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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 15 / 7 it is the complementary color CMYK 71 / 0 / 16 / 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 15 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 19 / 15 / 7: CMYK 0 / 21 / 19 / 5, CMYK 0 / 18 / 15 / 0, CMYK 0 / 11 / 8 / 0, CMYK 0 / 4 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 15 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 19 / 15 / 7: CMYK 0 / 19 / 15 / 7, CMYK 0 / 21 / 17 / 14, CMYK 0 / 23 / 19 / 20, CMYK 0 / 26 / 22 / 27 and CMYK 0 / 29 / 25 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

Complementary color

CMYK 71 / 0 / 16 / 75

HEX #123F35

RGB 18 63 53

HSL 166.67, 0.56%, 0.16%

LAB 23.47, -18.16, 1.64

 

CMYK 0 / 21 / 19 / 5

HEX #F2C0C5

RGB 242 192 197

HSL 354, 0.66%, 0.85%

LAB 82.17, 18.61, 4.32

 

CMYK 0 / 18 / 15 / 0

HEX #FFD2D8

RGB 255 210 216

HSL 352, 1%, 0.91%

LAB 88.12, 16.68, 2.98

 

CMYK 0 / 11 / 8 / 0

HEX #FFE4EB

RGB 255 228 235

HSL 344.44, 1%, 0.95%

LAB 92.9, 10.38, -0.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FE

RGB 255 246 254

HSL 306.67, 1%, 0.98%

LAB 97.76, 4.39, -2.77

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 0 / 21 / 17 / 14

HEX #DCAEB7

RGB 220 174 183

HSL 348.26, 0.4%, 0.77%

LAB 75.39, 18.12, 1.81

 

CMYK 0 / 23 / 19 / 20

HEX #CB9CA4

RGB 203 156 164

HSL 349.79, 0.31%, 0.7%

LAB 68.86, 18.7, 2.6

 

CMYK 0 / 26 / 22 / 27

HEX #BA8A91

RGB 186 138 145

HSL 351.25, 0.26%, 0.64%

LAB 62.22, 19.34, 3.44

 

CMYK 0 / 29 / 25 / 34

HEX #A9787E

RGB 169 120 126

HSL 352.65, 0.22%, 0.57%

LAB 55.46, 20.05, 4.37

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 0 / 19 / 18 / 7

HEX #EDBFC2

RGB 237 191 194

HSL 356.09, 0.56%, 0.84%

LAB 81.38, 16.88, 4.73

 

CMYK 0 / 18 / 19 / 7

HEX #EDC3BF

RGB 237 195 191

HSL 5.22, 0.56%, 0.84%

LAB 82.27, 14.32, 7.62

 

CMYK 0 / 14 / 19 / 7

HEX #EDCBBF

RGB 237 203 191

HSL 15.65, 0.56%, 0.84%

LAB 84.21, 10.1, 10.4

 

CMYK 0 / 11 / 19 / 7

HEX #EDD3BF

RGB 237 211 191

HSL 26.09, 0.56%, 0.84%

LAB 86.18, 5.92, 13.2

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 0 / 18 / 15 / 87

HEX #211B1C

RGB 33 27 28

HSL 350, 0.1%, 0.12%

LAB 10.49, 3.16, 0.39

 

CMYK 0 / 19 / 14 / 67

HEX #544448

RGB 84 68 72

HSL 345, 0.11%, 0.3%

LAB 30.61, 7.61, 0.17

 

CMYK 0 / 19 / 15 / 47

HEX #876D73

RGB 135 109 115

HSL 346.15, 0.11%, 0.48%

LAB 48.67, 11.31, 0.55

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 0 / 1 / 19 / 7

HEX #EDEBBF

RGB 237 235 191

HSL 57.39, 0.56%, 0.84%

LAB 92.21, -6.38, 21.65

 

CMYK 19 / 7 / 0 / 7

HEX #BFDCED

RGB 191 220 237

HSL 202.17, 0.56%, 0.84%

LAB 86.19, -6.01, -11.52

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 15 / 0 / 19 / 7

HEX #CAEDBF

RGB 202 237 191

HSL 105.65, 0.56%, 0.84%

LAB 90.27, -19.71, 18.57

 

CMYK 19 / 15 / 0 / 7

HEX #BFCAED

RGB 191 202 237

HSL 225.65, 0.56%, 0.84%

LAB 81.53, 3.45, -18.52

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 0 / 1 / 19 / 7

HEX #EDEBBF

RGB 237 235 191

HSL 57.39, 0.56%, 0.84%

LAB 92.21, -6.38, 21.65

 

CMYK 19 / 0 / 5 / 7

HEX #BFEDE2

RGB 191 237 226

HSL 165.65, 0.56%, 0.84%

LAB 90.38, -16.91, 0.44

 

CMYK 19 / 19 / 0 / 7

HEX #BFC0ED

RGB 191 192 237

HSL 238.7, 0.56%, 0.84%

LAB 78.98, 8.83, -22.39

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 5 / 0 / 19 / 7

HEX #E0EDBF

RGB 224 237 191

HSL 76.96, 0.56%, 0.84%

LAB 91.76, -12.05, 20.88

 

CMYK 19 / 0 / 5 / 7

HEX #BFEDE2

RGB 191 237 226

HSL 165.65, 0.56%, 0.84%

LAB 90.38, -16.91, 0.44

 

CMYK 14 / 19 / 0 / 7

HEX #CBBFED

RGB 203 191 237

HSL 255.65, 0.56%, 0.84%

LAB 79.66, 13.12, -21.27

 

Description

Color code: CMYK 0 / 19 / 15 / 7 | qconv.com Color code: CMYK 0 / 19 / 15 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 192 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 192 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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