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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 69 / 0 / 36 it is the complementary color CMYK 37 / 0 / 55 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 69 / 0 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 69 / 0 / 36: CMYK 16 / 68 / 0 / 38, CMYK 16 / 61 / 0 / 31, CMYK 15 / 56 / 0 / 23, CMYK 15 / 51 / 0 / 16 and CMYK 15 / 47 / 0 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 69 / 0 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 69 / 0 / 36: CMYK 22 / 69 / 0 / 36, CMYK 24 / 77 / 0 / 44, CMYK 26 / 88 / 0 / 51, CMYK 28 / 100 / 0 / 58 and CMYK 32 / 100 / 0 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

Complementary color

CMYK 37 / 0 / 55 / 20

HEX #80CC5C

RGB 128 204 92

HSL 100.71, 0.52%, 0.58%

LAB 75.17, -43.6, 47.86

 

CMYK 16 / 68 / 0 / 38

HEX #84339E

RGB 132 51 158

HSL 285.42, 0.51%, 0.41%

LAB 37.37, 50.93, -42.78

 

CMYK 16 / 61 / 0 / 31

HEX #9545B1

RGB 149 69 177

HSL 284.44, 0.44%, 0.48%

LAB 43.97, 50.6, -43.42

 

CMYK 15 / 56 / 0 / 23

HEX #A657C4

RGB 166 87 196

HSL 283.49, 0.48%, 0.55%

LAB 50.58, 50, -43.85

 

CMYK 15 / 51 / 0 / 16

HEX #B769D7

RGB 183 105 215

HSL 282.55, 0.58%, 0.63%

LAB 57.15, 49.27, -44.15

 

CMYK 15 / 47 / 0 / 8

HEX #C87BEA

RGB 200 123 234

HSL 281.62, 0.73%, 0.7%

LAB 63.66, 48.5, -44.38

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 24 / 77 / 0 / 44

HEX #6E2190

RGB 110 33 144

HSL 281.62, 0.63%, 0.35%

LAB 30.44, 50.72, -45.57

 

CMYK 26 / 88 / 0 / 51

HEX #5D0F7D

RGB 93 15 125

HSL 282.55, 0.79%, 0.27%

LAB 24.16, 49.5, -43.99

 

CMYK 28 / 100 / 0 / 58

HEX #4C006A

RGB 76 0 106

HSL 283.02, 1%, 0.21%

LAB 18.26, 46.66, -41.48

 

CMYK 32 / 100 / 0 / 66

HEX #3B0057

RGB 59 0 87

HSL 280.69, 1%, 0.17%

LAB 13.34, 40.26, -37

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 11 / 69 / 0 / 36

HEX #9033A2

RGB 144 51 162

HSL 290.27, 0.52%, 0.42%

LAB 39.42, 54.53, -41.81

 

CMYK 0 / 69 / 0 / 36

HEX #A233A2

RGB 162 51 162

HSL 300, 0.52%, 0.42%

LAB 42.24, 58.74, -37.15

 

CMYK 0 / 69 / 11 / 36

HEX #A23390

RGB 162 51 144

HSL 309.73, 0.52%, 0.42%

LAB 41.32, 55.79, -27.76

 

CMYK 0 / 69 / 23 / 36

HEX #A2337D

RGB 162 51 125

HSL 320, 0.52%, 0.42%

LAB 40.46, 52.97, -17.44

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 22 / 69 / 0 / 16

HEX #A743D6

RGB 167 67 214

HSL 280.82, 0.64%, 0.55%

LAB 48.37, 63.3, -57.71

 

CMYK 20 / 70 / 0 / 96

HEX #08030A

RGB 8 3 10

HSL 282.86, 0.54%, 0.03%

LAB 1.25, 2.28, -2.19

 

CMYK 21 / 69 / 0 / 76

HEX #30133D

RGB 48 19 61

HSL 281.43, 0.53%, 0.16%

LAB 12.16, 23.11, -20.95

 

CMYK 22 / 69 / 0 / 56

HEX #572370

RGB 87 35 112

HSL 280.52, 0.52%, 0.29%

LAB 24.95, 37.55, -34.47

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 0 / 69 / 59 / 36

HEX #A23342

RGB 162 51 66

HSL 351.89, 0.52%, 0.42%

LAB 38.62, 46.63, 16.95

 

CMYK 69 / 0 / 50 / 36

HEX #33A251

RGB 51 162 81

HSL 136.22, 0.52%, 0.42%

LAB 59.1, -48.96, 33.09

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 0 / 23 / 69 / 36

HEX #A27D33

RGB 162 125 51

HSL 40, 0.52%, 0.42%

LAB 54.65, 6.31, 44.49

 

CMYK 69 / 0 / 23 / 36

HEX #33A27D

RGB 51 162 125

HSL 160, 0.52%, 0.42%

LAB 59.91, -40.14, 10.3

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 0 / 69 / 59 / 36

HEX #A23342

RGB 162 51 66

HSL 351.89, 0.52%, 0.42%

LAB 38.62, 46.63, 16.95

 

CMYK 46 / 0 / 69 / 36

HEX #58A233

RGB 88 162 51

HSL 100, 0.52%, 0.42%

LAB 60.03, -43.03, 48.59

 

CMYK 69 / 0 / 9 / 36

HEX #33A293

RGB 51 162 147

HSL 171.89, 0.52%, 0.42%

LAB 60.47, -34.46, -1.27

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 0 / 57 / 69 / 36

HEX #A24533

RGB 162 69 51

HSL 9.73, 0.52%, 0.42%

LAB 41.5, 37.3, 29.71

 

CMYK 46 / 0 / 69 / 36

HEX #58A233

RGB 88 162 51

HSL 100, 0.52%, 0.42%

LAB 60.03, -43.03, 48.59

 

CMYK 69 / 11 / 0 / 36

HEX #3390A2

RGB 51 144 162

HSL 189.73, 0.52%, 0.42%

LAB 55.34, -21.11, -17.48

 

Description

Color code: CMYK 22 / 69 / 0 / 36 | qconv.com Color code: CMYK 22 / 69 / 0 / 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 51 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 51 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 69 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 69% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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