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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 60 / 61 / 16 it is the complementary color CMYK 76 / 1 / 0 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 60 / 61 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 60 / 61 / 16: CMYK 0 / 61 / 64 / 14, CMYK 0 / 56 / 58 / 7, CMYK 0 / 52 / 54 / 1, CMYK 0 / 45 / 47 / 0 and CMYK 0 / 38 / 39 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 60 / 61 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 60 / 61 / 16: CMYK 0 / 60 / 61 / 16, CMYK 0 / 65 / 67 / 23, CMYK 0 / 72 / 74 / 29, CMYK 0 / 80 / 83 / 36 and CMYK 0 / 90 / 95 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

Complementary color

CMYK 76 / 1 / 0 / 33

HEX #29A9AB

RGB 41 169 171

HSL 180.92, 0.61%, 0.42%

LAB 63.17, -32.15, -10.78

 

CMYK 0 / 61 / 64 / 14

HEX #DB564F

RGB 219 86 79

HSL 3, 0.66%, 0.58%

LAB 54.32, 51.65, 31.29

 

CMYK 0 / 56 / 58 / 7

HEX #EC6862

RGB 236 104 98

HSL 2.61, 0.78%, 0.65%

LAB 60.44, 50.59, 28.78

 

CMYK 0 / 52 / 54 / 1

HEX #FD7A75

RGB 253 122 117

HSL 2.21, 0.97%, 0.73%

LAB 66.59, 49.47, 26.61

 

CMYK 0 / 45 / 47 / 0

HEX #FF8C88

RGB 255 140 136

HSL 2.02, 1%, 0.77%

LAB 70.73, 42.98, 21.66

 

CMYK 0 / 38 / 39 / 0

HEX #FF9E9B

RGB 255 158 155

HSL 1.8, 1%, 0.8%

LAB 74.88, 35.74, 16.91

 

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

CMYK 0 / 65 / 67 / 23

HEX #C54441

RGB 197 68 65

HSL 1.36, 0.53%, 0.51%

LAB 47.48, 51.16, 30.13

 

CMYK 0 / 72 / 74 / 29

HEX #B4322E

RGB 180 50 46

HSL 1.79, 0.59%, 0.44%

LAB 41.5, 51.78, 33.45

 

CMYK 0 / 80 / 83 / 36

HEX #A3201B

RGB 163 32 27

HSL 2.21, 0.72%, 0.37%

LAB 35.79, 51.8, 37.23

 

CMYK 0 / 90 / 95 / 43

HEX #920E08

RGB 146 14 8

HSL 2.61, 0.9%, 0.3%

LAB 30.5, 50.77, 40.61

 

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

CMYK 0 / 51 / 62 / 16

HEX #D56852

RGB 213 104 82

HSL 10.08, 0.61%, 0.58%

LAB 56.74, 41.11, 32.39

 

CMYK 0 / 41 / 62 / 16

HEX #D57E52

RGB 213 126 82

HSL 20.15, 0.61%, 0.58%

LAB 61.37, 29.67, 38.07

SW® 6634

CMYK 0 / 31 / 62 / 16

HEX #D59352

RGB 213 147 82

HSL 29.77, 0.61%, 0.58%

LAB 66.23, 18.36, 43.85

 

CMYK 0 / 21 / 62 / 16

HEX #D5A952

RGB 213 169 82

HSL 39.85, 0.61%, 0.58%

LAB 71.64, 6.51, 50.08

 

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

CMYK 0 / 60 / 60 / 96

HEX #0A0404

RGB 10 4 4

HSL 0, 0.43%, 0.03%

LAB 1.45, 1.57, 0.55

 

CMYK 0 / 59 / 61 / 76

HEX #3D1918

RGB 61 25 24

HSL 1.62, 0.44%, 0.17%

LAB 14.14, 17.54, 9.06

 

CMYK 0 / 60 / 61 / 56

HEX #702D2C

RGB 112 45 44

HSL 0.88, 0.44%, 0.31%

LAB 28.12, 29.62, 15.54

 

CMYK 0 / 60 / 61 / 36

HEX #A34240

RGB 163 66 64

HSL 1.21, 0.44%, 0.45%

LAB 41.3, 40.03, 21.73

 

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

CMYK 12 / 0 / 62 / 16

HEX #BBD552

RGB 187 213 82

HSL 71.91, 0.61%, 0.58%

LAB 81.16, -26.77, 60.01

 

CMYK 62 / 37 / 0 / 16

HEX #5286D5

RGB 82 134 213

HSL 216.18, 0.61%, 0.58%

LAB 55.73, 6.9, -45.8

 

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

CMYK 62 / 0 / 62 / 16

HEX #52D552

RGB 82 213 82

HSL 120, 0.61%, 0.58%

LAB 76.06, -61.01, 52.94

 

CMYK 62 / 62 / 0 / 16

HEX #5252D5

RGB 82 82 213

HSL 240, 0.61%, 0.58%

LAB 42.2, 38.92, -67.54

 

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

CMYK 12 / 0 / 62 / 16

HEX #BBD552

RGB 187 213 82

HSL 71.91, 0.61%, 0.58%

LAB 81.16, -26.77, 60.01

 

CMYK 62 / 0 / 0 / 16

HEX #52D5D5

RGB 82 213 213

HSL 180, 0.61%, 0.58%

LAB 78.57, -35.18, -10.66

 

CMYK 49 / 62 / 0 / 16

HEX #6C52D5

RGB 108 82 213

HSL 251.91, 0.61%, 0.58%

LAB 44.27, 43.49, -64.09

 

CMYK 0 / 60 / 61 / 16

HEX #D65654

RGB 214 86 84

HSL 0.92, 0.61%, 0.58%

LAB 53.59, 50.25, 27.31

 

CMYK 31 / 0 / 62 / 16

HEX #93D552

RGB 147 213 82

HSL 90.23, 0.61%, 0.58%

LAB 78.69, -41.94, 56.61

 

CMYK 62 / 0 / 0 / 16

HEX #52D5D5

RGB 82 213 213

HSL 180, 0.61%, 0.58%

LAB 78.57, -35.18, -10.66

 

CMYK 31 / 62 / 0 / 16

HEX #9352D5

RGB 147 82 213

HSL 269.77, 0.61%, 0.58%

LAB 48.31, 51.72, -57.36

 

Description

Color code: CMYK 0 / 60 / 61 / 16 | qconv.com Color code: CMYK 0 / 60 / 61 / 16 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 86 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 86 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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