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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 42 / 29 / 13 it is the complementary color CMYK 74 / 0 / 23 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 42 / 29 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 42 / 29 / 13: CMYK 0 / 43 / 33 / 11, CMYK 0 / 40 / 30 / 4, CMYK 0 / 35 / 25 / 0, CMYK 0 / 28 / 18 / 0 and CMYK 0 / 21 / 10 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 42 / 29 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 42 / 29 / 13: CMYK 0 / 42 / 29 / 13, CMYK 0 / 46 / 32 / 20, CMYK 0 / 51 / 36 / 26, CMYK 0 / 56 / 41 / 33 and CMYK 0 / 63 / 47 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

Complementary color

CMYK 74 / 0 / 23 / 51

HEX #217E61

RGB 33 126 97

HSL 161.29, 0.58%, 0.31%

LAB 47.12, -34.09, 8.17

 

CMYK 0 / 43 / 33 / 11

HEX #E38199

RGB 227 129 153

HSL 345.31, 0.64%, 0.7%

LAB 65.22, 40.39, 3.86

 

CMYK 0 / 40 / 30 / 4

HEX #F493AC

RGB 244 147 172

HSL 344.54, 0.82%, 0.77%

LAB 71.61, 39.51, 2.7

 

CMYK 0 / 35 / 25 / 0

HEX #FFA5BF

RGB 255 165 191

HSL 342.67, 1%, 0.82%

LAB 77.24, 36.57, 0.58

 

CMYK 0 / 28 / 18 / 0

HEX #FFB7D2

RGB 255 183 210

HSL 337.5, 1%, 0.86%

LAB 81.72, 29.92, -3.17

 

CMYK 0 / 21 / 10 / 0

HEX #FFC9E5

RGB 255 201 229

HSL 328.89, 1%, 0.89%

LAB 86.35, 23.46, -6.5

 

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

CMYK 0 / 46 / 32 / 20

HEX #CD6F8B

RGB 205 111 139

HSL 342.13, 0.48%, 0.62%

LAB 58.24, 40.16, 1.4

 

CMYK 0 / 51 / 36 / 26

HEX #BC5D78

RGB 188 93 120

HSL 342.95, 0.41%, 0.55%

LAB 51.7, 41.07, 2.79

 

CMYK 0 / 56 / 41 / 33

HEX #AB4B65

RGB 171 75 101

HSL 343.75, 0.39%, 0.48%

LAB 45.12, 41.94, 4.45

 

CMYK 0 / 63 / 47 / 40

HEX #9A3952

RGB 154 57 82

HSL 344.54, 0.46%, 0.41%

LAB 38.56, 42.69, 6.53

 

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

CMYK 0 / 41 / 35 / 13

HEX #DD828F

RGB 221 130 143

HSL 351.43, 0.57%, 0.69%

LAB 64.42, 36.48, 8.28

 

CMYK 0 / 41 / 41 / 13

HEX #DD8382

RGB 221 131 130

HSL 0.66, 0.57%, 0.69%

LAB 64.34, 34.46, 15.52

 

CMYK 0 / 34 / 41 / 13

HEX #DD9282

RGB 221 146 130

HSL 10.55, 0.57%, 0.69%

LAB 67.68, 26.47, 20.14

 

CMYK 0 / 27 / 41 / 13

HEX #DDA282

RGB 221 162 130

HSL 21.1, 0.57%, 0.69%

LAB 71.44, 17.86, 25.22

 

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

CMYK 0 / 44 / 28 / 93

HEX #120A0D

RGB 18 10 13

HSL 337.5, 0.29%, 0.05%

LAB 3.38, 3.05, -0.32

 

CMYK 0 / 42 / 29 / 73

HEX #452831

RGB 69 40 49

HSL 341.38, 0.27%, 0.21%

LAB 20.06, 15.04, -0.1

 

CMYK 0 / 42 / 29 / 53

HEX #784655

RGB 120 70 85

HSL 342, 0.26%, 0.37%

LAB 36.04, 23.53, 0.32

 

CMYK 0 / 42 / 29 / 33

HEX #AB637A

RGB 171 99 122

HSL 340.83, 0.3%, 0.53%

LAB 50.67, 31.99, -0.18

 

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

CMYK 0 / 5 / 41 / 13

HEX #DDD382

RGB 221 211 130

HSL 53.41, 0.57%, 0.69%

LAB 83.74, -7.93, 41.28

 

CMYK 41 / 12 / 0 / 13

HEX #82C3DD

RGB 130 195 221

HSL 197.14, 0.57%, 0.69%

LAB 75.45, -14.03, -19.48

 

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

CMYK 28 / 0 / 41 / 13

HEX #9FDD82

RGB 159 221 130

HSL 100.88, 0.57%, 0.69%

LAB 82.21, -36.01, 38.47

 

CMYK 41 / 28 / 0 / 13

HEX #829FDD

RGB 130 159 221

HSL 220.88, 0.57%, 0.69%

LAB 65.56, 5.64, -34.65

 

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

CMYK 0 / 5 / 41 / 13

HEX #DDD382

RGB 221 211 130

HSL 53.41, 0.57%, 0.69%

LAB 83.74, -7.93, 41.28

 

CMYK 41 / 0 / 13 / 13

HEX #82DDC0

RGB 130 221 192

HSL 160.88, 0.57%, 0.69%

LAB 81.98, -33.86, 5.74

 

CMYK 41 / 37 / 0 / 13

HEX #828CDD

RGB 130 140 221

HSL 233.41, 0.57%, 0.69%

LAB 60.54, 16.61, -42.51

 

CMYK 0 / 42 / 29 / 13

HEX #DE819E

RGB 222 129 158

HSL 341.29, 0.58%, 0.69%

LAB 64.72, 39.27, 0.21

 

CMYK 8 / 0 / 41 / 13

HEX #CCDD82

RGB 204 221 130

HSL 71.21, 0.57%, 0.69%

LAB 85.08, -19.57, 42.7

 

CMYK 41 / 0 / 13 / 13

HEX #82DDC0

RGB 130 221 192

HSL 160.88, 0.57%, 0.69%

LAB 81.98, -33.86, 5.74

 

CMYK 34 / 41 / 0 / 13

HEX #9282DD

RGB 146 130 221

HSL 250.55, 0.57%, 0.69%

LAB 59.25, 26.68, -44.46

 

Description

Color code: CMYK 0 / 42 / 29 / 13 | qconv.com Color code: CMYK 0 / 42 / 29 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 129 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 129 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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