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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 52 / 95 / 5 it is the complementary color CMYK 95 / 43 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 52 / 95 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 52 / 95 / 5: CMYK 0 / 53 / 97 / 3, CMYK 0 / 47 / 90 / 0, CMYK 0 / 40 / 82 / 0, CMYK 0 / 33 / 75 / 0 and CMYK 0 / 26 / 67 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 52 / 95 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 52 / 95 / 5: CMYK 0 / 52 / 95 / 5, CMYK 0 / 56 / 100 / 12, CMYK 0 / 62 / 100 / 18, CMYK 0 / 68 / 100 / 25 and CMYK 0 / 75 / 100 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

Complementary color

CMYK 95 / 43 / 0 / 5

HEX #0D8BF3

RGB 13 139 243

HSL 207.13, 0.91%, 0.5%

LAB 57.1, 7.73, -60.46

 

CMYK 0 / 53 / 97 / 3

HEX #F77407

RGB 247 116 7

HSL 27.25, 0.94%, 0.5%

LAB 63.57, 45.67, 70.28

 

CMYK 0 / 47 / 90 / 0

HEX #FF861A

RGB 255 134 26

HSL 28.3, 1%, 0.55%

LAB 68.3, 40.12, 70.3

 

CMYK 0 / 40 / 82 / 0

HEX #FF982D

RGB 255 152 45

HSL 30.57, 1%, 0.59%

LAB 72.17, 31.37, 67.66

 

CMYK 0 / 33 / 75 / 0

HEX #FFAA40

RGB 255 170 64

HSL 33.3, 1%, 0.63%

LAB 76.3, 22.66, 64.34

 

CMYK 0 / 26 / 67 / 0

HEX #FFBC53

RGB 255 188 83

HSL 36.63, 1%, 0.66%

LAB 80.66, 14.16, 60.79

 

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

CMYK 0 / 56 / 100 / 12

HEX #E16200

RGB 225 98 0

HSL 26.13, 1%, 0.44%

LAB 56.82, 45.91, 65.77

 

CMYK 0 / 62 / 100 / 18

HEX #D05000

RGB 208 80 0

HSL 23.08, 1%, 0.41%

LAB 50.86, 47.96, 61.02

 

CMYK 0 / 68 / 100 / 25

HEX #BF3E00

RGB 191 62 0

HSL 19.48, 1%, 0.37%

LAB 44.97, 49.71, 56.34

 

CMYK 0 / 75 / 100 / 32

HEX #AE2C00

RGB 174 44 0

HSL 15.17, 1%, 0.34%

LAB 39.24, 50.9, 51.79

 

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

CMYK 0 / 37 / 95 / 5

HEX #F39A0B

RGB 243 154 11

HSL 36.98, 0.91%, 0.5%

LAB 71, 24.76, 74.32

 

CMYK 0 / 21 / 95 / 5

HEX #F3C10B

RGB 243 193 11

HSL 47.07, 0.91%, 0.5%

LAB 80.3, 4.3, 80.88

 

CMYK 0 / 5 / 95 / 5

HEX #F3E70B

RGB 243 231 11

HSL 56.9, 0.91%, 0.5%

LAB 89.97, -14.89, 87.96

 

CMYK 11 / 0 / 95 / 5

HEX #D8F30B

RGB 216 243 11

HSL 66.98, 0.91%, 0.5%

LAB 91.11, -31.74, 87.92

 

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

CMYK 0 / 53 / 95 / 85

HEX #261202

RGB 38 18 2

HSL 26.67, 0.9%, 0.08%

LAB 7.67, 8.5, 10.83

 

CMYK 0 / 52 / 96 / 65

HEX #592B04

RGB 89 43 4

HSL 27.53, 0.91%, 0.18%

LAB 23.2, 18.43, 31.48

 

CMYK 0 / 52 / 95 / 45

HEX #8C4307

RGB 140 67 7

HSL 27.07, 0.9%, 0.29%

LAB 37.12, 27.71, 45

 

CMYK 0 / 52 / 95 / 25

HEX #BF5C09

RGB 191 92 9

HSL 27.36, 0.91%, 0.39%

LAB 50.39, 35.72, 57.32

 

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

CMYK 62 / 0 / 95 / 5

HEX #5CF30B

RGB 92 243 11

HSL 99.05, 0.91%, 0.5%

LAB 85.2, -72.7, 80.75

 

CMYK 91 / 95 / 0 / 5

HEX #170BF3

RGB 23 11 243

HSL 243.1, 0.91%, 0.5%

LAB 31.56, 74.77, -102.33

 

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

CMYK 95 / 0 / 53 / 5

HEX #0BF373

RGB 11 243 115

HSL 146.9, 0.91%, 0.5%

LAB 84.69, -74.68, 47.98

 

CMYK 53 / 95 / 0 / 5

HEX #730BF3

RGB 115 11 243

HSL 266.9, 0.91%, 0.5%

LAB 38.47, 78.43, -90.64

 

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

CMYK 62 / 0 / 95 / 5

HEX #5CF30B

RGB 92 243 11

HSL 99.05, 0.91%, 0.5%

LAB 85.2, -72.7, 80.75

 

CMYK 95 / 43 / 0 / 5

HEX #0B8BF3

RGB 11 139 243

HSL 206.9, 0.91%, 0.5%

LAB 57.08, 7.67, -60.49

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 0 / 52 / 95 / 5

HEX #F2740C

RGB 242 116 12

HSL 27.13, 0.91%, 0.5%

LAB 62.84, 43.8, 68.65

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 95 / 43 / 0 / 5

HEX #0B8BF3

RGB 11 139 243

HSL 206.9, 0.91%, 0.5%

LAB 57.08, 7.67, -60.49

 

CMYK 5 / 95 / 0 / 5

HEX #E70BF3

RGB 231 11 243

HSL 296.9, 0.91%, 0.5%

LAB 55.79, 92.19, -61.66

 

Description

Color code: CMYK 0 / 52 / 95 / 5 | qconv.com Color code: CMYK 0 / 52 / 95 / 5 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 116 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 116 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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