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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA979F it is the complementary color #456860. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA979F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA979F shade: #BF979A, #D0A9AD, #E1BBC0, #F2CDD3 and #FFDFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA979F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA979F shade: #BA979F, #A9858C, #987379, #876166 and #764F53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA979F shade: #BA979F and #BA9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA979F shade: #BA979F, #BA97A8, #BA97B2, #B897BA and #AF97BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA979F shade matches the following richer shades: #BA979F, #C88997, #D67B90, #E46D88 and #F25F80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA979F shade: #BA979F, #ACA5A7, #9EB3AE, #90C1B6 and #82CFBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA979F shade: #BA97B2, #BA97A8, #BA979F, #BA9897 and #BAA197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA979F shade: #986671, #A97E88, #BA979F, #CAB0B6 and #DBC8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA979F shade: #BA979F, #BAB897 and #97ADBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA979F shade: #BA979F, #9FBA97 and #979FBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA979F shade: #BA979F, #BAB897, #97BAB2 and #9798BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA979F shade: #BA979F, #B0BA97, #97BAB2 and #A097BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

Complementary color

CMYK 34 / 0 / 8 / 59

HEX #456860

RGB 69 104 96

HSL 166.29, 0.2%, 0.34%

LAB 41.23, -14.52, 0.49

 

CMYK 0 / 21 / 19 / 25

HEX #BF979A

RGB 191 151 154

HSL 355.5, 0.24%, 0.67%

LAB 66.17, 15.41, 4.14

 

CMYK 0 / 19 / 17 / 18

HEX #D0A9AD

RGB 208 169 173

HSL 353.85, 0.29%, 0.74%

LAB 72.76, 14.87, 3.33

 

CMYK 0 / 17 / 15 / 12

HEX #E1BBC0

RGB 225 187 192

HSL 352.11, 0.39%, 0.81%

LAB 79.24, 14.38, 2.58

 

CMYK 0 / 15 / 13 / 5

HEX #F2CDD3

RGB 242 205 211

HSL 350.27, 0.59%, 0.88%

LAB 85.63, 13.93, 1.86

 

CMYK 0 / 13 / 10 / 0

HEX #FFDFE6

RGB 255 223 230

HSL 346.88, 1%, 0.94%

LAB 91.57, 12.14, 0.64

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 21 / 17 / 34

HEX #A9858C

RGB 169 133 140

HSL 348.33, 0.17%, 0.59%

LAB 59.07, 14.89, 1.51

 

CMYK 0 / 24 / 20 / 40

HEX #987379

RGB 152 115 121

HSL 350.27, 0.15%, 0.52%

LAB 52.19, 15.5, 2.35

 

CMYK 0 / 28 / 24 / 47

HEX #876166

RGB 135 97 102

HSL 352.11, 0.16%, 0.45%

LAB 45.16, 16.21, 3.27

 

CMYK 0 / 33 / 30 / 54

HEX #764F53

RGB 118 79 83

HSL 353.85, 0.2%, 0.39%

LAB 37.96, 17.03, 4.33

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 19 / 19 / 27

HEX #BA9797

RGB 186 151 151

HSL 0, 0.2%, 0.66%

LAB 65.6, 13.05, 4.93

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 19 / 4 / 27

HEX #BA97B2

RGB 186 151 178

HSL 313.71, 0.2%, 0.66%

LAB 66.36, 17.68, -9.11

 

CMYK 1 / 19 / 0 / 27

HEX #B897BA

RGB 184 151 186

HSL 296.57, 0.2%, 0.66%

LAB 66.42, 18.49, -13.51

 

CMYK 6 / 19 / 0 / 27

HEX #AF97BA

RGB 175 151 186

HSL 281.14, 0.2%, 0.66%

LAB 65.59, 15.41, -14.85

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 32 / 25 / 22

HEX #C88997

RGB 200 137 151

HSL 346.67, 0.36%, 0.66%

LAB 63.68, 26.04, 2.34

 

CMYK 0 / 43 / 33 / 16

HEX #D67B90

RGB 214 123 144

HSL 346.15, 0.53%, 0.66%

LAB 62.06, 37.74, 4.21

 

CMYK 0 / 52 / 40 / 11

HEX #E46D88

RGB 228 109 136

HSL 346.39, 0.69%, 0.66%

LAB 60.97, 48.81, 7.48

 

