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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F63B it is the complementary color #3809C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F63B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F63B shade: #CCF636, #DDFF49, #EEFF5C, #FFFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F63B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F63B shade: #C7F63B, #B6E428, #A5D215, #94C002 and #83AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F63B shade: #C7F53C, #F5F23C, #F5C03C, #F58E3C and #F55C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F63B shade: #C7F53C, #95F53C, #63F53C, #3CF547 and #3CF579

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F63B shade matches the following richer shades: #C7F53C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F63B shade: #C7F53C, #BEE54C, #B6D45D, #AEC46D and #A6B37E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F63B shade: #F5C13C, #F5F23C, #C7F53C, #95F53C and #64F53C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F63B shade: #A2D50A, #BBF314, #C7F53C, #D2F763 and #DDF98A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F63B shade: #C7F63B, #3CF58F and #D93CF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F63B shade: #C7F63B, #3CC7F5 and #F53CC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F63B shade: #C7F63B, #3CF58F, #6A3CF5 and #F53CA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F63B shade: #C7F63B, #3CF5C7, #6A3CF5 and #F53C6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

Complementary color

CMYK 71 / 95 / 0 / 23

HEX #3809C4

RGB 56 9 196

HSL 255.08, 0.91%, 0.4%

LAB 26.8, 64.2, -83.12

 

CMYK 17 / 0 / 78 / 4

HEX #CCF636

RGB 204 246 54

HSL 73.13, 0.91%, 0.59%

LAB 91.24, -36.88, 80.12

 

CMYK 13 / 0 / 71 / 0

HEX #DDFF49

RGB 221 255 73

HSL 71.21, 1%, 0.64%

LAB 94.9, -33.5, 78.18

 

CMYK 7 / 0 / 64 / 0

HEX #EEFF5C

RGB 238 255 92

HSL 66.26, 1%, 0.68%

LAB 96.19, -25.79, 73.05

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

CMYK 20 / 0 / 82 / 11

HEX #B6E428

RGB 182 228 40

HSL 74.68, 0.78%, 0.53%

LAB 84.78, -37.86, 77.43

 

CMYK 21 / 0 / 90 / 18

HEX #A5D215

RGB 165 210 21

HSL 74.29, 0.82%, 0.45%

LAB 78.55, -36.94, 75.5

 

CMYK 23 / 0 / 99 / 25

HEX #94C002

RGB 148 192 2

HSL 73.89, 0.98%, 0.38%

LAB 72.23, -35.85, 72.33

 

CMYK 25 / 0 / 100 / 32

HEX #83AE00

RGB 131 174 0

HSL 74.83, 1%, 0.34%

LAB 65.82, -34.5, 67.22

 

CMYK 19 / 0 / 76 / 4

HEX #C7F53C

RGB 199 245 60

HSL 74.92, 0.9%, 0.6%

LAB 90.68, -38.11, 77.77

 

CMYK 0 / 1 / 76 / 4

HEX #F5F23C

RGB 245 242 60

HSL 59.03, 0.9%, 0.6%

LAB 93.12, -18.33, 81.21

 

CMYK 0 / 22 / 76 / 4

HEX #F5C03C

RGB 245 192 60

HSL 42.81, 0.9%, 0.6%

LAB 80.43, 6.81, 69.46

 

CMYK 0 / 42 / 76 / 4

HEX #F58E3C

RGB 245 142 60

HSL 26.59, 0.9%, 0.6%

LAB 68.81, 33, 58.21

 

CMYK 0 / 62 / 76 / 4

HEX #F55C3C

RGB 245 92 60

HSL 10.38, 0.9%, 0.6%

LAB 59.34, 57.01, 48.52

 

CMYK 19 / 0 / 76 / 4

HEX #C7F53C

RGB 199 245 60

HSL 74.92, 0.9%, 0.6%

LAB 90.68, -38.11, 77.77

 

CMYK 39 / 0 / 76 / 4

HEX #95F53C

RGB 149 245 60

HSL 91.14, 0.9%, 0.6%

LAB 87.98, -56.01, 74.27

 

CMYK 60 / 0 / 76 / 4

HEX #63F53C

RGB 99 245 60

HSL 107.35, 0.9%, 0.6%

LAB 86.15, -69.98, 71.87

 

CMYK 76 / 0 / 71 / 4

HEX #3CF547

RGB 60 245 71

HSL 123.57, 0.9%, 0.6%

LAB 85.36, -76.31, 67.15

 

CMYK 76 / 0 / 51 / 4

HEX #3CF579

RGB 60 245 121

HSL 139.78, 0.9%, 0.6%

LAB 85.83, -70.68, 46.67

 

CMYK 19 / 0 / 76 / 4

HEX #C7F53C

RGB 199 245 60

HSL 74.92, 0.9%, 0.6%

LAB 90.68, -38.11, 77.77

 

CMYK 19 / 0 / 76 / 4

HEX #C7F53C

RGB 199 245 60

HSL 74.92, 0.9%, 0.6%

LAB 90.68, -38.11, 77.77

 

