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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A20BF3 it is the complementary color #5DF40C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A20BF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A20BF3: #A70BEE, #B81DFF, #C92FFF, #DA41FF and #EB53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A20BF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A20BF3: #A20BF3, #9100E0, #8000CD, #6F00BA and #5E00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

Complementary color

CMYK 62 / 0 / 95 / 4

HEX #5DF40C

RGB 93 244 12

HSL 99.05, 0.91%, 0.5%

LAB 85.53, -72.78, 80.94

 

CMYK 30 / 95 / 0 / 7

HEX #A70BEE

RGB 167 11 238

HSL 281.23, 0.91%, 0.49%

LAB 45.12, 82.52, -76.62

 

CMYK 28 / 89 / 0 / 0

HEX #B81DFF

RGB 184 29 255

HSL 281.15, 1%, 0.56%

LAB 49.84, 85.36, -78.33

 

CMYK 21 / 82 / 0 / 0

HEX #C92FFF

RGB 201 47 255

HSL 284.42, 1%, 0.59%

LAB 53.68, 83.97, -71.99

 

CMYK 15 / 75 / 0 / 0

HEX #DA41FF

RGB 218 65 255

HSL 288.32, 1%, 0.63%

LAB 57.95, 81.78, -64.97

 

CMYK 8 / 67 / 0 / 0

HEX #EB53FF

RGB 235 83 255

HSL 293.02, 1%, 0.66%

LAB 62.57, 79.03, -57.44

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 35 / 100 / 0 / 12

HEX #9100E0

RGB 145 0 224

HSL 278.84, 1%, 0.44%

LAB 40.25, 78.47, -76.77

 

CMYK 38 / 100 / 0 / 20

HEX #8000CD

RGB 128 0 205

HSL 277.46, 1%, 0.4%

LAB 35.98, 72.96, -72.92

 

CMYK 40 / 100 / 0 / 27

HEX #6F00BA

RGB 111 0 186

HSL 275.81, 1%, 0.36%

LAB 31.63, 67.37, -69

 

CMYK 44 / 100 / 0 / 35

HEX #5E00A7

RGB 94 0 167

HSL 273.77, 1%, 0.33%

LAB 27.21, 61.69, -64.99

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 18 / 95 / 0 / 5

HEX #C80BF3

RGB 200 11 243

HSL 288.88, 0.91%, 0.5%

LAB 50.68, 87.67, -70.16

 

CMYK 2 / 95 / 0 / 5

HEX #EF0BF3

RGB 239 11 243

HSL 298.97, 0.91%, 0.5%

LAB 57.13, 93.42, -59.42

 

CMYK 0 / 95 / 14 / 5

HEX #F30BD0

RGB 243 11 208

HSL 309.05, 0.91%, 0.5%

LAB 55.94, 89.39, -41.5

 

CMYK 0 / 95 / 30 / 5

HEX #F30BAA

RGB 243 11 170

HSL 318.88, 0.91%, 0.5%

LAB 54.23, 85.04, -22.12

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 33 / 95 / 0 / 85

HEX #1A0227

RGB 26 2 39

HSL 278.92, 0.9%, 0.08%

LAB 3.7, 17.4, -18.41

 

CMYK 33 / 96 / 0 / 65

HEX #3C045A

RGB 60 4 90

HSL 279.07, 0.91%, 0.18%

LAB 14.32, 39.56, -37.41

 

CMYK 33 / 96 / 0 / 45

HEX #5E068D

RGB 94 6 141

HSL 279.11, 0.92%, 0.29%

LAB 25.05, 54.99, -52.58

 

CMYK 33 / 95 / 0 / 25

HEX #8009C0

RGB 128 9 192

HSL 279.02, 0.91%, 0.39%

LAB 35.18, 69.22, -66.62

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 0 / 95 / 81 / 5

HEX #F30B2E

RGB 243 11 46

HSL 350.95, 0.91%, 0.5%

LAB 51.26, 77.06, 47.5

 

CMYK 95 / 0 / 72 / 5

HEX #0BF345

RGB 11 243 69

HSL 135, 0.91%, 0.5%

LAB 84.28, -79.88, 66.6

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 0 / 33 / 95 / 5

HEX #F3A20B

RGB 243 162 11

HSL 39.05, 0.91%, 0.5%

LAB 72.84, 20.55, 75.59

 

CMYK 95 / 0 / 33 / 5

HEX #0BF3A2

RGB 11 243 162

HSL 159.05, 0.91%, 0.5%

LAB 85.39, -66.42, 25.81

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 0 / 95 / 81 / 5

HEX #F30B2E

RGB 243 11 46

HSL 350.95, 0.91%, 0.5%

LAB 51.26, 77.06, 47.5

 

CMYK 62 / 0 / 95 / 5

HEX #5CF30B

RGB 92 243 11

HSL 99.05, 0.91%, 0.5%

LAB 85.2, -72.7, 80.75

 

CMYK 95 / 0 / 14 / 5

HEX #0BF3D0

RGB 11 243 208

HSL 170.95, 0.91%, 0.5%

LAB 86.37, -55.71, 3.36

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 0 / 81 / 95 / 5

HEX #F32E0B

RGB 243 46 11

HSL 9.05, 0.91%, 0.5%

LAB 52.99, 70.99, 63.07

 

CMYK 62 / 0 / 95 / 5

HEX #5CF30B

RGB 92 243 11

HSL 99.05, 0.91%, 0.5%

LAB 85.2, -72.7, 80.75

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

Description

Color code: HEX #A20BF3 | qconv.com Color code: HEX #A20BF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 11 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 11 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 95 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 95% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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