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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 58 / 17 / 27 it is the complementary color CMYK 61 / 0 / 44 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 58 / 17 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 58 / 17 / 27: CMYK 0 / 59 / 21 / 25, CMYK 0 / 54 / 19 / 18, CMYK 0 / 49 / 16 / 12, CMYK 0 / 45 / 14 / 5 and CMYK 0 / 41 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 58 / 17 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 58 / 17 / 27: CMYK 0 / 58 / 17 / 27, CMYK 0 / 64 / 20 / 34, CMYK 0 / 72 / 23 / 40, CMYK 0 / 82 / 27 / 47 and CMYK 0 / 95 / 33 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

Complementary color

CMYK 61 / 0 / 44 / 31

HEX #45B164

RGB 69 177 100

HSL 137.22, 0.44%, 0.48%

LAB 64.67, -47.97, 30.41

 

CMYK 0 / 59 / 21 / 25

HEX #BF4E96

RGB 191 78 150

HSL 321.77, 0.47%, 0.53%

LAB 50.37, 53.29, -17.01

 

CMYK 0 / 54 / 19 / 18

HEX #D060A9

RGB 208 96 169

HSL 320.89, 0.54%, 0.6%

LAB 56.72, 52.79, -18.24

 

CMYK 0 / 49 / 16 / 12

HEX #E172BC

RGB 225 114 188

HSL 320, 0.65%, 0.66%

LAB 63.07, 52.15, -19.25

 

CMYK 0 / 45 / 14 / 5

HEX #F284CF

RGB 242 132 207

HSL 319.09, 0.81%, 0.73%

LAB 69.39, 51.45, -20.11

 

CMYK 0 / 41 / 11 / 0

HEX #FF96E2

RGB 255 150 226

HSL 316.57, 1%, 0.79%

LAB 75.18, 49.47, -21.64

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

CMYK 0 / 64 / 20 / 34

HEX #A93C88

RGB 169 60 136

HSL 318.17, 0.48%, 0.45%

LAB 43.43, 52.8, -19.53

 

CMYK 0 / 72 / 23 / 40

HEX #982A75

RGB 152 42 117

HSL 319.09, 0.57%, 0.38%

LAB 37.14, 52.58, -17.71

 

CMYK 0 / 82 / 27 / 47

HEX #871862

RGB 135 24 98

HSL 320, 0.7%, 0.31%

LAB 31.08, 51.49, -15.21

 

CMYK 0 / 95 / 33 / 54

HEX #76064F

RGB 118 6 79

HSL 320.89, 0.9%, 0.24%

LAB 25.4, 49, -11.69

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

CMYK 0 / 58 / 26 / 27

HEX #BA4E89

RGB 186 78 137

HSL 327.22, 0.44%, 0.52%

LAB 49.12, 49.96, -11.21

 

CMYK 0 / 58 / 35 / 27

HEX #BA4E78

RGB 186 78 120

HSL 336.67, 0.44%, 0.52%

LAB 48.57, 47.78, -1.81

 

CMYK 0 / 58 / 45 / 27

HEX #BA4E66

RGB 186 78 102

HSL 346.67, 0.44%, 0.52%

LAB 48.07, 45.79, 8.36

 

CMYK 0 / 58 / 55 / 27

HEX #BA4E54

RGB 186 78 84

HSL 356.67, 0.44%, 0.52%

LAB 47.66, 44.14, 18.68

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

CMYK 0 / 58 / 16 / 7

HEX #ED63C6

RGB 237 99 198

HSL 316.96, 0.79%, 0.66%

LAB 62.51, 64.08, -25.63

 

CMYK 0 / 58 / 15 / 87

HEX #210E1C

RGB 33 14 28

HSL 315.79, 0.4%, 0.09%

LAB 6.51, 12.29, -5.51

 

CMYK 0 / 58 / 17 / 67

HEX #542346

RGB 84 35 70

HSL 317.14, 0.41%, 0.23%

LAB 22.05, 27.77, -11.31

 

CMYK 0 / 58 / 16 / 47

HEX #873971

RGB 135 57 113

HSL 316.92, 0.41%, 0.38%

LAB 36.5, 40.48, -16.44

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 58 / 0 / 7 / 27

HEX #4EBAAD

RGB 78 186 173

HSL 172.78, 0.44%, 0.52%

LAB 69.29, -33.99, -2.71

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

CMYK 17 / 0 / 58 / 27

HEX #9BBA4E

RGB 155 186 78

HSL 77.22, 0.44%, 0.52%

LAB 71.31, -26.86, 50.25

 

CMYK 58 / 17 / 0 / 27

HEX #4E9BBA

RGB 78 155 186

HSL 197.22, 0.44%, 0.52%

LAB 60.43, -14.63, -23.26

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 58 / 0 / 41 / 27

HEX #4EBA6D

RGB 78 186 109

HSL 137.22, 0.44%, 0.52%

LAB 67.9, -48.01, 29.97

 

CMYK 58 / 28 / 0 / 27

HEX #4E86BA

RGB 78 134 186

HSL 208.89, 0.44%, 0.52%

LAB 54.25, -2.82, -32.82

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9B

RGB 186 78 155

HSL 317.22, 0.44%, 0.52%

LAB 49.8, 52.55, -20.9

 

CMYK 0 / 12 / 58 / 27

HEX #BAA34E

RGB 186 163 78

HSL 47.22, 0.44%, 0.52%

LAB 67.41, -2.11, 46.47

 

CMYK 58 / 0 / 41 / 27

HEX #4EBA6D

RGB 78 186 109

HSL 137.22, 0.44%, 0.52%

LAB 67.9, -48.01, 29.97

 

CMYK 58 / 45 / 0 / 27

HEX #4E66BA

RGB 78 102 186

HSL 226.67, 0.44%, 0.52%

LAB 45.18, 16.67, -47.16

 

Description

Color code: CMYK 0 / 58 / 17 / 27 | qconv.com Color code: CMYK 0 / 58 / 17 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 78 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 78 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 17 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 17% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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