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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 31 / 40 / 31 it is the complementary color CMYK 47 / 10 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 31 / 40 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 31 / 40 / 31: CMYK 0 / 33 / 44 / 29, CMYK 0 / 30 / 39 / 22, CMYK 0 / 27 / 35 / 16, CMYK 0 / 25 / 32 / 9 and CMYK 0 / 22 / 29 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 31 / 40 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 31 / 40 / 31: CMYK 0 / 31 / 40 / 31, CMYK 0 / 35 / 45 / 38, CMYK 0 / 40 / 52 / 44, CMYK 0 / 46 / 61 / 51 and CMYK 0 / 55 / 72 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

Complementary color

CMYK 47 / 10 / 0 / 42

HEX #4F8695

RGB 79 134 149

HSL 192.86, 0.31%, 0.45%

LAB 52.82, -13.97, -13.7

 

CMYK 0 / 33 / 44 / 29

HEX #B57965

RGB 181 121 101

HSL 15, 0.35%, 0.55%

LAB 56.52, 21.05, 20.52

 

CMYK 0 / 30 / 39 / 22

HEX #C68B78

RGB 198 139 120

HSL 14.62, 0.41%, 0.62%

LAB 63.2, 20.09, 19.16

 

CMYK 0 / 27 / 35 / 16

HEX #D79D8B

RGB 215 157 139

HSL 14.21, 0.49%, 0.69%

LAB 69.77, 19.25, 17.93

 

CMYK 0 / 25 / 32 / 9

HEX #E8AF9E

RGB 232 175 158

HSL 13.78, 0.62%, 0.76%

LAB 76.24, 18.5, 16.8

 

CMYK 0 / 22 / 29 / 2

HEX #F9C1B1

RGB 249 193 177

HSL 13.33, 0.86%, 0.84%

LAB 82.62, 17.83, 15.76

 

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 0 / 35 / 45 / 38

HEX #9F6757

RGB 159 103 87

HSL 13.33, 0.29%, 0.48%

LAB 49.2, 20.59, 18.31

 

CMYK 0 / 40 / 52 / 44

HEX #8E5544

RGB 142 85 68

HSL 13.78, 0.35%, 0.41%

LAB 42.25, 21.76, 19.94

 

CMYK 0 / 46 / 61 / 51

HEX #7D4331

RGB 125 67 49

HSL 14.21, 0.44%, 0.34%

LAB 35.19, 23.14, 21.87

 

CMYK 0 / 55 / 72 / 58

HEX #6C311E

RGB 108 49 30

HSL 14.62, 0.57%, 0.27%

LAB 28.06, 24.72, 24.18

 

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 0 / 26 / 41 / 31

HEX #AF8268

RGB 175 130 104

HSL 21.97, 0.31%, 0.55%

LAB 58.11, 13.88, 20.84

 

CMYK 0 / 19 / 41 / 31

HEX #AF8E68

RGB 175 142 104

HSL 32.11, 0.31%, 0.55%

LAB 61.18, 7.17, 24.94

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 5 / 41 / 31

HEX #AFA668

RGB 175 166 104

HSL 52.39, 0.31%, 0.55%

LAB 67.57, -5.91, 33.24

 

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 0 / 31 / 40 / 11

HEX #E39C89

RGB 227 156 137

HSL 12.67, 0.62%, 0.71%

LAB 70.81, 24.21, 20.67

 

CMYK 0 / 30 / 39 / 91

HEX #17100E

RGB 23 16 14

HSL 13.33, 0.24%, 0.07%

LAB 5.28, 2.56, 2.01

 

CMYK 0 / 31 / 39 / 71

HEX #4A332D

RGB 74 51 45

HSL 12.41, 0.24%, 0.23%

LAB 23.71, 9.45, 7.93

 

CMYK 0 / 31 / 40 / 51

HEX #7D564B

RGB 125 86 75

HSL 13.2, 0.25%, 0.39%

LAB 40.45, 14.67, 12.89

 

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 16 / 0 / 41 / 31

HEX #93AF68

RGB 147 175 104

HSL 83.66, 0.31%, 0.55%

LAB 67.92, -21.81, 33.26

 

CMYK 41 / 33 / 0 / 31

HEX #6876AF

RGB 104 118 175

HSL 228.17, 0.31%, 0.55%

LAB 50.68, 9.6, -31.96

 

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 41 / 0 / 33 / 31

HEX #68AF76

RGB 104 175 118

HSL 131.83, 0.31%, 0.55%

LAB 65.68, -34.69, 22.42

 

CMYK 33 / 41 / 0 / 31

HEX #7668AF

RGB 118 104 175

HSL 251.83, 0.31%, 0.55%

LAB 48.07, 22.03, -35.99

 

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 16 / 0 / 41 / 31

HEX #93AF68

RGB 147 175 104

HSL 83.66, 0.31%, 0.55%

LAB 67.92, -21.81, 33.26

 

CMYK 41 / 8 / 0 / 31

HEX #68A1AF

RGB 104 161 175

HSL 191.83, 0.31%, 0.55%

LAB 62.95, -14.93, -13.14

 

CMYK 24 / 41 / 0 / 31

HEX #8568AF

RGB 133 104 175

HSL 264.51, 0.31%, 0.55%

LAB 49.47, 26.45, -33.68

 

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 28 / 0 / 41 / 31

HEX #7EAF68

RGB 126 175 104

HSL 101.41, 0.31%, 0.55%

LAB 66.59, -29.64, 31.29

 

CMYK 41 / 8 / 0 / 31

HEX #68A1AF

RGB 104 161 175

HSL 191.83, 0.31%, 0.55%

LAB 62.95, -14.93, -13.14

 

CMYK 12 / 41 / 0 / 31

HEX #9A68AF

RGB 154 104 175

HSL 282.25, 0.31%, 0.55%

LAB 51.69, 32.89, -30.06

 

Description

Color code: CMYK 0 / 31 / 40 / 31 | qconv.com Color code: CMYK 0 / 31 / 40 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 121 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 121 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 40 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 40% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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