 52 / 41

HEX #109748

RGB 16 151 72

HSL 144.89, 0.81%, 0.33%

LAB 54.77, -51.13, 32.22

 

CMYK 90 / 54 / 0 / 40

HEX #0F4698

RGB 15 70 152

HSL 215.91, 0.82%, 0.33%

LAB 31.23, 16.05, -49.55

 

CMYK 0 / 90 / 90 / 40

HEX #980F0F

RGB 152 15 15

HSL 0, 0.82%, 0.33%

LAB 31.92, 52.4, 39.17

 

CMYK 89 / 0 / 52 / 41

HEX #109748

RGB 16 151 72

HSL 144.89, 0.81%, 0.33%

LAB 54.77, -51.13, 32.22

 

CMYK 54 / 90 / 0 / 40

HEX #460F98

RGB 70 15 152

HSL 264.09, 0.82%, 0.33%

LAB 23.37, 52.68, -62.28

 

CMYK 0 / 54 / 90 / 40

HEX #98460F

RGB 152 70 15

HSL 24.09, 0.82%, 0.33%

LAB 39.73, 31.32, 45.23

 

CMYK 89 / 0 / 52 / 41

HEX #109748

RGB 16 151 72

HSL 144.89, 0.81%, 0.33%

LAB 54.77, -51.13, 32.22

 

CMYK 90 / 54 / 0 / 40

HEX #0F4698

RGB 15 70 152

HSL 215.91, 0.82%, 0.33%

LAB 31.23, 16.05, -49.55

 

CMYK 0 / 90 / 36 / 40

HEX #980F61

RGB 152 15 97

HSL 324.09, 0.82%, 0.33%

LAB 33.73, 57.49, -10.21

 

CMYK 0 / 36 / 90 / 40

HEX #98610F

RGB 152 97 15

HSL 35.91, 0.82%, 0.33%

LAB 45.99, 16.23, 50.14

 

CMYK 89 / 0 / 52 / 41

HEX #109748

RGB 16 151 72

HSL 144.89, 0.81%, 0.33%

LAB 54.77, -51.13, 32.22

 

CMYK 90 / 81 / 0 / 40

HEX #0F1D98

RGB 15 29 152

HSL 233.87, 0.82%, 0.33%

LAB 21.01, 42.87, -66.34

 

CMYK 0 / 90 / 36 / 40

HEX #980F61

RGB 152 15 97

HSL 324.09, 0.82%, 0.33%

LAB 33.73, 57.49, -10.21

 

CMYK 0 / 9 / 90 / 40

HEX #988A0F

RGB 152 138 15

HSL 53.87, 0.82%, 0.33%

LAB 56.97, -6.94, 58.82

 

Description

Color code: RGB 16 151 72 | qconv.com Color code: RGB 16 151 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 151 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 151 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 52 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 52% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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