CMYK 0 / 61 / 47 / 5

HEX #F25F80

RGB 242 95 128

HSL 346.53, 0.85%, 0.66%

LAB 60.44, 59.05, 11.67

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 4 / 3 / 33

HEX #ACA5A7

RGB 172 165 167

HSL 342.86, 0.04%, 0.66%

LAB 68.37, 2.89, -0.14

 

CMYK 12 / 0 / 3 / 30

HEX #9EB3AE

RGB 158 179 174

HSL 165.71, 0.12%, 0.66%

LAB 71.26, -8.22, 0.09

 

CMYK 25 / 0 / 6 / 24

HEX #90C1B6

RGB 144 193 182

HSL 166.53, 0.28%, 0.66%

LAB 74.47, -18.38, 0.31

 

CMYK 37 / 0 / 9 / 19

HEX #82CFBD

RGB 130 207 189

HSL 165.97, 0.45%, 0.66%

LAB 77.9, -27.87, 1.43

 

CMYK 0 / 19 / 4 / 27

HEX #BA97B2

RGB 186 151 178

HSL 313.71, 0.2%, 0.66%

LAB 66.36, 17.68, -9.11

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 18 / 19 / 27

HEX #BA9897

RGB 186 152 151

HSL 1.71, 0.2%, 0.66%

LAB 65.85, 12.49, 5.29

 

CMYK 0 / 13 / 19 / 27

HEX #BAA197

RGB 186 161 151

HSL 17.14, 0.2%, 0.66%

LAB 68.14, 7.53, 8.58

 

CMYK 0 / 33 / 26 / 40

HEX #986671

RGB 152 102 113

HSL 346.8, 0.2%, 0.5%

LAB 48.72, 21.75, 2.06

 

CMYK 0 / 25 / 20 / 34

HEX #A97E88

RGB 169 126 136

HSL 346.05, 0.2%, 0.58%

LAB 57.21, 18.2, 1.11

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 13 / 10 / 21

HEX #CAB0B6

RGB 202 176 182

HSL 346.15, 0.2%, 0.74%

LAB 74.18, 10.36, 0.39

 

CMYK 0 / 9 / 6 / 14

HEX #DBC8CD

RGB 219 200 205

HSL 344.21, 0.21%, 0.82%

LAB 82.26, 7.49, -0.09

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 1 / 19 / 27

HEX #BAB897

RGB 186 184 151

HSL 56.57, 0.2%, 0.66%

LAB 74.16, -4.86, 17.06

 

CMYK 19 / 7 / 0 / 27

HEX #97ADBA

RGB 151 173 186

HSL 202.29, 0.2%, 0.66%

LAB 69.48, -4.78, -9.21

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 15 / 0 / 19 / 27

HEX #9FBA97

RGB 159 186 151

HSL 106.29, 0.2%, 0.66%

LAB 72.71, -15.83, 14.73

 

CMYK 19 / 15 / 0 / 27

HEX #979FBA

RGB 151 159 186

HSL 226.29, 0.2%, 0.66%

LAB 65.69, 2.92, -14.89

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 1 / 19 / 27

HEX #BAB897

RGB 186 184 151

HSL 56.57, 0.2%, 0.66%

LAB 74.16, -4.86, 17.06

 

CMYK 19 / 0 / 4 / 27

HEX #97BAB2

RGB 151 186 178

HSL 166.29, 0.2%, 0.66%

LAB 72.83, -13.41, 0.14

 

CMYK 19 / 18 / 0 / 27

HEX #9798BA

RGB 151 152 186

HSL 238.29, 0.2%, 0.66%

LAB 63.82, 6.85, -17.71

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 5 / 0 / 19 / 27

HEX #B0BA97

RGB 176 186 151

HSL 77.14, 0.2%, 0.66%

LAB 73.92, -9.65, 16.61

 

CMYK 19 / 0 / 4 / 27

HEX #97BAB2

RGB 151 186 178

HSL 166.29, 0.2%, 0.66%

LAB 72.83, -13.41, 0.14

 

CMYK 14 / 19 / 0 / 27

HEX #A097BA

RGB 160 151 186

HSL 255.43, 0.2%, 0.66%

LAB 64.28, 10.36, -16.94

 

Description

Color code: HEX #BA979F | qconv.com Color code: HEX #BA979F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 151 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 151 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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