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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B0DBE it is the complementary color #94F241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B0DBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B0DBE shade: #700DB9, #811FCC, #9231DF, #A343F2 and #B455FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B0DBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B0DBE shade: #6B0DBE, #5A00AB, #490098, #380085 and #270072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B0DBE shade: #6B0DBE, #9B0DBE, #BE0DB2, #BE0D82 and #BE0D52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B0DBE shade: #6B0DBE, #3B0DBE and #0D0DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B0DBE shade matches the following richer shades: #6B0DBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B0DBE shade: #6B0DBE, #6A1DAE, #692E9D, #683E8D and #674F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B0DBE shade: #0D10BE, #390DBE, #680DBE, #980DBE and #BE0DB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B0DBE shade: #400771, #550A98, #6B0DBE, #810FE5 and #952EF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B0DBE shade: #6B0DBE, #BE0D3F and #0DBE21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B0DBE shade: #6B0DBE, #BE680D and #0DBE68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B0DBE shade: #6B0DBE, #BE0D3F, #63BE0D and #0DBE8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B0DBE shade: #6B0DBE, #BE100D, #63BE0D and #0DBBBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

Complementary color

CMYK 39 / 0 / 73 / 5

HEX #94F241

RGB 148 242 65

HSL 91.86, 0.87%, 0.6%

LAB 87.09, -54.87, 71.8

 

CMYK 39 / 93 / 0 / 27

HEX #700DB9

RGB 112 13 185

HSL 274.53, 0.87%, 0.39%

LAB 32.34, 65.31, -67.25

 

CMYK 37 / 85 / 0 / 20

HEX #811FCC

RGB 129 31 204

HSL 273.99, 0.74%, 0.46%

LAB 37.85, 67.44, -69.26

 

CMYK 35 / 78 / 0 / 13

HEX #9231DF

RGB 146 49 223

HSL 273.45, 0.73%, 0.53%

LAB 43.71, 68.35, -70.54

 

CMYK 33 / 72 / 0 / 5

HEX #A343F2

RGB 163 67 242

HSL 272.91, 0.87%, 0.61%

LAB 49.75, 68.5, -71.35

 

CMYK 29 / 67 / 0 / 0

HEX #B455FF

RGB 180 85 255

HSL 273.53, 1%, 0.67%

LAB 55.5, 66.87, -69.17

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 47 / 100 / 0 / 33

HEX #5A00AB

RGB 90 0 171

HSL 271.58, 1%, 0.34%

LAB 27.06, 62.19, -67.69

 

CMYK 52 / 100 / 0 / 40

HEX #490098

RGB 73 0 152

HSL 268.82, 1%, 0.3%

LAB 22.6, 56.49, -63.56

 

CMYK 58 / 100 / 0 / 48

HEX #380085

RGB 56 0 133

HSL 265.26, 1%, 0.26%

LAB 18.07, 50.71, -59.27

 

CMYK 66 / 100 / 0 / 55

HEX #270072

RGB 39 0 114

HSL 260.53, 1%, 0.22%

LAB 13.51, 44.88, -54.74

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 18 / 93 / 0 / 25

HEX #9B0DBE

RGB 155 13 190

HSL 288.14, 0.87%, 0.4%

LAB 39.54, 71.99, -58.16

 

CMYK 0 / 93 / 6 / 25

HEX #BE0DB2

RGB 190 13 178

HSL 304.07, 0.87%, 0.4%

LAB 44.87, 75.83, -42.19

 

CMYK 0 / 93 / 32 / 25

HEX #BE0D82

RGB 190 13 130

HSL 320.34, 0.87%, 0.4%

LAB 42.53, 69.8, -16.9

 

CMYK 0 / 93 / 57 / 25

HEX #BE0D52

RGB 190 13 82

HSL 336.61, 0.87%, 0.4%

LAB 40.97, 65.59, 10.9

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 69 / 93 / 0 / 25

HEX #3B0DBE

RGB 59 13 190

HSL 255.59, 0.87%, 0.4%

LAB 26.55, 62.03, -79.98

 

CMYK 93 / 93 / 0 / 25

HEX #0D0DBE

RGB 13 13 190

HSL 240, 0.87%, 0.4%

LAB 23.97, 60.6, -84.35

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 39 / 83 / 0 / 32

HEX #6A1DAE

RGB 106 29 174

HSL 271.86, 0.71%, 0.4%

LAB 31.8, 58.15, -61.6

 

