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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 22 / 0 / 28 it is the complementary color CMYK 0 / 23 / 51 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 22 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 22 / 0 / 28: CMYK 36 / 20 / 0 / 30, CMYK 33 / 19 / 0 / 22, CMYK 31 / 18 / 0 / 15, CMYK 30 / 17 / 0 / 7 and CMYK 28 / 16 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 22 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 22 / 0 / 28: CMYK 40 / 22 / 0 / 28, CMYK 44 / 24 / 0 / 35, CMYK 48 / 27 / 0 / 43, CMYK 54 / 30 / 0 / 50 and CMYK 61 / 34 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

Complementary color

CMYK 0 / 23 / 51 / 43

HEX #917047

RGB 145 112 71

HSL 33.24, 0.34%, 0.42%

LAB 49.57, 7.69, 27.69

 

CMYK 36 / 20 / 0 / 30

HEX #738FB3

RGB 115 143 179

HSL 213.75, 0.3%, 0.58%

LAB 58.55, -0.85, -22.03

 

CMYK 33 / 19 / 0 / 22

HEX #84A1C6

RGB 132 161 198

HSL 213.64, 0.37%, 0.65%

LAB 65.34, -1.11, -22.24

 

CMYK 31 / 18 / 0 / 15

HEX #95B3D9

RGB 149 179 217

HSL 213.53, 0.47%, 0.72%

LAB 71.99, -1.34, -22.47

 

CMYK 30 / 17 / 0 / 7

HEX #A6C5EC

RGB 166 197 236

HSL 213.43, 0.65%, 0.79%

LAB 78.52, -1.55, -22.71

 

CMYK 28 / 16 / 0 / 0

HEX #B7D7FF

RGB 183 215 255

HSL 213.33, 1%, 0.86%

LAB 84.94, -1.73, -22.97

 

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

CMYK 44 / 24 / 0 / 35

HEX #5D7DA5

RGB 93 125 165

HSL 213.33, 0.29%, 0.51%

LAB 51.51, -0.49, -24.93

 

CMYK 48 / 27 / 0 / 43

HEX #4C6B92

RGB 76 107 146

HSL 213.43, 0.32%, 0.44%

LAB 44.41, -0.01, -24.83

 

CMYK 54 / 30 / 0 / 50

HEX #3B597F

RGB 59 89 127

HSL 213.53, 0.37%, 0.36%

LAB 37.13, 0.63, -24.77

 

CMYK 61 / 34 / 0 / 58

HEX #2A476C

RGB 42 71 108

HSL 213.64, 0.44%, 0.29%

LAB 29.62, 1.52, -24.76

 

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

CMYK 40 / 28 / 0 / 28

HEX #6F84B8

RGB 111 132 184

HSL 222.74, 0.34%, 0.58%

LAB 55.42, 5.77, -29.72

 

CMYK 40 / 35 / 0 / 28

HEX #6F77B8

RGB 111 119 184

HSL 233.42, 0.34%, 0.58%

LAB 51.88, 13.51, -35.26

 

CMYK 38 / 40 / 0 / 28

HEX #736FB8

RGB 115 111 184

HSL 243.29, 0.34%, 0.58%

LAB 50.07, 19.44, -38.08

 

CMYK 31 / 40 / 0 / 28

HEX #7F6FB8

RGB 127 111 184

HSL 253.15, 0.34%, 0.58%

LAB 51.08, 22.82, -36.41

 

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

CMYK 40 / 22 / 0 / 8

HEX #8CB7EB

RGB 140 183 235

HSL 212.84, 0.7%, 0.74%

LAB 73.18, -1.33, -30.48

 

CMYK 39 / 23 / 0 / 88

HEX #13181F

RGB 19 24 31

HSL 215, 0.24%, 0.1%

LAB 8.05, -0.16, -5.66

 

CMYK 40 / 22 / 0 / 68

HEX #314052

RGB 49 64 82

HSL 212.73, 0.25%, 0.26%

LAB 26.53, -0.81, -12.78

 

CMYK 40 / 23 / 0 / 48

HEX #506785

RGB 80 103 133

HSL 213.96, 0.25%, 0.42%

LAB 42.91, -0.4, -19.35

 

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

CMYK 10 / 40 / 0 / 28

HEX #A66FB8

RGB 166 111 184

HSL 285.21, 0.34%, 0.58%

LAB 55.01, 34.6, -29.99

 

CMYK 6 / 0 / 40 / 28

HEX #ADB86F

RGB 173 184 111

HSL 69.04, 0.34%, 0.58%

LAB 72.44, -15.31, 35.78

 

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

CMYK 0 / 40 / 22 / 28

HEX #B86F90

RGB 184 111 144

HSL 332.88, 0.34%, 0.58%

LAB 55.66, 33.39, -5.62

 

CMYK 22 / 0 / 40 / 28

HEX #90B86F

RGB 144 184 111

HSL 92.88, 0.34%, 0.58%

LAB 70.43, -26.47, 32.8

 

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

CMYK 10 / 40 / 0 / 28

HEX #A66FB8

RGB 166 111 184

HSL 285.21, 0.34%, 0.58%

LAB 55.01, 34.6, -29.99

 

CMYK 0 / 18 / 40 / 28

HEX #B8976F

RGB 184 151 111

HSL 32.88, 0.34%, 0.58%

LAB 64.54, 6.74, 25.7

 

CMYK 30 / 0 / 40 / 28

HEX #81B86F

RGB 129 184 111

HSL 105.21, 0.34%, 0.58%

LAB 69.54, -31.85, 31.48

 

CMYK 40 / 22 / 0 / 28

HEX #6E8FB8

RGB 110 143 184

HSL 213.24, 0.34%, 0.58%

LAB 58.43, -0.89, -25.07

 

CMYK 0 / 40 / 2 / 28

HEX #B86FB4

RGB 184 111 180

HSL 303.29, 0.34%, 0.58%

LAB 56.93, 39.49, -24.54

 

CMYK 0 / 18 / 40 / 28

HEX #B8976F

RGB 184 151 111

HSL 32.88, 0.34%, 0.58%

LAB 64.54, 6.74, 25.7

 

CMYK 40 / 0 / 38 / 28

HEX #6FB873

RGB 111 184 115

HSL 123.29, 0.34%, 0.58%

LAB 68.68, -37.16, 28.08

 

Description

Color code: CMYK 40 / 22 / 0 / 28 | qconv.com Color code: CMYK 40 / 22 / 0 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 143 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 143 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 22 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 22% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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