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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 62 / 93 / 26 it is the complementary color CMYK 73 / 24 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 62 / 93 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 62 / 93 / 26: CMYK 0 / 63 / 96 / 24, CMYK 0 / 57 / 87 / 17, CMYK 0 / 53 / 80 / 11, CMYK 0 / 49 / 73 / 4 and CMYK 0 / 44 / 67 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 62 / 93 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 62 / 93 / 26: CMYK 0 / 62 / 93 / 26, CMYK 0 / 69 / 100 / 33, CMYK 0 / 77 / 100 / 39, CMYK 0 / 87 / 100 / 46 and CMYK 0 / 100 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

Complementary color

CMYK 73 / 24 / 0 / 5

HEX #42B7F2

RGB 66 183 242

HSL 200.11, 0.87%, 0.6%

LAB 70.48, -13.67, -38.69

 

CMYK 0 / 63 / 96 / 24

HEX #C24808

RGB 194 72 8

HSL 20.65, 0.92%, 0.4%

LAB 47.13, 46.55, 55.69

 

CMYK 0 / 57 / 87 / 17

HEX #D35A1B

RGB 211 90 27

HSL 20.54, 0.77%, 0.47%

LAB 53.21, 44.8, 55.63

 

CMYK 0 / 53 / 80 / 11

HEX #E46C2E

RGB 228 108 46

HSL 20.44, 0.77%, 0.54%

LAB 59.36, 43.04, 54.32

 

CMYK 0 / 49 / 73 / 4

HEX #F57E41

RGB 245 126 65

HSL 20.33, 0.9%, 0.61%

LAB 65.53, 41.36, 52.57

 

CMYK 0 / 44 / 67 / 0

HEX #FF9054

RGB 255 144 84

HSL 21.05, 1%, 0.66%

LAB 70.77, 37.07, 49.42

 

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

CMYK 0 / 69 / 100 / 33

HEX #AC3600

RGB 172 54 0

HSL 18.84, 1%, 0.34%

LAB 40.26, 46.38, 52.05

 

CMYK 0 / 77 / 100 / 39

HEX #9B2400

RGB 155 36 0

HSL 13.94, 1%, 0.3%

LAB 34.46, 47.5, 47.35

 

CMYK 0 / 87 / 100 / 46

HEX #8A1200

RGB 138 18 0

HSL 7.83, 1%, 0.27%

LAB 28.99, 47.47, 41.94

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

CMYK 0 / 46 / 93 / 25

HEX #BE660D

RGB 190 102 13

HSL 30.17, 0.87%, 0.4%

LAB 52.37, 30.1, 57.75

 

CMYK 0 / 31 / 93 / 25

HEX #BE830D

RGB 190 131 13

HSL 40, 0.87%, 0.4%

LAB 59.17, 14.24, 62.66

 

CMYK 0 / 15 / 93 / 25

HEX #BEA10D

RGB 190 161 13

HSL 50.17, 0.87%, 0.4%

LAB 66.87, -2.1, 68.4

 

CMYK 0 / 0 / 93 / 25

HEX #BEBE0D

RGB 190 190 13

HSL 60, 0.87%, 0.4%

LAB 74.7, -17.13, 74.34

 

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

CMYK 0 / 62 / 93 / 6

HEX #F05B11

RGB 240 91 17

HSL 19.91, 0.88%, 0.5%

LAB 58.08, 54.68, 64.37

 

CMYK 0 / 61 / 94 / 86

HEX #240E02

RGB 36 14 2

HSL 21.18, 0.89%, 0.07%

LAB 6.26, 9.64, 8.74

 

CMYK 0 / 62 / 93 / 66

HEX #572106

RGB 87 33 6

HSL 20, 0.87%, 0.18%

LAB 20.55, 23.45, 27.72

 

CMYK 0 / 62 / 93 / 46

HEX #8A3509

RGB 138 53 9

HSL 20.47, 0.88%, 0.29%

LAB 33.92, 34.29, 41.88

 

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

CMYK 49 / 0 / 93 / 25

HEX #60BE0D

RGB 96 190 13

HSL 91.86, 0.87%, 0.4%

LAB 69, -53.4, 67.41

 

CMYK 93 / 87 / 0 / 25

HEX #0D19BE

RGB 13 25 190

HSL 235.93, 0.87%, 0.4%

LAB 25.26, 56.7, -82.2

 

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

CMYK 93 / 0 / 62 / 25

HEX #0DBE48

RGB 13 190 72

HSL 140, 0.87%, 0.4%

LAB 67.56, -64.03, 47.38

 

CMYK 62 / 93 / 0 / 25

HEX #480DBE

RGB 72 13 190

HSL 260, 0.87%, 0.4%

LAB 27.8, 62.81, -77.87

 

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

CMYK 49 / 0 / 93 / 25

HEX #60BE0D

RGB 96 190 13

HSL 91.86, 0.87%, 0.4%

LAB 69, -53.4, 67.41

 

CMYK 93 / 31 / 0 / 25

HEX #0D83BE

RGB 13 131 190

HSL 200, 0.87%, 0.4%

LAB 51.88, -7.71, -38.95

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 0 / 62 / 93 / 26

HEX #BD480D

RGB 189 72 13

HSL 20.11, 0.87%, 0.4%

LAB 46.29, 44.78, 53.44

 

CMYK 78 / 0 / 93 / 25

HEX #2ABE0D

RGB 42 190 13

HSL 110.17, 0.87%, 0.4%

LAB 67.54, -65.48, 65.6

 

CMYK 93 / 31 / 0 / 25

HEX #0D83BE

RGB 13 131 190

HSL 200, 0.87%, 0.4%

LAB 51.88, -7.71, -38.95

 

CMYK 15 / 93 / 0 / 25

HEX #A10DBE

RGB 161 13 190

HSL 290.17, 0.87%, 0.4%

LAB 40.54, 72.9, -56.48

 

Description

Color code: CMYK 0 / 62 / 93 / 26 | qconv.com Color code: CMYK 0 / 62 / 93 / 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 72 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 72 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 93 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 93% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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