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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 0 / 16 / 37 it is the complementary color CMYK 0 / 49 / 34 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 0 / 16 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 0 / 16 / 37: CMYK 52 / 0 / 19 / 37, CMYK 47 / 0 / 17 / 30, CMYK 44 / 0 / 15 / 23, CMYK 40 / 0 / 13 / 16 and CMYK 38 / 0 / 12 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 0 / 16 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 0 / 16 / 37: CMYK 55 / 0 / 16 / 37, CMYK 62 / 0 / 19 / 44, CMYK 70 / 0 / 22 / 51, CMYK 80 / 0 / 27 / 58 and CMYK 96 / 0 / 34 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

Complementary color

CMYK 0 / 49 / 34 / 28

HEX #B75E78

RGB 183 94 120

HSL 342.47, 0.38%, 0.54%

LAB 51.19, 38.77, 1.96

 

CMYK 52 / 0 / 19 / 37

HEX #4DA182

RGB 77 161 130

HSL 157.86, 0.35%, 0.47%

LAB 60.5, -33.16, 8.44

 

CMYK 47 / 0 / 17 / 30

HEX #5EB395

RGB 94 179 149

HSL 158.82, 0.36%, 0.54%

LAB 67.12, -33.03, 7.41

 

CMYK 44 / 0 / 15 / 23

HEX #6FC5A8

RGB 111 197 168

HSL 159.77, 0.43%, 0.6%

LAB 73.64, -32.86, 6.48

 

CMYK 40 / 0 / 13 / 16

HEX #80D7BB

RGB 128 215 187

HSL 160.69, 0.52%, 0.67%

LAB 80.05, -32.67, 5.61

 

CMYK 38 / 0 / 12 / 9

HEX #91E9CE

RGB 145 233 206

HSL 161.59, 0.67%, 0.74%

LAB 86.38, -32.48, 4.79

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 62 / 0 / 19 / 44

HEX #378F74

RGB 55 143 116

HSL 161.59, 0.44%, 0.39%

LAB 53.73, -33.07, 6.63

 

CMYK 70 / 0 / 22 / 51

HEX #267D61

RGB 38 125 97

HSL 160.69, 0.53%, 0.32%

LAB 46.9, -32.81, 7.88

 

CMYK 80 / 0 / 27 / 58

HEX #156B4E

RGB 21 107 78

HSL 159.77, 0.67%, 0.25%

LAB 39.96, -32.19, 9.33

 

CMYK 96 / 0 / 34 / 65

HEX #04593B

RGB 4 89 59

HSL 158.82, 0.91%, 0.18%

LAB 32.89, -31.04, 11.04

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 55 / 0 / 7 / 37

HEX #48A195

RGB 72 161 149

HSL 171.91, 0.38%, 0.46%

LAB 60.81, -29.59, -1.82

 

CMYK 55 / 2 / 0 / 37

HEX #489EA1

RGB 72 158 161

HSL 182.02, 0.38%, 0.46%

LAB 60.25, -24.82, -9.44

 

CMYK 55 / 11 / 0 / 37

HEX #4890A1

RGB 72 144 161

HSL 191.46, 0.38%, 0.46%

LAB 55.98, -17.52, -15.86

 

CMYK 55 / 20 / 0 / 37

HEX #4881A1

RGB 72 129 161

HSL 201.57, 0.38%, 0.46%

LAB 51.44, -9.22, -22.81

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 55 / 0 / 16 / 17

HEX #5FD4B2

RGB 95 212 178

HSL 162.56, 0.58%, 0.6%

LAB 77.72, -41.19, 6.89

 

CMYK 50 / 0 / 13 / 97

HEX #040807

RGB 4 8 7

HSL 165, 0.33%, 0.02%

LAB 1.94, -1.18, 0.01

 

CMYK 56 / 0 / 17 / 77

HEX #1A3B31

RGB 26 59 49

HSL 161.82, 0.39%, 0.17%

LAB 22.19, -15.05, 2.5

 

CMYK 55 / 0 / 16 / 57

HEX #316E5C

RGB 49 110 92

HSL 162.3, 0.38%, 0.31%

LAB 42.12, -24.54, 4.08

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 55 / 50 / 0 / 37

HEX #4851A1

RGB 72 81 161

HSL 233.93, 0.38%, 0.46%

LAB 37.55, 20.36, -44.66

 

CMYK 0 / 39 / 55 / 37

HEX #A16348

RGB 161 99 72

HSL 18.2, 0.38%, 0.46%

LAB 48.22, 22.21, 25.81

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 16 / 55 / 0 / 37

HEX #8748A1

RGB 135 72 161

HSL 282.47, 0.38%, 0.46%

LAB 41.78, 41.97, -37.53

 

CMYK 0 / 16 / 55 / 37

HEX #A18748

RGB 161 135 72

HSL 42.47, 0.38%, 0.46%

LAB 57.44, 1.81, 37.18

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 55 / 50 / 0 / 37

HEX #4851A1

RGB 72 81 161

HSL 233.93, 0.38%, 0.46%

LAB 37.55, 20.36, -44.66

 

CMYK 0 / 55 / 39 / 37

HEX #A14863

RGB 161 72 99

HSL 341.8, 0.38%, 0.46%

LAB 42.93, 39.7, 2.32

 

CMYK 0 / 6 / 55 / 37

HEX #A19848

RGB 161 152 72

HSL 53.93, 0.38%, 0.46%

LAB 62.08, -7.5, 42.65

 

CMYK 55 / 0 / 16 / 37

HEX #48A187

RGB 72 161 135

HSL 162.47, 0.38%, 0.46%

LAB 60.44, -33.14, 5.52

 

CMYK 44 / 55 / 0 / 37

HEX #5A48A1

RGB 90 72 161

HSL 252.13, 0.38%, 0.46%

LAB 36.71, 30.2, -45.92

 

CMYK 0 / 55 / 39 / 37

HEX #A14863

RGB 161 72 99

HSL 341.8, 0.38%, 0.46%

LAB 42.93, 39.7, 2.32

 

CMYK 11 / 0 / 55 / 37

HEX #90A148

RGB 144 161 72

HSL 71.46, 0.38%, 0.46%

LAB 63.25, -19.46, 43.64

 

Description

Color code: CMYK 55 / 0 / 16 / 37 | qconv.com Color code: CMYK 55 / 0 / 16 / 37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 161 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 161 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 16 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 16% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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