CMYK 17 / 0 / 67 / 10

HEX #BEE54C

RGB 190 229 76

HSL 75.29, 0.75%, 0.6%

LAB 85.76, -33.49, 67.33

 

CMYK 14 / 0 / 56 / 17

HEX #B6D45D

RGB 182 212 93

HSL 75.13, 0.58%, 0.6%

LAB 80.64, -27.4, 54.56

 

CMYK 11 / 0 / 44 / 23

HEX #AEC46D

RGB 174 196 109

HSL 75.17, 0.42%, 0.6%

LAB 75.81, -21.19, 41.06

 

CMYK 7 / 0 / 30 / 30

HEX #A6B37E

RGB 166 179 126

HSL 74.72, 0.26%, 0.6%

LAB 70.77, -13.55, 25.62

 

CMYK 0 / 21 / 76 / 4

HEX #F5C13C

RGB 245 193 60

HSL 43.14, 0.9%, 0.6%

LAB 80.67, 6.29, 69.7

 

CMYK 0 / 1 / 76 / 4

HEX #F5F23C

RGB 245 242 60

HSL 59.03, 0.9%, 0.6%

LAB 93.12, -18.33, 81.21

 

CMYK 19 / 0 / 76 / 4

HEX #C7F53C

RGB 199 245 60

HSL 74.92, 0.9%, 0.6%

LAB 90.68, -38.11, 77.77

 

CMYK 39 / 0 / 76 / 4

HEX #95F53C

RGB 149 245 60

HSL 91.14, 0.9%, 0.6%

LAB 87.98, -56.01, 74.27

 

CMYK 59 / 0 / 76 / 4

HEX #64F53C

RGB 100 245 60

HSL 107.03, 0.9%, 0.6%

LAB 86.18, -69.75, 71.91

 

CMYK 24 / 0 / 95 / 16

HEX #A2D50A

RGB 162 213 10

HSL 75.07, 0.91%, 0.44%

LAB 79.21, -39.64, 77.3

 

CMYK 23 / 0 / 92 / 5

HEX #BBF314

RGB 187 243 20

HSL 75.07, 0.9%, 0.52%

LAB 89.26, -43.02, 84.78

 

CMYK 19 / 0 / 76 / 4

HEX #C7F53C

RGB 199 245 60

HSL 74.92, 0.9%, 0.6%

LAB 90.68, -38.11, 77.77

 

CMYK 15 / 0 / 60 / 3

HEX #D2F763

RGB 210 247 99

HSL 75, 0.9%, 0.68%

LAB 92.19, -32.48, 65.4

 

CMYK 11 / 0 / 45 / 2

HEX #DDF98A

RGB 221 249 138

HSL 75.14, 0.9%, 0.76%

LAB 93.87, -25.75, 50.05

 

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

CMYK 76 / 0 / 42 / 4

HEX #3CF58F

RGB 60 245 143

HSL 146.92, 0.9%, 0.6%

LAB 86.13, -67.17, 36.42

 

CMYK 11 / 76 / 0 / 4

HEX #D93CF5

RGB 217 60 245

HSL 290.92, 0.9%, 0.6%

LAB 56.66, 81.39, -61.49

 

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

CMYK 76 / 19 / 0 / 4

HEX #3CC7F5

RGB 60 199 245

HSL 194.92, 0.9%, 0.6%

LAB 75.08, -21.76, -33.2

 

CMYK 0 / 76 / 19 / 4

HEX #F53CC7

RGB 245 60 199

HSL 314.92, 0.9%, 0.6%

LAB 58.76, 80.26, -31.9

 

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

CMYK 76 / 0 / 42 / 4

HEX #3CF58F

RGB 60 245 143

HSL 146.92, 0.9%, 0.6%

LAB 86.13, -67.17, 36.42

 

CMYK 57 / 76 / 0 / 4

HEX #6A3CF5

RGB 106 60 245

HSL 254.92, 0.9%, 0.6%

LAB 42.59, 63.65, -84.99

 

CMYK 0 / 76 / 34 / 4

HEX #F53CA2

RGB 245 60 162

HSL 326.92, 0.9%, 0.6%

LAB 57.32, 75.94, -12.7

 

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

CMYK 76 / 0 / 19 / 4

HEX #3CF5C7

RGB 60 245 199

HSL 165.08, 0.9%, 0.6%

LAB 87.19, -55.58, 9.29

 

CMYK 57 / 76 / 0 / 4

HEX #6A3CF5

RGB 106 60 245

HSL 254.92, 0.9%, 0.6%

LAB 42.59, 63.65, -84.99

 

CMYK 0 / 76 / 57 / 4

HEX #F53C6A

RGB 245 60 106

HSL 345.08, 0.9%, 0.6%

LAB 55.77, 71.1, 18.2

 

Description

Color code: HEX #C7F63B | qconv.com Color code: HEX #C7F63B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 246 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 246 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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