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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 1 / 1 / 94 / 31 it is the complementary color CMYK 67 / 67 / 0 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 1 / 1 / 94 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 1 / 1 / 94 / 31: CMYK 0 / 3 / 97 / 30, CMYK 0 / 2 / 87 / 23, CMYK 0 / 1 / 79 / 16, CMYK 0 / 1 / 73 / 10 and CMYK 0 / 0 / 67 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 1 / 1 / 94 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 1 / 1 / 94 / 31: CMYK 0 / 0 / 94 / 32, CMYK 0 / 1 / 100 / 38, CMYK 0 / 1 / 100 / 45, CMYK 0 / 2 / 100 / 52 and CMYK 0 / 4 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 1 / 94 / 31

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

Complementary color

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 0 / 3 / 97 / 30

HEX #B3AE06

RGB 179 174 6

HSL 58.27, 0.94%, 0.36%

LAB 69.38, -13.9, 70.72

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 0 / 1 / 79 / 16

HEX #D5D22C

RGB 213 210 44

HSL 58.93, 0.67%, 0.5%

LAB 82.07, -16.56, 74.93

 

CMYK 0 / 1 / 73 / 10

HEX #E6E43F

RGB 230 228 63

HSL 59.28, 0.77%, 0.57%

LAB 88.29, -17.59, 75.38

 

CMYK 0 / 0 / 67 / 3

HEX #F7F652

RGB 247 246 82

HSL 59.64, 0.91%, 0.65%

LAB 94.44, -18.48, 75.22

 

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 0 / 1 / 100 / 38

HEX #9D9C00

RGB 157 156 0

HSL 59.62, 1%, 0.31%

LAB 62.46, -14.48, 65.55

 

CMYK 0 / 1 / 100 / 45

HEX #8C8A00

RGB 140 138 0

HSL 59.14, 1%, 0.27%

LAB 55.84, -12.73, 60.05

 

CMYK 0 / 2 / 100 / 52

HEX #7B7800

RGB 123 120 0

HSL 58.54, 1%, 0.24%

LAB 49.06, -10.93, 54.43

 

CMYK 0 / 4 / 100 / 58

HEX #6A6600

RGB 106 102 0

HSL 57.74, 1%, 0.21%

LAB 42.1, -9.05, 48.65

 

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 16 / 0 / 94 / 33

HEX #91AC0B

RGB 145 172 11

HSL 70.06, 0.88%, 0.36%

LAB 66.17, -27.6, 66.5

 

CMYK 31 / 0 / 94 / 33

HEX #76AC0B

RGB 118 172 11

HSL 80.12, 0.88%, 0.36%

LAB 64.47, -38.53, 64.43

 

CMYK 47 / 0 / 94 / 33

HEX #5BAC0B

RGB 91 172 11

HSL 90.19, 0.88%, 0.36%

LAB 63.14, -48.11, 62.8

 

CMYK 63 / 0 / 94 / 33

HEX #40AC0B

RGB 64 172 11

HSL 100.25, 0.88%, 0.36%

LAB 62.18, -55.69, 61.62

 

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 0 / 0 / 94 / 12

HEX #E1E10E

RGB 225 225 14

HSL 60, 0.88%, 0.47%

LAB 86.94, -19.48, 84.78

 

CMYK 0 / 0 / 95 / 92

HEX #151501

RGB 21 21 1

HSL 60, 0.91%, 0.04%

LAB 6.3, -3.3, 8.97

 

CMYK 0 / 0 / 93 / 72

HEX #484805

RGB 72 72 5

HSL 60, 0.87%, 0.15%

LAB 29.47, -8.44, 35.94

 

CMYK 0 / 0 / 93 / 52

HEX #7B7B08

RGB 123 123 8

HSL 60, 0.88%, 0.26%

LAB 49.97, -12.4, 53.51

 

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 94 / 0 / 75 / 33

HEX #0BAC2B

RGB 11 172 43

HSL 131.93, 0.88%, 0.36%

LAB 61.44, -61.64, 52.56

 

CMYK 38 / 94 / 0 / 33

HEX #6B0BAC

RGB 107 11 172

HSL 275.78, 0.88%, 0.36%

LAB 30.26, 62.3, -62.92

 

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 94 / 0 / 0 / 33

HEX #0BACAC

RGB 11 172 172

HSL 180, 0.88%, 0.36%

LAB 63.8, -35.41, -10.43

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 94 / 0 / 75 / 33

HEX #0BAC2B

RGB 11 172 43

HSL 131.93, 0.88%, 0.36%

LAB 61.44, -61.64, 52.56

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAC

RGB 11 11 172

HSL 240, 0.88%, 0.36%

LAB 21.17, 56.19, -78.27

 

CMYK 0 / 94 / 19 / 33

HEX #AC0B8C

RGB 172 11 140

HSL 311.93, 0.88%, 0.36%

LAB 39.42, 67.51, -28.15

 

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 94 / 0 / 47 / 33

HEX #0BAC5B

RGB 11 172 91

HSL 149.81, 0.88%, 0.36%

LAB 61.94, -55.46, 31.39

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAC

RGB 11 11 172

HSL 240, 0.88%, 0.36%

LAB 21.17, 56.19, -78.27

 

CMYK 0 / 94 / 47 / 33

HEX #AC0B5B

RGB 172 11 91

HSL 330.19, 0.88%, 0.36%

LAB 37.42, 62.21, -0.42

 

Description

Color code: CMYK 1 / 1 / 94 / 31 | qconv.com Color code: CMYK 1 / 1 / 94 / 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 174 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 174 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 1 magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 1% 94% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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