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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 134 149 it is the complementary color RGB 176 121 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 134 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 134 149 shade: RGB 84 134 144, RGB 101 152 163, RGB 118 170 182, RGB 135 188 201 and RGB 152 206 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 134 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 134 149 shade: RGB 79 134 149, RGB 62 116 130, RGB 45 98 111, RGB 28 80 92 and RGB 11 62 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 134 149 shade: RGB 79 135 150, RGB 79 116 150, RGB 79 97 150, RGB 81 79 150 and RGB 100 79 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 134 149 shade: RGB 79 135 150, RGB 79 116 150, RGB 79 97 150 and RGB 79 79 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 134 149 shade matches the following richer shades: RGB 79 135 150, RGB 61 146 169, RGB 42 156 187, RGB 23 167 206 and RGB 5 178 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 134 149 shade: RGB 79 135 150, RGB 98 124 132, RGB 116 114 113, RGB 135 103 95 and RGB 153 93 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 134 149 shade: RGB 79 150 127, RGB 79 150 146, RGB 79 136 150, RGB 79 117 150 and RGB 79 98 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 134 149 shade: RGB 51 87 96, RGB 65 111 123, RGB 79 135 150, RGB 98 157 172 and RGB 125 174 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 134 149 shade: RGB 79 134 149, RGB 108 79 150 and RGB 150 136 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 134 149 shade: RGB 79 134 149, RGB 150 79 136 and RGB 136 150 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 134 149 shade: RGB 79 134 149, RGB 108 79 150, RGB 150 93 79 and RGB 122 150 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 134 149 shade: RGB 79 134 149, RGB 129 79 150, RGB 150 93 79 and RGB 101 150 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 10 / 0 / 42

HEX #4F8695

RGB 79 134 149

HSL 192.86, 0.31%, 0.45%

LAB 52.82, -13.97, -13.7

 

Complementary color

CMYK 0 / 31 / 40 / 31

HEX #B0796A

RGB 176 121 106

HSL 12.86, 0.31%, 0.55%

LAB 56.03, 19.58, 16.89

 

CMYK 42 / 7 / 0 / 44

HEX #548690

RGB 84 134 144

HSL 190, 0.26%, 0.45%

LAB 52.89, -14.06, -10.67

 

CMYK 38 / 7 / 0 / 36

HEX #6598A3

RGB 101 152 163

HSL 190.65, 0.25%, 0.52%

LAB 59.77, -14.09, -11.16

 

CMYK 35 / 7 / 0 / 29

HEX #76AAB6

RGB 118 170 182

HSL 191.25, 0.3%, 0.59%

LAB 66.5, -14.09, -11.64

 

CMYK 33 / 6 / 0 / 21

HEX #87BCC9

RGB 135 188 201

HSL 191.82, 0.38%, 0.66%

LAB 73.11, -14.09, -12.11

 

CMYK 31 / 6 / 0 / 14

HEX #98CEDC

RGB 152 206 220

HSL 192.35, 0.49%, 0.73%

LAB 79.61, -14.09, -12.57

 

CMYK 47 / 10 / 0 / 42

HEX #4F8695

RGB 79 134 149

HSL 192.86, 0.31%, 0.45%

LAB 52.82, -13.97, -13.7

 

CMYK 52 / 11 / 0 / 49

HEX #3E7482

RGB 62 116 130

HSL 192.35, 0.35%, 0.38%

LAB 45.81, -13.77, -13.22

 

CMYK 59 / 12 / 0 / 56

HEX #2D626F

RGB 45 98 111

HSL 191.82, 0.42%, 0.31%

LAB 38.62, -13.44, -12.7

 

CMYK 70 / 13 / 0 / 64

HEX #1C505C

RGB 28 80 92

HSL 191.25, 0.53%, 0.24%

LAB 31.25, -12.88, -12.11

 

CMYK 85 / 15 / 0 / 71

HEX #0B3E49

RGB 11 62 73

HSL 190.65, 0.74%, 0.16%

LAB 23.66, -11.84, -11.4

 

CMYK 47 / 10 / 0 / 41

HEX #4F8796

RGB 79 135 150

HSL 192.68, 0.31%, 0.45%

LAB 53.16, -14.23, -13.77

 