CMYK 33 / 71 / 0 / 38

HEX #692E9D

RGB 105 46 157

HSL 271.89, 0.55%, 0.4%

LAB 32.68, 47.04, -49.93

 

CMYK 26 / 56 / 0 / 45

HEX #683E8D

RGB 104 62 141

HSL 271.9, 0.39%, 0.4%

LAB 34.62, 34.29, -37.05

 

CMYK 17 / 36 / 0 / 51

HEX #674F7C

RGB 103 79 124

HSL 272, 0.22%, 0.4%

LAB 37.72, 19.48, -21.73

 

CMYK 93 / 92 / 0 / 25

HEX #0D10BE

RGB 13 16 190

HSL 238.98, 0.87%, 0.4%

LAB 24.24, 59.78, -83.9

 

CMYK 70 / 93 / 0 / 25

HEX #390DBE

RGB 57 13 190

HSL 254.92, 0.87%, 0.4%

LAB 26.38, 61.93, -80.27

 

CMYK 45 / 93 / 0 / 25

HEX #680DBE

RGB 104 13 190

HSL 270.85, 0.87%, 0.4%

LAB 31.69, 65.52, -71.31

 

CMYK 20 / 93 / 0 / 25

HEX #980DBE

RGB 152 13 190

HSL 287.12, 0.87%, 0.4%

LAB 39.04, 71.55, -58.99

 

CMYK 0 / 93 / 5 / 25

HEX #BE0DB5

RGB 190 13 181

HSL 303.05, 0.87%, 0.4%

LAB 45.04, 76.26, -43.69

 

CMYK 43 / 94 / 0 / 56

HEX #400771

RGB 64 7 113

HSL 272.26, 0.88%, 0.24%

LAB 17.62, 44.55, -47.18

 

CMYK 44 / 93 / 0 / 40

HEX #550A98

RGB 85 10 152

HSL 271.69, 0.88%, 0.32%

LAB 25, 55.5, -59.53

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 44 / 93 / 0 / 10

HEX #810FE5

RGB 129 15 229

HSL 271.96, 0.88%, 0.48%

LAB 39.01, 76.11, -81.75

 

CMYK 38 / 81 / 0 / 6

HEX #952EF0

RGB 149 46 240

HSL 271.86, 0.87%, 0.56%

LAB 45.13, 73.5, -77.84

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 0 / 93 / 67 / 25

HEX #BE0D3F

RGB 190 13 63

HSL 343.05, 0.87%, 0.4%

LAB 40.56, 64.47, 22.42

 

CMYK 93 / 0 / 83 / 25

HEX #0DBE21

RGB 13 190 33

HSL 126.78, 0.87%, 0.4%

LAB 67.29, -67.42, 61.29

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 0 / 45 / 93 / 25

HEX #BE680D

RGB 190 104 13

HSL 30.85, 0.87%, 0.4%

LAB 52.81, 29.03, 58.06

 

CMYK 93 / 0 / 45 / 25

HEX #0DBE68

RGB 13 190 104

HSL 150.85, 0.87%, 0.4%

LAB 67.96, -59.23, 32.4

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 0 / 93 / 67 / 25

HEX #BE0D3F

RGB 190 13 63

HSL 343.05, 0.87%, 0.4%

LAB 40.56, 64.47, 22.42

 

CMYK 48 / 0 / 93 / 25

HEX #63BE0D

RGB 99 190 13

HSL 90.85, 0.87%, 0.4%

LAB 69.12, -52.48, 67.56

 

CMYK 93 / 0 / 26 / 25

HEX #0DBE8C

RGB 13 190 140

HSL 163.05, 0.87%, 0.4%

LAB 68.61, -51.72, 14.21

 

CMYK 44 / 93 / 0 / 25

HEX #6B0DBE

RGB 107 13 190

HSL 271.86, 0.87%, 0.4%

LAB 32.1, 65.84, -70.61

 

CMYK 0 / 92 / 93 / 25

HEX #BE100D

RGB 190 16 13

HSL 1.02, 0.87%, 0.4%

LAB 40.16, 62.56, 49.55

 

CMYK 48 / 0 / 93 / 25

HEX #63BE0D

RGB 99 190 13

HSL 90.85, 0.87%, 0.4%

LAB 69.12, -52.48, 67.56

 

CMYK 93 / 2 / 0 / 25

HEX #0DBBBE

RGB 13 187 190

HSL 181.02, 0.87%, 0.4%

LAB 69, -36.76, -12.61

 

Description

Color code: HEX #6B0DBE | qconv.com Color code: HEX #6B0DBE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 13 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 13 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 93 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 93% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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