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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 192 25 it is the complementary color RGB 59 63 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 192 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 196 192 25: RGB 201 192 20, RGB 218 210 39, RGB 235 228 58, RGB 252 246 77 and RGB 255 255 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 192 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 196 192 25: RGB 196 192 25, RGB 179 174 6, RGB 162 156 0, RGB 145 138 0 and RGB 128 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

Complementary color

CMYK 74 / 73 / 0 / 10

HEX #3B3FE6

RGB 59 63 230

HSL 238.6, 0.77%, 0.57%

LAB 38.2, 52.81, -83.89

 

CMYK 0 / 4 / 90 / 21

HEX #C9C014

RGB 201 192 20

HSL 57.02, 0.82%, 0.43%

LAB 76.17, -13.27, 74.89

 

CMYK 0 / 4 / 82 / 15

HEX #DAD227

RGB 218 210 39

HSL 57.32, 0.71%, 0.5%

LAB 82.46, -14.59, 76.71

 

CMYK 0 / 3 / 75 / 8

HEX #EBE43A

RGB 235 228 58

HSL 57.63, 0.82%, 0.57%

LAB 88.66, -15.72, 77.45

 

CMYK 0 / 2 / 69 / 1

HEX #FCF64D

RGB 252 246 77

HSL 57.94, 0.97%, 0.65%

LAB 94.8, -16.7, 77.5

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 0 / 3 / 97 / 30

HEX #B3AE06

RGB 179 174 6

HSL 58.27, 0.94%, 0.36%

LAB 69.38, -13.9, 70.72

 

CMYK 0 / 4 / 100 / 36

HEX #A29C00

RGB 162 156 0

HSL 57.78, 1%, 0.32%

LAB 62.89, -12.23, 66.06

 

CMYK 0 / 5 / 100 / 43

HEX #918A00

RGB 145 138 0

HSL 57.1, 1%, 0.28%

LAB 56.28, -10.43, 60.58

 

CMYK 0 / 6 / 100 / 50

HEX #807800

RGB 128 120 0

HSL 56.25, 1%, 0.25%

LAB 49.52, -8.56, 54.97

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 12 / 0 / 87 / 24

HEX #ABC219

RGB 171 194 25

HSL 68.17, 0.77%, 0.43%

LAB 74.39, -26.97, 71.59

 

CMYK 26 / 0 / 87 / 24

HEX #8FC219

RGB 143 194 25

HSL 78.11, 0.77%, 0.43%

LAB 72.56, -38.3, 69.32

 

CMYK 41 / 0 / 87 / 24

HEX #73C219

RGB 115 194 25

HSL 88.05, 0.77%, 0.43%

LAB 71.08, -48.53, 67.48

 

CMYK 55 / 0 / 87 / 24

HEX #57C219

RGB 87 194 25

HSL 97.99, 0.77%, 0.43%

LAB 69.95, -57.12, 66.07

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 0 / 2 / 87 / 3

HEX #F7F220

RGB 247 242 32

HSL 58.6, 0.93%, 0.55%

LAB 93.18, -18.28, 87.9

 

CMYK 0 / 2 / 88 / 83

HEX #2B2A05

RGB 43 42 5

HSL 58.42, 0.79%, 0.09%

LAB 16.41, -5.15, 21.61

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 0 / 2 / 88 / 43

HEX #918E12

RGB 145 142 18

HSL 58.58, 0.78%, 0.32%

LAB 57.47, -12.23, 58.33

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 38 / 87 / 0 / 24

HEX #7819C2

RGB 120 25 194

HSL 273.73, 0.77%, 0.43%

LAB 35.17, 65.67, -67.86

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 87 / 0 / 3 / 24

HEX #19C2BC

RGB 25 194 188

HSL 177.87, 0.77%, 0.43%

LAB 71.16, -39.98, -8.28

 

CMYK 3 / 87 / 0 / 24

HEX #BC19C2

RGB 188 25 194

HSL 297.87, 0.77%, 0.43%

LAB 46.02, 76.2, -49.77

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 85 / 0 / 24

HEX #191EC2

RGB 25 30 194

HSL 238.22, 0.77%, 0.43%

LAB 26.82, 56.12, -81.95

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 2 / 87 / 23

HEX #C4C019

RGB 196 192 25

HSL 58.6, 0.77%, 0.43%

LAB 75.76, -15.33, 73.51

 

CMYK 87 / 0 / 46 / 24

HEX #19C268

RGB 25 194 104

HSL 148.05, 0.77%, 0.43%

LAB 69.32, -59.87, 34.16

 

CMYK 87 / 85 / 0 / 24

HEX #191EC2

RGB 25 30 194

HSL 238.22, 0.77%, 0.43%

LAB 26.82, 56.12, -81.95

 

CMYK 0 / 87 / 41 / 24

HEX #C21973

RGB 194 25 115

HSL 328.05, 0.77%, 0.43%

LAB 43.36, 67.4, -6.29

 

Description

Color code: RGB 196 192 25 | qconv.com Color code: RGB 196 192 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 192 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 192 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 87 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 87% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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