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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 67 / 0 / 0 it is the complementary color CMYK 85 / 0 / 100 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 67 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 67 / 0 / 0: CMYK 6 / 66 / 0 / 2, CMYK 1 / 60 / 0 / 0, CMYK 0 / 53 / 0 / 0, CMYK 0 / 46 / 0 / 0 and CMYK 0 / 39 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 67 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 67 / 0 / 0: CMYK 10 / 67 / 0 / 0, CMYK 10 / 72 / 0 / 7, CMYK 10 / 78 / 0 / 15, CMYK 10 / 85 / 0 / 22 and CMYK 9 / 93 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

Complementary color

CMYK 85 / 0 / 100 / 33

HEX #19AB00

RGB 25 171 0

HSL 111.23, 1%, 0.34%

LAB 61.07, -62.23, 61.88

 

CMYK 6 / 66 / 0 / 2

HEX #EB54FA

RGB 235 84 250

HSL 294.58, 0.94%, 0.65%

LAB 62.43, 77.81, -54.9

 

CMYK 1 / 60 / 0 / 0

HEX #FC66FF

RGB 252 102 255

HSL 298.82, 1%, 0.7%

LAB 67.59, 75.53, -49.32

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 10 / 72 / 0 / 7

HEX #D542EC

RGB 213 66 236

HSL 291.88, 0.82%, 0.59%

LAB 56.19, 77.19, -57.25

 

CMYK 10 / 78 / 0 / 15

HEX #C430D9

RGB 196 48 217

HSL 292.54, 0.69%, 0.52%

LAB 50.52, 76.19, -55.73

 

CMYK 10 / 85 / 0 / 22

HEX #B31EC6

RGB 179 30 198

HSL 293.21, 0.74%, 0.45%

LAB 45.07, 74.34, -53.7

 

CMYK 9 / 93 / 0 / 30

HEX #A20CB3

RGB 162 12 179

HSL 293.89, 0.87%, 0.37%

LAB 39.91, 71.33, -51

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 0 / 68 / 1 / 0

HEX #FF51FC

RGB 255 81 252

HSL 301.03, 1%, 0.66%

LAB 65.1, 83.49, -51.58

 

CMYK 0 / 68 / 13 / 0

HEX #FF51DF

RGB 255 81 223

HSL 311.03, 1%, 0.66%

LAB 63.73, 79.21, -37.62

 

CMYK 0 / 68 / 24 / 0

HEX #FF51C2

RGB 255 81 194

HSL 321.03, 1%, 0.66%

LAB 62.54, 75.37, -23.08

 

CMYK 0 / 68 / 35 / 0

HEX #FF51A5

RGB 255 81 165

HSL 331.03, 1%, 0.66%

LAB 61.53, 72.03, -7.96

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 10 / 67 / 0 / 80

HEX #2E1133

RGB 46 17 51

HSL 291.18, 0.5%, 0.13%

LAB 10.71, 21.16, -16.09

 

CMYK 10 / 67 / 0 / 60

HEX #5C2266

RGB 92 34 102

HSL 291.18, 0.5%, 0.27%

LAB 24.89, 37.12, -28.06

 

CMYK 10 / 67 / 0 / 40

HEX #8A3299

RGB 138 50 153

HSL 291.26, 0.51%, 0.4%

LAB 37.81, 51.79, -39

 

CMYK 10 / 67 / 0 / 20

HEX #B843CC

RGB 184 67 204

HSL 291.24, 0.57%, 0.53%

LAB 50.17, 65.03, -48.95

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 0 / 65 / 68 / 0

HEX #FF5A51

RGB 255 90 81

HSL 3.1, 1%, 0.66%

LAB 60.93, 62.06, 39.57

 

CMYK 68 / 0 / 38 / 0

HEX #51FF9F

RGB 81 255 159

HSL 146.9, 1%, 0.66%

LAB 89.75, -64.95, 33.32

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 0 / 11 / 68 / 0

HEX #FFE451

RGB 255 228 81

HSL 50.69, 1%, 0.66%

LAB 90.48, -6.42, 71.82

 

CMYK 68 / 0 / 11 / 0

HEX #51FFE4

RGB 81 255 228

HSL 170.69, 1%, 0.66%

LAB 91.18, -50.02, 0.04

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 0 / 65 / 68 / 0

HEX #FF5A51

RGB 255 90 81

HSL 3.1, 1%, 0.66%

LAB 60.93, 62.06, 39.57

 

CMYK 58 / 0 / 68 / 0

HEX #6BFF51

RGB 107 255 81

HSL 111.03, 1%, 0.66%

LAB 89.51, -70.01, 68.17

 

CMYK 68 / 4 / 0 / 0

HEX #51F6FF

RGB 81 246 255

HSL 183.1, 1%, 0.66%

LAB 89.34, -38.91, -16.72

 

CMYK 10 / 67 / 0 / 0

HEX #E654FF

RGB 230 84 255

HSL 291.23, 1%, 0.66%

LAB 61.98, 77.6, -58.41

 

CMYK 0 / 44 / 68 / 0

HEX #FF8E51

RGB 255 142 81

HSL 21.03, 1%, 0.66%

LAB 70.32, 37.93, 50.4

 

CMYK 58 / 0 / 68 / 0

HEX #6BFF51

RGB 107 255 81

HSL 111.03, 1%, 0.66%

LAB 89.51, -70.01, 68.17

 

CMYK 68 / 24 / 0 / 0

HEX #51C2FF

RGB 81 194 255

HSL 201.03, 1%, 0.66%

LAB 74.54, -13.29, -39.36

 

Description

Color code: CMYK 10 / 67 / 0 / 0 | qconv.com Color code: CMYK 10 / 67 / 0 / 0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 84 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 84 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 67 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 67% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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