CMYK 47 / 23 / 0 / 41

HEX #4F7496

RGB 79 116 150

HSL 208.73, 0.31%, 0.45%

LAB 47.44, -3.38, -22.51

 

CMYK 47 / 35 / 0 / 41

HEX #4F6196

RGB 79 97 150

HSL 224.79, 0.31%, 0.45%

LAB 41.87, 8.22, -31.18

 

CMYK 46 / 47 / 0 / 41

HEX #514F96

RGB 81 79 150

HSL 241.69, 0.31%, 0.45%

LAB 37.01, 20.19, -38.86

 

CMYK 33 / 47 / 0 / 41

HEX #644F96

RGB 100 79 150

HSL 257.75, 0.31%, 0.45%

LAB 38.73, 25.33, -36.02

 

CMYK 47 / 10 / 0 / 41

HEX #4F8796

RGB 79 135 150

HSL 192.68, 0.31%, 0.45%

LAB 53.16, -14.23, -13.77

 

CMYK 47 / 23 / 0 / 41

HEX #4F7496

RGB 79 116 150

HSL 208.73, 0.31%, 0.45%

LAB 47.44, -3.38, -22.51

 

CMYK 47 / 35 / 0 / 41

HEX #4F6196

RGB 79 97 150

HSL 224.79, 0.31%, 0.45%

LAB 41.87, 8.22, -31.18

 

CMYK 47 / 47 / 0 / 41

HEX #4F4F96

RGB 79 79 150

HSL 240, 0.31%, 0.45%

LAB 36.85, 19.69, -39.13

 

CMYK 47 / 10 / 0 / 41

HEX #4F8796

RGB 79 135 150

HSL 192.68, 0.31%, 0.45%

LAB 53.16, -14.23, -13.77

 

CMYK 64 / 14 / 0 / 34

HEX #3D92A9

RGB 61 146 169

HSL 192.78, 0.47%, 0.45%

LAB 56.5, -18.29, -19.69

 

CMYK 78 / 17 / 0 / 27

HEX #2A9CBB

RGB 42 156 187

HSL 192.83, 0.63%, 0.45%

LAB 59.76, -20.43, -24.95

 

CMYK 89 / 19 / 0 / 19

HEX #17A7CE

RGB 23 167 206

HSL 192.79, 0.8%, 0.45%

LAB 63.57, -21.29, -29.72

 

CMYK 98 / 21 / 0 / 12

HEX #05B2E1

RGB 5 178 225

HSL 192.82, 0.96%, 0.45%

LAB 67.51, -21.14, -34.11

 

CMYK 47 / 10 / 0 / 41

HEX #4F8796

RGB 79 135 150

HSL 192.68, 0.31%, 0.45%

LAB 53.16, -14.23, -13.77

 

CMYK 26 / 6 / 0 / 48

HEX #627C84

RGB 98 124 132

HSL 194.12, 0.15%, 0.45%

LAB 50.31, -7.4, -7.44

 

CMYK 0 / 2 / 3 / 55

HEX #747271

RGB 116 114 113

HSL 20, 0.01%, 0.45%

LAB 48.18, 0.57, 0.82

 

CMYK 0 / 24 / 30 / 47

HEX #87675F

RGB 135 103 95

HSL 12, 0.17%, 0.45%

LAB 46.55, 11.59, 9.46

 

CMYK 0 / 39 / 50 / 40

HEX #995D4C

RGB 153 93 76

HSL 13.25, 0.34%, 0.45%

LAB 45.8, 22.62, 20.12

 

CMYK 47 / 0 / 15 / 41

HEX #4F967F

RGB 79 150 127

HSL 160.56, 0.31%, 0.45%

LAB 57.08, -28.08, 5.26

 

CMYK 47 / 0 / 3 / 41

HEX #4F9692

RGB 79 150 146

HSL 176.62, 0.31%, 0.45%

LAB 57.61, -23.29, -4.81

 

CMYK 47 / 9 / 0 / 41

HEX #4F8896

RGB 79 136 150

HSL 191.83, 0.31%, 0.45%

LAB 53.46, -14.78, -13.31

 

