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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 0 / 67 / 10 it is the complementary color CMYK 64 / 86 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 0 / 67 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 0 / 67 / 10: CMYK 15 / 0 / 69 / 10, CMYK 15 / 0 / 64 / 3, CMYK 10 / 0 / 57 / 0, CMYK 4 / 0 / 50 / 0 and CMYK 0 / 0 / 42 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 0 / 67 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 0 / 67 / 10: CMYK 17 / 0 / 67 / 10, CMYK 18 / 0 / 73 / 17, CMYK 20 / 0 / 80 / 24, CMYK 21 / 0 / 89 / 31 and CMYK 23 / 0 / 100 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

Complementary color

CMYK 64 / 86 / 0 / 30

HEX #4119B3

RGB 65 25 179

HSL 255.58, 0.75%, 0.4%

LAB 26.94, 56.05, -72.77

 

CMYK 15 / 0 / 69 / 10

HEX #C3E647

RGB 195 230 71

HSL 73.21, 0.76%, 0.59%

LAB 86.33, -32.3, 69.86

 

CMYK 15 / 0 / 64 / 3

HEX #D4F85A

RGB 212 248 90

HSL 73.67, 0.92%, 0.66%

LAB 92.52, -32.8, 69.42

 

CMYK 10 / 0 / 57 / 0

HEX #E5FF6D

RGB 229 255 109

HSL 70.68, 1%, 0.71%

LAB 95.7, -28.14, 65.45

 

CMYK 4 / 0 / 50 / 0

HEX #F6FF80

RGB 246 255 128

HSL 64.25, 1%, 0.75%

LAB 97.09, -20.03, 59.02

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

CMYK 18 / 0 / 73 / 17

HEX #ADD439

RGB 173 212 57

HSL 75.1, 0.64%, 0.53%

LAB 79.77, -33.41, 67.8

 

CMYK 20 / 0 / 80 / 24

HEX #9CC226

RGB 156 194 38

HSL 74.62, 0.67%, 0.45%

LAB 73.41, -32.72, 67.31

 

CMYK 21 / 0 / 89 / 31

HEX #8BB013

RGB 139 176 19

HSL 74.14, 0.81%, 0.38%

LAB 66.97, -31.83, 65.72

 

CMYK 23 / 0 / 100 / 38

HEX #7A9E00

RGB 122 158 0

HSL 73.67, 1%, 0.31%

LAB 60.42, -30.75, 62.86

 

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

CMYK 28 / 0 / 67 / 10

HEX #A5E54C

RGB 165 229 76

HSL 85.1, 0.75%, 0.6%

LAB 84.26, -42.9, 65.3

 

CMYK 39 / 0 / 67 / 10

HEX #8CE54C

RGB 140 229 76

HSL 94.9, 0.75%, 0.6%

LAB 82.99, -51.53, 63.57

 

CMYK 50 / 0 / 67 / 10

HEX #72E54C

RGB 114 229 76

HSL 105.1, 0.75%, 0.6%

LAB 81.91, -59.4, 62.11

 

CMYK 61 / 0 / 67 / 10

HEX #59E54C

RGB 89 229 76

HSL 114.9, 0.75%, 0.6%

LAB 81.12, -65.62, 61.03

 

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

CMYK 19 / 0 / 65 / 90

HEX #151A09

RGB 21 26 9

HSL 77.65, 0.49%, 0.07%

LAB 8.29, -5.91, 8.61

 

CMYK 17 / 0 / 68 / 70

HEX #404D19

RGB 64 77 25

HSL 75, 0.51%, 0.2%

LAB 30.56, -14.06, 28.34

 

CMYK 17 / 0 / 67 / 50

HEX #6A802A

RGB 106 128 42

HSL 75.35, 0.51%, 0.33%

LAB 50.3, -21.2, 42.44

 

CMYK 17 / 0 / 67 / 30

HEX #94B33B

RGB 148 179 59

HSL 75.5, 0.5%, 0.47%

LAB 68.64, -27.76, 55.4

 

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

CMYK 67 / 0 / 37 / 10

HEX #4CE591

RGB 76 229 145

HSL 147.06, 0.75%, 0.6%

LAB 81.63, -58.69, 29.53

 

CMYK 10 / 67 / 0 / 10

HEX #CE4CE5

RGB 206 76 229

HSL 290.98, 0.75%, 0.6%

LAB 56.04, 70.89, -53.62

 

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

CMYK 67 / 17 / 0 / 10

HEX #4CBFE5

RGB 76 191 229

HSL 194.9, 0.75%, 0.6%

LAB 72.53, -20.66, -28.45

 

CMYK 0 / 67 / 17 / 10

HEX #E54CBF

RGB 229 76 191

HSL 314.9, 0.75%, 0.6%

LAB 57.64, 70.24, -29.25

 

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

CMYK 67 / 0 / 37 / 10

HEX #4CE591

RGB 76 229 145

HSL 147.06, 0.75%, 0.6%

LAB 81.63, -58.69, 29.53

 

CMYK 50 / 67 / 0 / 10

HEX #724CE5

RGB 114 76 229

HSL 254.9, 0.75%, 0.6%

LAB 44.81, 52.46, -72.31

 

CMYK 0 / 67 / 30 / 10

HEX #E54CA0

RGB 229 76 160

HSL 327.06, 0.75%, 0.6%

LAB 56.45, 66.24, -13.11

 

CMYK 17 / 0 / 67 / 10

HEX #BEE64C

RGB 190 230 76

HSL 75.58, 0.75%, 0.6%

LAB 86.04, -33.95, 67.61

 

CMYK 67 / 0 / 17 / 10

HEX #4CE5BF

RGB 76 229 191

HSL 165.1, 0.75%, 0.6%

LAB 82.56, -48.87, 6.88

 

CMYK 50 / 67 / 0 / 10

HEX #724CE5

RGB 114 76 229

HSL 254.9, 0.75%, 0.6%

LAB 44.81, 52.46, -72.31

 

CMYK 0 / 67 / 50 / 10

HEX #E54C72

RGB 229 76 114

HSL 345.1, 0.75%, 0.6%

LAB 55.12, 61.6, 12.1

 

Description

Color code: CMYK 17 / 0 / 67 / 10 | qconv.com Color code: CMYK 17 / 0 / 67 / 10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 230 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 230 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 67% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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