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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 56 / 69 / 36 it is the complementary color CMYK 55 / 10 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 56 / 69 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 56 / 69 / 36: CMYK 0 / 57 / 73 / 34, CMYK 0 / 51 / 65 / 27, CMYK 0 / 47 / 58 / 21, CMYK 0 / 42 / 53 / 14 and CMYK 0 / 39 / 48 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 56 / 69 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 56 / 69 / 36: CMYK 0 / 56 / 69 / 36, CMYK 0 / 63 / 78 / 43, CMYK 0 / 72 / 90 / 49, CMYK 0 / 84 / 100 / 56 and CMYK 0 / 100 / 100 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

Complementary color

CMYK 55 / 10 / 0 / 20

HEX #5CB7CC

RGB 92 183 204

HSL 191.25, 0.52%, 0.58%

LAB 69.83, -21.21, -18.9

 

CMYK 0 / 57 / 73 / 34

HEX #A8482E

RGB 168 72 46

HSL 12.79, 0.57%, 0.42%

LAB 43, 37.84, 34.55

 

CMYK 0 / 51 / 65 / 27

HEX #B95A41

RGB 185 90 65

HSL 12.5, 0.48%, 0.49%

LAB 49.51, 36.36, 32.14

 

CMYK 0 / 47 / 58 / 21

HEX #CA6C54

RGB 202 108 84

HSL 12.2, 0.53%, 0.56%

LAB 56.01, 34.97, 30.02

 

CMYK 0 / 42 / 53 / 14

HEX #DB7E67

RGB 219 126 103

HSL 11.9, 0.62%, 0.63%

LAB 62.47, 33.68, 28.15

 

CMYK 0 / 39 / 48 / 7

HEX #EC907A

RGB 236 144 122

HSL 11.58, 0.75%, 0.7%

LAB 68.88, 32.51, 26.48

 

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

CMYK 0 / 63 / 78 / 43

HEX #923620

RGB 146 54 32

HSL 11.58, 0.64%, 0.35%

LAB 35.7, 37.6, 33.32

 

CMYK 0 / 72 / 90 / 49

HEX #81240D

RGB 129 36 13

HSL 11.9, 0.82%, 0.28%

LAB 29.31, 38.83, 36

 

CMYK 0 / 84 / 100 / 56

HEX #701200

RGB 112 18 0

HSL 9.64, 1%, 0.22%

LAB 23.26, 39.33, 34.6

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

CMYK 0 / 44 / 69 / 36

HEX #A25A33

RGB 162 90 51

HSL 21.08, 0.52%, 0.42%

LAB 45.95, 26.11, 34.89

 

CMYK 0 / 33 / 69 / 36

HEX #A26C33

RGB 162 108 51

HSL 30.81, 0.52%, 0.42%

LAB 50.27, 15.95, 39.74

 

CMYK 0 / 22 / 69 / 36

HEX #A27F33

RGB 162 127 51

HSL 41.08, 0.52%, 0.42%

LAB 55.17, 5.19, 45.06

 

CMYK 0 / 10 / 69 / 36

HEX #A29233

RGB 162 146 51

HSL 51.35, 0.52%, 0.42%

LAB 60.32, -5.32, 50.44

 

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

CMYK 0 / 56 / 69 / 16

HEX #D65F43

RGB 214 95 67

HSL 11.43, 0.64%, 0.55%

LAB 54.95, 45, 38.58

 

CMYK 0 / 60 / 70 / 96

HEX #0A0403

RGB 10 4 3

HSL 8.57, 0.54%, 0.03%

LAB 1.43, 1.43, 0.93

 

CMYK 0 / 56 / 69 / 76

HEX #3D1B13

RGB 61 27 19

HSL 11.43, 0.53%, 0.16%

LAB 14.53, 15.78, 13.04

 

CMYK 0 / 56 / 69 / 56

HEX #703123

RGB 112 49 35

HSL 10.91, 0.52%, 0.29%

LAB 28.81, 26.76, 22.15

 

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

CMYK 26 / 0 / 69 / 36

HEX #78A233

RGB 120 162 51

HSL 82.7, 0.52%, 0.42%

LAB 61.72, -31.46, 50.88

 

CMYK 69 / 54 / 0 / 36

HEX #334BA2

RGB 51 75 162

HSL 227.03, 0.52%, 0.42%

LAB 34.69, 20.68, -49.93

 

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

CMYK 69 / 0 / 56 / 36

HEX #33A247

RGB 51 162 71

HSL 130.81, 0.52%, 0.42%

LAB 58.97, -50.45, 37.96

 

CMYK 56 / 69 / 0 / 36

HEX #4733A2

RGB 71 51 162

HSL 250.81, 0.52%, 0.42%

LAB 30.2, 39.29, -57.17

 

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

CMYK 26 / 0 / 69 / 36

HEX #78A233

RGB 120 162 51

HSL 82.7, 0.52%, 0.42%

LAB 61.72, -31.46, 50.88

 

CMYK 69 / 12 / 0 / 36

HEX #338EA2

RGB 51 142 162

HSL 190.81, 0.52%, 0.42%

LAB 54.72, -20.05, -18.42

 

CMYK 42 / 69 / 0 / 36

HEX #5E33A2

RGB 94 51 162

HSL 263.24, 0.52%, 0.42%

LAB 32.6, 43.55, -53.14

 

CMYK 0 / 56 / 69 / 36

HEX #A34833

RGB 163 72 51

HSL 11.25, 0.52%, 0.42%

LAB 42.25, 36.17, 30.64

 

CMYK 47 / 0 / 69 / 36

HEX #56A233

RGB 86 162 51

HSL 101.08, 0.52%, 0.42%

LAB 59.94, -43.67, 48.47

 

CMYK 69 / 12 / 0 / 36

HEX #338EA2

RGB 51 142 162

HSL 190.81, 0.52%, 0.42%

LAB 54.72, -20.05, -18.42

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A2

RGB 127 51 162

HSL 281.08, 0.52%, 0.42%

LAB 36.91, 50.63, -45.97

 

Description

Color code: CMYK 0 / 56 / 69 / 36 | qconv.com Color code: CMYK 0 / 56 / 69 / 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 72 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 72 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 69 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 69% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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