CMYK 47 / 22 / 0 / 41

HEX #4F7596

RGB 79 117 150

HSL 207.89, 0.31%, 0.45%

LAB 47.74, -3.98, -22.05

 

CMYK 47 / 35 / 0 / 41

HEX #4F6296

RGB 79 98 150

HSL 223.94, 0.31%, 0.45%

LAB 42.15, 7.59, -30.73

 

CMYK 47 / 9 / 0 / 62

HEX #335760

RGB 51 87 96

HSL 192, 0.31%, 0.29%

LAB 34.73, -10.24, -9.26

 

CMYK 47 / 10 / 0 / 52

HEX #416F7B

RGB 65 111 123

HSL 192.41, 0.31%, 0.37%

LAB 44.12, -12.28, -11.57

 

CMYK 47 / 10 / 0 / 41

HEX #4F8796

RGB 79 135 150

HSL 192.68, 0.31%, 0.45%

LAB 53.16, -14.23, -13.77

 

CMYK 43 / 9 / 0 / 33

HEX #629DAC

RGB 98 157 172

HSL 192.16, 0.31%, 0.53%

LAB 61.39, -15.17, -13.84

 

CMYK 33 / 7 / 0 / 27

HEX #7DAEBB

RGB 125 174 187

HSL 192.58, 0.31%, 0.61%

LAB 68.18, -12.99, -11.86

 

CMYK 47 / 10 / 0 / 42

HEX #4F8695

RGB 79 134 149

HSL 192.86, 0.31%, 0.45%

LAB 52.82, -13.97, -13.7

 

CMYK 28 / 47 / 0 / 41

HEX #6C4F96

RGB 108 79 150

HSL 264.51, 0.31%, 0.45%

LAB 39.55, 27.63, -34.67

 

CMYK 0 / 9 / 47 / 41

HEX #96884F

RGB 150 136 79

HSL 48.17, 0.31%, 0.45%

LAB 56.74, -2.89, 32.39

 

CMYK 47 / 10 / 0 / 42

HEX #4F8695

RGB 79 134 149

HSL 192.86, 0.31%, 0.45%

LAB 52.82, -13.97, -13.7

 

CMYK 0 / 47 / 9 / 41

HEX #964F88

RGB 150 79 136

HSL 311.83, 0.31%, 0.45%

LAB 44.02, 37.77, -18.85

 

CMYK 9 / 0 / 47 / 41

HEX #88964F

RGB 136 150 79

HSL 71.83, 0.31%, 0.45%

LAB 59.54, -16.42, 35.58

 

CMYK 47 / 10 / 0 / 42

HEX #4F8695

RGB 79 134 149

HSL 192.86, 0.31%, 0.45%

LAB 52.82, -13.97, -13.7

 

CMYK 28 / 47 / 0 / 41

HEX #6C4F96

RGB 108 79 150

HSL 264.51, 0.31%, 0.45%

LAB 39.55, 27.63, -34.67

 

CMYK 0 / 38 / 47 / 41

HEX #965D4F

RGB 150 93 79

HSL 11.83, 0.31%, 0.45%

LAB 45.47, 21.68, 17.82

 

CMYK 19 / 0 / 47 / 41

HEX #7A964F

RGB 122 150 79

HSL 83.66, 0.31%, 0.45%

LAB 58.52, -22.13, 34.11

 

CMYK 47 / 10 / 0 / 42

HEX #4F8695

RGB 79 134 149

HSL 192.86, 0.31%, 0.45%

LAB 52.82, -13.97, -13.7

 

CMYK 14 / 47 / 0 / 41

HEX #814F96

RGB 129 79 150

HSL 282.25, 0.31%, 0.45%

LAB 41.94, 33.92, -30.74

 

CMYK 0 / 38 / 47 / 41

HEX #965D4F

RGB 150 93 79

HSL 11.83, 0.31%, 0.45%

LAB 45.47, 21.68, 17.82

 

CMYK 33 / 0 / 47 / 41

HEX #65964F

RGB 101 150 79

HSL 101.41, 0.31%, 0.45%

LAB 57.22, -30.14, 32.2

 

Description

Color code: RGB 79 134 149 | qconv.com Color code: RGB 79 134 149 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 134 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 134 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 10 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 10% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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