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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 56 / 58 / 7 it is the complementary color CMYK 88 / 3 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 56 / 58 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 56 / 58 / 7: CMYK 0 / 57 / 61 / 5, CMYK 0 / 52 / 55 / 0, CMYK 0 / 45 / 48 / 0, CMYK 0 / 38 / 40 / 0 and CMYK 0 / 31 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 56 / 58 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 56 / 58 / 7: CMYK 0 / 56 / 58 / 7, CMYK 0 / 61 / 63 / 14, CMYK 0 / 67 / 69 / 20, CMYK 0 / 73 / 77 / 27 and CMYK 0 / 81 / 86 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

Complementary color

CMYK 88 / 3 / 0 / 39

HEX #12979B

RGB 18 151 155

HSL 181.75, 0.79%, 0.34%

LAB 56.71, -30.42, -11.45

 

CMYK 0 / 57 / 61 / 5

HEX #F2685F

RGB 242 104 95

HSL 3.67, 0.85%, 0.66%

LAB 61.31, 52.48, 31.77

 

CMYK 0 / 52 / 55 / 0

HEX #FF7A72

RGB 255 122 114

HSL 3.4, 1%, 0.72%

LAB 66.82, 49.95, 28.64

 

CMYK 0 / 45 / 48 / 0

HEX #FF8C85

RGB 255 140 133

HSL 3.44, 1%, 0.76%

LAB 70.67, 42.7, 23.24

 

CMYK 0 / 38 / 40 / 0

HEX #FF9E98

RGB 255 158 152

HSL 3.5, 1%, 0.8%

LAB 74.81, 35.41, 18.47

 

CMYK 0 / 31 / 33 / 0

HEX #FFB0AB

RGB 255 176 171

HSL 3.57, 1%, 0.84%

LAB 79.19, 28.23, 14.25

 

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

CMYK 0 / 61 / 63 / 14

HEX #DC5651

RGB 220 86 81

HSL 2.16, 0.67%, 0.59%

LAB 54.52, 52.12, 30.42

 

CMYK 0 / 67 / 69 / 20

HEX #CB443E

RGB 203 68 62

HSL 2.55, 0.58%, 0.52%

LAB 48.48, 53.01, 33.33

 

CMYK 0 / 73 / 77 / 27

HEX #BA322B

RGB 186 50 43

HSL 2.94, 0.62%, 0.45%

LAB 42.6, 53.58, 36.71

 

CMYK 0 / 81 / 86 / 34

HEX #A92018

RGB 169 32 24

HSL 3.31, 0.75%, 0.38%

LAB 36.99, 53.54, 40.36

 

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

CMYK 0 / 47 / 58 / 7

HEX #EC7C63

RGB 236 124 99

HSL 10.95, 0.78%, 0.66%

LAB 64.28, 40.9, 33.14

 

CMYK 0 / 38 / 58 / 7

HEX #EC9363

RGB 236 147 99

HSL 21.02, 0.78%, 0.66%

LAB 69.18, 28.99, 39.27

 

CMYK 0 / 28 / 58 / 7

HEX #ECAA63

RGB 236 170 99

HSL 31.09, 0.78%, 0.66%

LAB 74.5, 16.8, 45.72

 

CMYK 0 / 18 / 58 / 7

HEX #ECC163

RGB 236 193 99

HSL 41.17, 0.78%, 0.66%

LAB 80.11, 4.69, 52.33

 

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

CMYK 0 / 58 / 58 / 87

HEX #210E0E

RGB 33 14 14

HSL 0, 0.4%, 0.09%

LAB 6.04, 9.31, 3.28

 

CMYK 0 / 56 / 58 / 67

HEX #542523

RGB 84 37 35

HSL 2.45, 0.41%, 0.23%

LAB 21.32, 21.64, 11.67

 

CMYK 0 / 56 / 58 / 47

HEX #873B39

RGB 135 59 57

HSL 1.54, 0.41%, 0.38%

LAB 35.15, 32.39, 17.16

 

CMYK 0 / 56 / 58 / 27

HEX #BA524E

RGB 186 82 78

HSL 2.22, 0.44%, 0.52%

LAB 48.29, 41.71, 23.1

 

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

CMYK 12 / 0 / 58 / 7

HEX #CFEC63

RGB 207 236 99

HSL 72.7, 0.78%, 0.66%

LAB 89, -28.52, 61.81

 

CMYK 58 / 36 / 0 / 7

HEX #6398EC

RGB 99 152 236

HSL 216.79, 0.78%, 0.66%

LAB 62.65, 7.07, -47.62

 

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

CMYK 58 / 0 / 57 / 7

HEX #63EC66

RGB 99 236 102

HSL 121.31, 0.78%, 0.66%

LAB 83.76, -63.15, 53.11

 

CMYK 57 / 58 / 0 / 7

HEX #6663EC

RGB 102 99 236

HSL 241.31, 0.78%, 0.66%

LAB 49.26, 39.42, -69.06

 

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

CMYK 12 / 0 / 58 / 7

HEX #CFEC63

RGB 207 236 99

HSL 72.7, 0.78%, 0.66%

LAB 89, -28.52, 61.81

 

CMYK 58 / 1 / 0 / 7

HEX #63EAEC

RGB 99 234 236

HSL 180.88, 0.78%, 0.66%

LAB 85.78, -35.88, -12.05

 

CMYK 45 / 58 / 0 / 7

HEX #8163EC

RGB 129 99 236

HSL 253.14, 0.78%, 0.66%

LAB 51.44, 44.6, -65.43

 

CMYK 0 / 56 / 58 / 7

HEX #ED6864

RGB 237 104 100

HSL 1.75, 0.79%, 0.66%

LAB 60.63, 51.08, 27.92

 

CMYK 30 / 0 / 58 / 7

HEX #A6EC63

RGB 166 236 99

HSL 90.66, 0.78%, 0.66%

LAB 86.5, -43.73, 58.32

 

CMYK 58 / 1 / 0 / 7

HEX #63EAEC

RGB 99 234 236

HSL 180.88, 0.78%, 0.66%

LAB 85.78, -35.88, -12.05

 

CMYK 28 / 58 / 0 / 7

HEX #AA63EC

RGB 170 99 236

HSL 271.09, 0.78%, 0.66%

LAB 55.61, 53.7, -58.49

 

Description

Color code: CMYK 0 / 56 / 58 / 7 | qconv.com Color code: CMYK 0 / 56 / 58 / 7 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 104 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 104 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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