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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 77 / 3 it is the complementary color CMYK 96 / 72 / 0 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 77 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 19 / 77 / 3: CMYK 0 / 21 / 79 / 1, CMYK 0 / 15 / 72 / 0, CMYK 0 / 7 / 65 / 0, CMYK 0 / 0 / 57 / 0 and CMYK 0 / 0 / 50 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 77 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 19 / 77 / 3: CMYK 0 / 19 / 77 / 3, CMYK 0 / 21 / 83 / 10, CMYK 0 / 23 / 91 / 16, CMYK 0 / 26 / 100 / 23 and CMYK 0 / 28 / 100 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

Complementary color

CMYK 96 / 72 / 0 / 22

HEX #0837C6

RGB 8 55 198

HSL 225.16, 0.92%, 0.4%

LAB 31.49, 43.74, -76.57

 

CMYK 0 / 21 / 79 / 1

HEX #FCC834

RGB 252 200 52

HSL 44.4, 0.97%, 0.6%

LAB 83.05, 5.35, 74.81

 

CMYK 0 / 15 / 72 / 0

HEX #FFDA47

RGB 255 218 71

HSL 47.93, 1%, 0.64%

LAB 87.9, -1.87, 72.99

 

CMYK 0 / 7 / 65 / 0

HEX #FFEC5A

RGB 255 236 90

HSL 53.09, 1%, 0.68%

LAB 92.57, -9.91, 70.46

 

CMYK 0 / 0 / 57 / 0

HEX #FFFE6D

RGB 255 254 109

HSL 59.59, 1%, 0.71%

LAB 97.33, -17.5, 67.79

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

CMYK 0 / 21 / 83 / 10

HEX #E6B626

RGB 230 182 38

HSL 45, 0.79%, 0.53%

LAB 76.33, 4.89, 72.24

 

CMYK 0 / 23 / 91 / 16

HEX #D5A413

RGB 213 164 19

HSL 44.85, 0.84%, 0.45%

LAB 70, 6.61, 70.8

 

CMYK 0 / 26 / 100 / 23

HEX #C49200

RGB 196 146 0

HSL 44.69, 1%, 0.38%

LAB 63.58, 8.54, 68.11

 

CMYK 0 / 28 / 100 / 30

HEX #B38000

RGB 179 128 0

HSL 42.91, 1%, 0.35%

LAB 57.1, 10.79, 62.78

 

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

CMYK 0 / 6 / 76 / 4

HEX #F6E73B

RGB 246 231 59

HSL 55.19, 0.91%, 0.6%

LAB 90.35, -12.59, 79.02

 

CMYK 6 / 0 / 76 / 4

HEX #E7F63B

RGB 231 246 59

HSL 64.81, 0.91%, 0.6%

LAB 93.11, -25.97, 81.09

 

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

CMYK 32 / 0 / 76 / 4

HEX #A8F63B

RGB 168 246 59

HSL 85.03, 0.91%, 0.6%

LAB 89.18, -50.03, 76.03

 

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

CMYK 0 / 19 / 77 / 83

HEX #2B230A

RGB 43 35 10

HSL 45.45, 0.62%, 0.1%

LAB 14.04, 0.01, 16.56

 

CMYK 0 / 19 / 77 / 63

HEX #5E4C16

RGB 94 76 22

HSL 45, 0.62%, 0.23%

LAB 33.15, 1.12, 33.42

 

CMYK 0 / 19 / 77 / 43

HEX #917521

RGB 145 117 33

HSL 45, 0.63%, 0.35%

LAB 50.51, 2.09, 47.58

 

CMYK 0 / 19 / 77 / 23

HEX #C49F2D

RGB 196 159 45

HSL 45.3, 0.63%, 0.47%

LAB 67.07, 2.49, 60.54

 

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

CMYK 72 / 0 / 76 / 4

HEX #44F63B

RGB 68 246 59

HSL 117.11, 0.91%, 0.6%

LAB 85.73, -76.31, 71.53

 

CMYK 50 / 76 / 0 / 4

HEX #7C3BF6

RGB 124 59 246

HSL 260.86, 0.91%, 0.6%

LAB 44.33, 66.65, -82.64

 

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

CMYK 76 / 0 / 19 / 4

HEX #3BF6C7

RGB 59 246 199

HSL 164.92, 0.91%, 0.6%

LAB 87.47, -56.09, 9.68

 

CMYK 19 / 76 / 0 / 4

HEX #C73BF6

RGB 199 59 246

HSL 284.92, 0.91%, 0.6%

LAB 53.95, 78.59, -66.56

 

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

CMYK 72 / 0 / 76 / 4

HEX #44F63B

RGB 68 246 59

HSL 117.11, 0.91%, 0.6%

LAB 85.73, -76.31, 71.53

 

CMYK 76 / 57 / 0 / 4

HEX #3B6AF6

RGB 59 106 246

HSL 224.92, 0.91%, 0.6%

LAB 49.36, 32.49, -74.58

 

CMYK 4 / 76 / 0 / 4

HEX #ED3BF6

RGB 237 59 246

HSL 297.11, 0.91%, 0.6%

LAB 59.7, 85.59, -57.02

 

CMYK 0 / 19 / 77 / 3

HEX #F7C839

RGB 247 200 57

HSL 45.16, 0.92%, 0.6%

LAB 82.58, 3.4, 72.59

 

CMYK 76 / 0 / 57 / 4

HEX #3BF66A

RGB 59 246 106

HSL 135.08, 0.91%, 0.6%

LAB 85.95, -73.16, 53.68

 

CMYK 76 / 57 / 0 / 4

HEX #3B6AF6

RGB 59 106 246

HSL 224.92, 0.91%, 0.6%

LAB 49.36, 32.49, -74.58

 

CMYK 0 / 76 / 19 / 4

HEX #F63BC7

RGB 246 59 199

HSL 315.08, 0.91%, 0.6%

LAB 58.83, 80.76, -31.78

 

Description

Color code: CMYK 0 / 19 / 77 / 3 | qconv.com Color code: CMYK 0 / 19 / 77 / 3 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 200 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 200 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 77 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 77% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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