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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 94 / 0 / 19 it is the complementary color CMYK 60 / 0 / 80 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 94 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 94 / 0 / 19: CMYK 20 / 94 / 0 / 21, CMYK 19 / 86 / 0 / 13, CMYK 18 / 80 / 0 / 6, CMYK 16 / 74 / 0 / 0 and CMYK 10 / 67 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 94 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 94 / 0 / 19: CMYK 24 / 94 / 0 / 19, CMYK 26 / 100 / 0 / 26, CMYK 27 / 100 / 0 / 34, CMYK 29 / 100 / 0 / 41 and CMYK 32 / 100 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

Complementary color

CMYK 60 / 0 / 80 / 5

HEX #62F330

RGB 98 243 48

HSL 104.62, 0.89%, 0.57%

LAB 85.46, -70.21, 74.64

 

CMYK 20 / 94 / 0 / 21

HEX #A20CCA

RGB 162 12 202

HSL 287.37, 0.89%, 0.42%

LAB 41.55, 75.25, -61.86

 

CMYK 19 / 86 / 0 / 13

HEX #B31EDD

RGB 179 30 221

HSL 286.81, 0.76%, 0.49%

LAB 46.62, 78.3, -64.44

 

CMYK 18 / 80 / 0 / 6

HEX #C430F0

RGB 196 48 240

HSL 286.25, 0.86%, 0.56%

LAB 52, 80.2, -66.37

 

CMYK 16 / 74 / 0 / 0

HEX #D542FF

RGB 213 66 255

HSL 286.67, 1%, 0.63%

LAB 57.33, 80.54, -66

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

CMYK 26 / 100 / 0 / 26

HEX #8C00BC

RGB 140 0 188

HSL 284.68, 1%, 0.37%

LAB 36.38, 71.09, -62.23

 

CMYK 27 / 100 / 0 / 34

HEX #7B00A9

RGB 123 0 169

HSL 283.67, 1%, 0.33%

LAB 31.98, 65.36, -58.21

 

CMYK 29 / 100 / 0 / 41

HEX #6A0096

RGB 106 0 150

HSL 282.4, 1%, 0.29%

LAB 27.48, 59.52, -54.11

 

CMYK 32 / 100 / 0 / 49

HEX #590083

RGB 89 0 131

HSL 280.76, 1%, 0.26%

LAB 22.87, 53.54, -49.92

 

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

CMYK 10 / 94 / 0 / 19

HEX #BB0CCF

RGB 187 12 207

HSL 293.85, 0.89%, 0.43%

LAB 46.09, 79.81, -57.2

 

CMYK 0 / 94 / 6 / 19

HEX #CF0CC2

RGB 207 12 194

HSL 304, 0.89%, 0.43%

LAB 48.79, 81.16, -45.15

 

CMYK 0 / 94 / 22 / 19

HEX #CF0CA1

RGB 207 12 161

HSL 314.15, 0.89%, 0.43%

LAB 47.11, 76.89, -28.36

 

CMYK 0 / 94 / 38 / 19

HEX #CF0C81

RGB 207 12 129

HSL 324, 0.89%, 0.43%

LAB 45.79, 73.44, -11.03

 

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

CMYK 33 / 100 / 0 / 99

HEX #020003

RGB 2 0 3

HSL 280, 1%, 0.01%

LAB 0.18, 0.94, -0.95

 

CMYK 24 / 94 / 0 / 79

HEX #290336

RGB 41 3 54

HSL 284.71, 0.89%, 0.11%

LAB 7.25, 28.26, -23.86

 

CMYK 24 / 94 / 0 / 59

HEX #500669

RGB 80 6 105

HSL 284.85, 0.89%, 0.22%

LAB 19.46, 45.4, -38.85

 

CMYK 24 / 94 / 0 / 39

HEX #76099C

RGB 118 9 156

HSL 284.49, 0.89%, 0.32%

LAB 30.51, 60.83, -52.75

 

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

CMYK 0 / 94 / 88 / 19

HEX #CF0C19

RGB 207 12 25

HSL 356, 0.89%, 0.43%

LAB 43.65, 67.62, 48.61

 

CMYK 94 / 0 / 63 / 19

HEX #0CCF4D

RGB 12 207 77

HSL 140, 0.89%, 0.43%

LAB 73.05, -68.67, 51.4

 

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

CMYK 0 / 25 / 94 / 19

HEX #CF9B0C

RGB 207 155 12

HSL 44, 0.89%, 0.43%

LAB 67.08, 8.69, 69.48

 

CMYK 94 / 0 / 25 / 19

HEX #0CCF9B

RGB 12 207 155

HSL 164, 0.89%, 0.43%

LAB 74.23, -54.75, 14.03

 

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

CMYK 0 / 94 / 88 / 19

HEX #CF0C19

RGB 207 12 25

HSL 356, 0.89%, 0.43%

LAB 43.65, 67.62, 48.61

 

CMYK 69 / 0 / 94 / 19

HEX #40CF0C

RGB 64 207 12

HSL 104, 0.89%, 0.43%

LAB 73.38, -67.07, 70.73

 

CMYK 94 / 0 / 6 / 19

HEX #0CCFC2

RGB 12 207 194

HSL 176, 0.89%, 0.43%

LAB 75.2, -44.54, -5.55

 

CMYK 24 / 94 / 0 / 19

HEX #9D0CCF

RGB 157 12 207

HSL 284.62, 0.89%, 0.43%

LAB 41.11, 75.45, -65.5

 

CMYK 0 / 72 / 94 / 19

HEX #CF390C

RGB 207 57 12

HSL 13.85, 0.89%, 0.43%

LAB 47.26, 57.07, 55.94

 

CMYK 69 / 0 / 94 / 19

HEX #40CF0C

RGB 64 207 12

HSL 104, 0.89%, 0.43%

LAB 73.38, -67.07, 70.73

 

CMYK 94 / 22 / 0 / 19

HEX #0CA1CF

RGB 12 161 207

HSL 194.15, 0.89%, 0.43%

LAB 61.72, -18.26, -33.16

 

Description

Color code: CMYK 24 / 94 / 0 / 19 | qconv.com Color code: CMYK 24 / 94 / 0 / 19 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 12 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 12 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 94 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 94% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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