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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 20 / 0 / 30 it is the complementary color CMYK 0 / 21 / 46 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 20 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 20 / 0 / 30: CMYK 32 / 18 / 0 / 32, CMYK 30 / 17 / 0 / 24, CMYK 28 / 16 / 0 / 17, CMYK 26 / 15 / 0 / 9 and CMYK 25 / 14 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 20 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 20 / 0 / 30: CMYK 36 / 20 / 0 / 30, CMYK 39 / 22 / 0 / 37, CMYK 43 / 24 / 0 / 45, CMYK 48 / 27 / 0 / 52 and CMYK 55 / 31 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

Complementary color

CMYK 0 / 21 / 46 / 45

HEX #8D704C

RGB 141 112 76

HSL 33.23, 0.3%, 0.43%

LAB 49.22, 6.46, 24.32

 

CMYK 32 / 18 / 0 / 32

HEX #778FAE

RGB 119 143 174

HSL 213.82, 0.25%, 0.57%

LAB 58.62, -0.99, -19.05

 

CMYK 30 / 17 / 0 / 24

HEX #88A1C1

RGB 136 161 193

HSL 213.68, 0.31%, 0.65%

LAB 65.42, -1.21, -19.31

 

CMYK 28 / 16 / 0 / 17

HEX #99B3D4

RGB 153 179 212

HSL 213.56, 0.41%, 0.72%

LAB 72.07, -1.4, -19.58

 

CMYK 26 / 15 / 0 / 9

HEX #AAC5E7

RGB 170 197 231

HSL 213.44, 0.56%, 0.79%

LAB 78.61, -1.57, -19.87

 

CMYK 25 / 14 / 0 / 2

HEX #BBD7FA

RGB 187 215 250

HSL 213.33, 0.86%, 0.86%

LAB 85.03, -1.73, -20.17

 

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

CMYK 39 / 22 / 0 / 37

HEX #617DA0

RGB 97 125 160

HSL 213.33, 0.25%, 0.5%

LAB 51.55, -0.83, -21.94

 

CMYK 43 / 24 / 0 / 45

HEX #506B8D

RGB 80 107 141

HSL 213.44, 0.28%, 0.43%

LAB 44.44, -0.45, -21.79

 

CMYK 48 / 27 / 0 / 52

HEX #3F597A

RGB 63 89 122

HSL 213.56, 0.32%, 0.36%

LAB 37.13, 0.04, -21.68

 

CMYK 55 / 31 / 0 / 60

HEX #2E4767

RGB 46 71 103

HSL 213.68, 0.38%, 0.29%

LAB 29.58, 0.7, -21.62

 

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

CMYK 37 / 26 / 0 / 30

HEX #7083B2

RGB 112 131 178

HSL 222.73, 0.3%, 0.57%

LAB 54.96, 4.96, -27

 

CMYK 37 / 33 / 0 / 30

HEX #7078B2

RGB 112 120 178

HSL 232.73, 0.3%, 0.57%

LAB 51.94, 11.49, -31.69

 

CMYK 35 / 37 / 0 / 30

HEX #7370B2

RGB 115 112 178

HSL 242.73, 0.3%, 0.57%

LAB 50.03, 17.16, -34.66

 

CMYK 29 / 37 / 0 / 30

HEX #7E70B2

RGB 126 112 178

HSL 252.73, 0.3%, 0.57%

LAB 50.96, 20.36, -33.13

 

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

CMYK 37 / 20 / 0 / 10

HEX #92B8E6

RGB 146 184 230

HSL 212.86, 0.63%, 0.74%

LAB 73.61, -1.61, -27.07

 

CMYK 35 / 19 / 0 / 90

HEX #11151A

RGB 17 21 26

HSL 213.33, 0.21%, 0.08%

LAB 6.59, -0.33, -4.04

 

CMYK 36 / 19 / 0 / 70

HEX #313E4D

RGB 49 62 77

HSL 212.14, 0.22%, 0.25%

LAB 25.67, -1.04, -10.82

 

CMYK 36 / 20 / 0 / 50

HEX #526680

RGB 82 102 128

HSL 213.91, 0.22%, 0.41%

LAB 42.54, -0.63, -16.89

 

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

CMYK 10 / 37 / 0 / 30

HEX #A170B2

RGB 161 112 178

HSL 284.55, 0.3%, 0.57%

LAB 54.43, 31.2, -27.48

 

CMYK 6 / 0 / 37 / 30

HEX #A8B270

RGB 168 178 112

HSL 69.09, 0.3%, 0.57%

LAB 70.41, -14.1, 32.59

 

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

CMYK 0 / 37 / 20 / 30

HEX #B2708E

RGB 178 112 142

HSL 332.73, 0.3%, 0.57%

LAB 55.08, 30.37, -5.39

 

CMYK 20 / 0 / 37 / 30

HEX #8EB270

RGB 142 178 112

HSL 92.73, 0.3%, 0.57%

LAB 68.58, -24.13, 29.85

 

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

CMYK 10 / 37 / 0 / 30

HEX #A170B2

RGB 161 112 178

HSL 284.55, 0.3%, 0.57%

LAB 54.43, 31.2, -27.48

 

CMYK 0 / 17 / 37 / 30

HEX #B29470

RGB 178 148 112

HSL 32.73, 0.3%, 0.57%

LAB 63.19, 6.05, 23.24

 

CMYK 28 / 0 / 37 / 30

HEX #80B270

RGB 128 178 112

HSL 105.45, 0.3%, 0.57%

LAB 67.72, -29.19, 28.57

 

CMYK 36 / 20 / 0 / 30

HEX #728FB3

RGB 114 143 179

HSL 213.23, 0.3%, 0.57%

LAB 58.49, -1.14, -22.13

 

CMYK 0 / 37 / 2 / 30

HEX #B270AE

RGB 178 112 174

HSL 303.64, 0.3%, 0.57%

LAB 56.2, 35.89, -22.28

 

CMYK 0 / 17 / 37 / 30

HEX #B29470

RGB 178 148 112

HSL 32.73, 0.3%, 0.57%

LAB 63.19, 6.05, 23.24

 

CMYK 37 / 0 / 35 / 30

HEX #70B273

RGB 112 178 115

HSL 122.73, 0.3%, 0.57%

LAB 66.92, -34.1, 25.75

 

Description

Color code: CMYK 36 / 20 / 0 / 30 | qconv.com Color code: CMYK 36 / 20 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 143 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 143 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 20 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 20% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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