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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 81 244 it is the complementary color RGB 174 174 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 81 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 81 244: RGB 86 81 239, RGB 103 99 255, RGB 120 117 255, RGB 137 135 255 and RGB 154 153 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 81 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 81 244: RGB 81 81 244, RGB 64 63 225, RGB 47 45 206, RGB 30 27 187 and RGB 13 9 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

Complementary color

CMYK 0 / 0 / 94 / 32

HEX #AEAE0B

RGB 174 174 11

HSL 60, 0.88%, 0.36%

LAB 68.96, -16.04, 69.63

 

CMYK 64 / 66 / 0 / 6

HEX #5651EF

RGB 86 81 239

HSL 241.9, 0.83%, 0.63%

LAB 44.37, 48.45, -78.76

 

CMYK 60 / 61 / 0 / 0

HEX #6763FF

RGB 103 99 255

HSL 241.54, 1%, 0.69%

LAB 50.72, 45.53, -77.28

 

CMYK 53 / 54 / 0 / 0

HEX #7875FF

RGB 120 117 255

HSL 241.3, 1%, 0.73%

LAB 56.02, 37.96, -68.62

 

CMYK 46 / 47 / 0 / 0

HEX #8987FF

RGB 137 135 255

HSL 241, 1%, 0.76%

LAB 61.54, 30.96, -59.69

 

CMYK 40 / 40 / 0 / 0

HEX #9A99FF

RGB 154 153 255

HSL 240.59, 1%, 0.8%

LAB 67.18, 24.6, -50.65

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 72 / 72 / 0 / 12

HEX #403FE1

RGB 64 63 225

HSL 240.37, 0.73%, 0.56%

LAB 37.99, 51.65, -81.37

 

CMYK 77 / 78 / 0 / 19

HEX #2F2DCE

RGB 47 45 206

HSL 240.75, 0.64%, 0.49%

LAB 31.66, 53.82, -80.9

 

CMYK 84 / 86 / 0 / 27

HEX #1E1BBB

RGB 30 27 187

HSL 241.13, 0.75%, 0.42%

LAB 25.71, 55.46, -79.66

 

CMYK 92 / 95 / 0 / 34

HEX #0D09A8

RGB 13 9 168

HSL 241.51, 0.9%, 0.35%

LAB 20.47, 55.64, -77.01

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 55 / 66 / 0 / 5

HEX #6D52F3

RGB 109 82 243

HSL 250.06, 0.87%, 0.64%

LAB 46.65, 52.43, -77.2

 

CMYK 44 / 66 / 0 / 5

HEX #8852F3

RGB 136 82 243

HSL 260.12, 0.87%, 0.64%

LAB 49.18, 57, -72.98

 

CMYK 33 / 66 / 0 / 5

HEX #A352F3

RGB 163 82 243

HSL 270.19, 0.87%, 0.64%

LAB 52.17, 62.16, -67.99

 

CMYK 22 / 66 / 0 / 5

HEX #BE52F3

RGB 190 82 243

HSL 280.25, 0.87%, 0.64%

LAB 55.54, 67.69, -62.39

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 68 / 68 / 0 / 84

HEX #0D0D28

RGB 13 13 40

HSL 240, 0.51%, 0.1%

LAB 4.76, 7.88, -17.61

 

CMYK 67 / 67 / 0 / 64

HEX #1E1E5B

RGB 30 30 91

HSL 240, 0.5%, 0.24%

LAB 15.28, 21.22, -36.68

 

CMYK 67 / 67 / 0 / 44

HEX #2F2F8E

RGB 47 47 142

HSL 240, 0.5%, 0.37%

LAB 25.53, 31.27, -52.63

 

CMYK 67 / 67 / 0 / 24

HEX #4040C1

RGB 64 64 193

HSL 240, 0.51%, 0.5%

LAB 35.22, 40.59, -67.42

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 0 / 66 / 13 / 5

HEX #F352D3

RGB 243 82 211

HSL 311.93, 0.87%, 0.64%

LAB 61.47, 74.31, -34.52

 

CMYK 40 / 0 / 66 / 5

HEX #93F352

RGB 147 243 82

HSL 95.78, 0.87%, 0.64%

LAB 87.44, -54.43, 66.07

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 0 / 66 / 66 / 5

HEX #F35252

RGB 243 82 82

HSL 0, 0.87%, 0.64%

LAB 57.75, 61.44, 34.7

 

CMYK 66 / 0 / 66 / 5

HEX #52F352

RGB 82 243 82

HSL 120, 0.87%, 0.64%

LAB 85.25, -71.18, 63.07

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 0 / 66 / 13 / 5

HEX #F352D3

RGB 243 82 211

HSL 311.93, 0.87%, 0.64%

LAB 61.47, 74.31, -34.52

 

CMYK 0 / 0 / 66 / 5

HEX #F3F352

RGB 243 243 82

HSL 60, 0.87%, 0.64%

LAB 93.35, -18.65, 74.03

 

CMYK 66 / 0 / 53 / 5

HEX #52F372

RGB 82 243 114

HSL 131.93, 0.87%, 0.64%

LAB 85.56, -67.59, 49.7

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 0 / 66 / 33 / 5

HEX #F352A3

RGB 243 82 163

HSL 329.81, 0.87%, 0.64%

LAB 59.65, 68.17, -9.82

 

CMYK 0 / 0 / 66 / 5

HEX #F3F352

RGB 243 243 82

HSL 60, 0.87%, 0.64%

LAB 93.35, -18.65, 74.03

 

CMYK 66 / 0 / 33 / 5

HEX #52F3A3

RGB 82 243 163

HSL 150.19, 0.87%, 0.64%

LAB 86.28, -59.58, 26.64

 

Description

Color code: RGB 81 81 244 | qconv.com Color code: RGB 81 81 244 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 81 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 81 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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