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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 62 / 42 / 41 it is the complementary color CMYK 47 / 0 / 15 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 62 / 42 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 62 / 42 / 41: CMYK 0 / 63 / 47 / 39, CMYK 0 / 56 / 41 / 33, CMYK 0 / 51 / 37 / 26, CMYK 0 / 46 / 33 / 19 and CMYK 0 / 42 / 29 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 62 / 42 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 62 / 42 / 41: CMYK 0 / 62 / 42 / 41, CMYK 0 / 71 / 49 / 48, CMYK 0 / 82 / 58 / 55, CMYK 0 / 97 / 70 / 61 and CMYK 0 / 100 / 87 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

Complementary color

CMYK 47 / 0 / 15 / 22

HEX #69C6A8

RGB 105 198 168

HSL 160.65, 0.45%, 0.59%

LAB 73.69, -34.85, 6.52

 

CMYK 0 / 63 / 47 / 39

HEX #9B3952

RGB 155 57 82

HSL 344.69, 0.46%, 0.42%

LAB 38.73, 43.03, 6.79

 

CMYK 0 / 56 / 41 / 33

HEX #AC4B65

RGB 172 75 101

HSL 343.92, 0.39%, 0.48%

LAB 45.28, 42.29, 4.7

 

CMYK 0 / 51 / 37 / 26

HEX #BD5D78

RGB 189 93 120

HSL 343.13, 0.42%, 0.55%

LAB 51.84, 41.42, 3.01

 

CMYK 0 / 46 / 33 / 19

HEX #CE6F8B

RGB 206 111 139

HSL 342.32, 0.49%, 0.62%

LAB 58.37, 40.52, 1.61

 

CMYK 0 / 42 / 29 / 13

HEX #DF819E

RGB 223 129 158

HSL 341.49, 0.59%, 0.69%

LAB 64.85, 39.63, 0.41

 

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

CMYK 0 / 71 / 49 / 48

HEX #852744

RGB 133 39 68

HSL 341.49, 0.55%, 0.34%

LAB 31.47, 42.25, 4.95

 

CMYK 0 / 82 / 58 / 55

HEX #741531

RGB 116 21 49

HSL 342.32, 0.69%, 0.27%

LAB 25.17, 41.89, 8.34

 

CMYK 0 / 97 / 70 / 61

HEX #63031E

RGB 99 3 30

HSL 343.13, 0.94%, 0.2%

LAB 19.27, 40.33, 13.02

 

CMYK 0 / 100 / 87 / 68

HEX #52000B

RGB 82 0 11

HSL 351.95, 1%, 0.16%

LAB 14.5, 35.51, 18.12

 

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

CMYK 0 / 62 / 52 / 41

HEX #973949

RGB 151 57 73

HSL 349.79, 0.45%, 0.41%

LAB 37.82, 40.77, 11.11

 

CMYK 0 / 62 / 62 / 41

HEX #973939

RGB 151 57 57

HSL 0, 0.45%, 0.41%

LAB 37.48, 39.46, 20.72

 

CMYK 0 / 52 / 62 / 41

HEX #974939

RGB 151 73 57

HSL 10.21, 0.45%, 0.41%

LAB 40.64, 31.28, 24.72

 

CMYK 0 / 42 / 62 / 41

HEX #975839

RGB 151 88 57

HSL 19.79, 0.45%, 0.41%

LAB 44.02, 22.94, 28.89

 

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

CMYK 0 / 62 / 42 / 21

HEX #C94C75

RGB 201 76 117

HSL 340.32, 0.54%, 0.54%

LAB 50.54, 53.2, 3.16

 

CMYK 0 / 62 / 42 / 1

HEX #FC6092

RGB 252 96 146

HSL 340.77, 0.96%, 0.68%

LAB 62.62, 63.43, 4.56

 

CMYK 0 / 63 / 42 / 81

HEX #30121C

RGB 48 18 28

HSL 340, 0.45%, 0.13%

LAB 10.14, 16.64, 0.16

 

CMYK 0 / 62 / 42 / 61

HEX #632639

RGB 99 38 57

HSL 341.31, 0.45%, 0.27%

LAB 24.75, 29.64, 1.83

 

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

CMYK 0 / 8 / 62 / 41

HEX #978B39

RGB 151 139 57

HSL 52.34, 0.45%, 0.41%

LAB 57.41, -6.03, 44.34

 

CMYK 62 / 17 / 0 / 41

HEX #397E97

RGB 57 126 151

HSL 195.96, 0.45%, 0.41%

LAB 49.53, -13.85, -19.97

 

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

CMYK 42 / 0 / 62 / 41

HEX #589739

RGB 88 151 57

HSL 100.21, 0.45%, 0.41%

LAB 56.59, -37.79, 42.21

 

CMYK 62 / 42 / 0 / 41

HEX #395897

RGB 57 88 151

HSL 220.21, 0.45%, 0.41%

LAB 37.99, 9.17, -38

 

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

CMYK 0 / 8 / 62 / 41

HEX #978B39

RGB 151 139 57

HSL 52.34, 0.45%, 0.41%

LAB 57.41, -6.03, 44.34

 

CMYK 62 / 0 / 21 / 41

HEX #399778

RGB 57 151 120

HSL 160.21, 0.45%, 0.41%

LAB 56.45, -35.36, 8.23

 

CMYK 62 / 54 / 0 / 41

HEX #394697

RGB 57 70 151

HSL 231.7, 0.45%, 0.41%

LAB 32.89, 21.03, -46.18

 

CMYK 0 / 62 / 42 / 41

HEX #963957

RGB 150 57 87

HSL 340.65, 0.45%, 0.41%

LAB 38.02, 41.86, 2.49

 

CMYK 11 / 0 / 62 / 41

HEX #879739

RGB 135 151 57

HSL 70.21, 0.45%, 0.41%

LAB 59.51, -19.41, 46.26

 

CMYK 62 / 0 / 21 / 41

HEX #399778

RGB 57 151 120

HSL 160.21, 0.45%, 0.41%

LAB 56.45, -35.36, 8.23

 

CMYK 52 / 62 / 0 / 41

HEX #493997

RGB 73 57 151

HSL 250.21, 0.45%, 0.41%

LAB 30.82, 32.6, -49.46

 

Description

Color code: CMYK 0 / 62 / 42 / 41 | qconv.com Color code: CMYK 0 / 62 / 42 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 57 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 57 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 42 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 42% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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