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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 0 / 44 / 37 it is the complementary color CMYK 0 / 49 / 10 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 0 / 44 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 0 / 44 / 37: CMYK 52 / 0 / 47 / 37, CMYK 47 / 0 / 42 / 30, CMYK 44 / 0 / 38 / 23, CMYK 40 / 0 / 34 / 16 and CMYK 38 / 0 / 31 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 0 / 44 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 0 / 44 / 37: CMYK 55 / 0 / 44 / 37, CMYK 62 / 0 / 50 / 44, CMYK 70 / 0 / 58 / 51, CMYK 80 / 0 / 69 / 58 and CMYK 96 / 0 / 84 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

Complementary color

CMYK 0 / 49 / 10 / 28

HEX #B75EA5

RGB 183 94 165

HSL 312.13, 0.38%, 0.54%

LAB 52.72, 45.45, -22.35

 

CMYK 52 / 0 / 47 / 37

HEX #4DA155

RGB 77 161 85

HSL 125.71, 0.35%, 0.47%

LAB 59.64, -41.88, 31.86

 

CMYK 47 / 0 / 42 / 30

HEX #5EB368

RGB 94 179 104

HSL 127.06, 0.36%, 0.54%

LAB 66.23, -41.8, 30.51

 

CMYK 44 / 0 / 38 / 23

HEX #6FC57B

RGB 111 197 123

HSL 128.37, 0.43%, 0.6%

LAB 72.72, -41.62, 29.23

 

CMYK 40 / 0 / 34 / 16

HEX #80D78E

RGB 128 215 142

HSL 129.66, 0.52%, 0.67%

LAB 79.12, -41.4, 28.02

 

CMYK 38 / 0 / 31 / 9

HEX #91E9A1

RGB 145 233 161

HSL 130.91, 0.67%, 0.74%

LAB 85.44, -41.15, 26.88

 

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

CMYK 62 / 0 / 50 / 44

HEX #378F47

RGB 55 143 71

HSL 130.91, 0.44%, 0.39%

LAB 52.85, -42.27, 30.52

 

CMYK 70 / 0 / 58 / 51

HEX #267D34

RGB 38 125 52

HSL 129.66, 0.53%, 0.32%

LAB 46.08, -41.79, 32.02

 

CMYK 80 / 0 / 69 / 58

HEX #156B21

RGB 21 107 33

HSL 128.37, 0.67%, 0.25%

LAB 39.22, -40.68, 33.4

 

CMYK 96 / 0 / 84 / 65

HEX #04590E

RGB 4 89 14

HSL 127.06, 0.91%, 0.18%

LAB 32.26, -38.55, 34.12

 

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

CMYK 55 / 0 / 35 / 37

HEX #48A169

RGB 72 161 105

HSL 142.25, 0.38%, 0.46%

LAB 59.79, -39.71, 21.31

 

CMYK 55 / 0 / 25 / 37

HEX #48A178

RGB 72 161 120

HSL 152.36, 0.38%, 0.46%

LAB 60.09, -36.61, 13.43

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 55 / 0 / 7 / 37

HEX #48A195

RGB 72 161 149

HSL 171.91, 0.38%, 0.46%

LAB 60.81, -29.59, -1.82

 

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

CMYK 55 / 0 / 44 / 17

HEX #5FD477

RGB 95 212 119

HSL 132.31, 0.58%, 0.6%

LAB 76.59, -52.74, 36.19

 

CMYK 50 / 0 / 50 / 97

HEX #040804

RGB 4 8 4

HSL 120, 0.33%, 0.02%

LAB 1.88, -1.6, 1.15

 

CMYK 56 / 0 / 44 / 77

HEX #1A3B21

RGB 26 59 33

HSL 132.73, 0.39%, 0.17%

LAB 21.79, -19.01, 12.5

 

CMYK 55 / 0 / 45 / 57

HEX #316E3D

RGB 49 110 61

HSL 131.8, 0.38%, 0.31%

LAB 41.44, -31.38, 21.46

 

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

CMYK 55 / 22 / 0 / 37

HEX #487EA1

RGB 72 126 161

HSL 203.6, 0.38%, 0.46%

LAB 50.54, -7.5, -24.2

 

CMYK 0 / 55 / 44 / 37

HEX #A1485A

RGB 161 72 90

HSL 347.87, 0.38%, 0.46%

LAB 42.69, 38.67, 7.54

 

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

CMYK 44 / 55 / 0 / 37

HEX #5A48A1

RGB 90 72 161

HSL 252.13, 0.38%, 0.46%

LAB 36.71, 30.2, -45.92

 

CMYK 0 / 44 / 55 / 37

HEX #A15A48

RGB 161 90 72

HSL 12.13, 0.38%, 0.46%

LAB 46.12, 27.26, 23.11

 

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

CMYK 55 / 22 / 0 / 37

HEX #487EA1

RGB 72 126 161

HSL 203.6, 0.38%, 0.46%

LAB 50.54, -7.5, -24.2

 

CMYK 0 / 55 / 11 / 37

HEX #A14890

RGB 161 72 144

HSL 311.46, 0.38%, 0.46%

LAB 44.55, 46.21, -22.73

 

CMYK 0 / 33 / 55 / 37

HEX #A16C48

RGB 161 108 72

HSL 24.27, 0.38%, 0.46%

LAB 50.42, 17.09, 28.59

 

CMYK 55 / 0 / 44 / 37

HEX #48A15A

RGB 72 161 90

HSL 132.13, 0.38%, 0.46%

LAB 59.53, -42.41, 29.06

 

CMYK 55 / 39 / 0 / 37

HEX #4863A1

RGB 72 99 161

HSL 221.8, 0.38%, 0.46%

LAB 42.57, 8.84, -36.65

 

CMYK 0 / 55 / 11 / 37

HEX #A14890

RGB 161 72 144

HSL 311.46, 0.38%, 0.46%

LAB 44.55, 46.21, -22.73

 

CMYK 0 / 16 / 55 / 37

HEX #A18748

RGB 161 135 72

HSL 42.47, 0.38%, 0.46%

LAB 57.44, 1.81, 37.18

 

Description

Color code: CMYK 55 / 0 / 44 / 37 | qconv.com Color code: CMYK 55 / 0 / 44 / 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 161 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 161 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 44 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 44% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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