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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA97A8 it is the complementary color #456857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA97A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA97A8 shade: #BF97A3, #D0A9B6, #E1BBC9, #F2CDDC and #FFDFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA97A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA97A8 shade: #BA97A8, #A98595, #987382, #87616F and #764F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA97A8 shade: #BA97A8, #BA979E and #BA9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA97A8 shade: #BA97A8, #BA97B1, #B997BA, #AF97BA and #A697BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA97A8 shade matches the following richer shades: #BA97A8, #C889A7, #D67BA7, #E46DA7 and #F25FA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA97A8 shade: #BA97A8, #ACA5A8, #9EB3A9, #90C1A9 and #82CFA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA97A8 shade: #B897BA, #BA97B2, #BA97A8, #BA979F and #BA9897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA97A8 shade: #98667E, #A97E93, #BA97A8, #CAB0BD and #DBC8D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA97A8 shade: #BA97A8, #BAAF97 and #97B6BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA97A8 shade: #BA97A8, #A8BA97 and #97A8BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA97A8 shade: #BA97A8, #BAAF97, #97BAA8 and #97A1BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA97A8 shade: #BA97A8, #BABA97, #97BAA8 and #9797BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

Complementary color

CMYK 34 / 0 / 16 / 59

HEX #456857

RGB 69 104 87

HSL 150.86, 0.2%, 0.34%

LAB 40.98, -16.67, 5.6

 

CMYK 0 / 21 / 15 / 25

HEX #BF97A3

RGB 191 151 163

HSL 342, 0.24%, 0.67%

LAB 66.41, 16.86, -0.57

 

CMYK 0 / 19 / 13 / 18

HEX #D0A9B6

RGB 208 169 182

HSL 340, 0.29%, 0.74%

LAB 73, 16.33, -1.27

 

CMYK 0 / 17 / 11 / 12

HEX #E1BBC9

RGB 225 187 201

HSL 337.89, 0.39%, 0.81%

LAB 79.48, 15.85, -1.94

 

CMYK 0 / 15 / 9 / 5

HEX #F2CDDC

RGB 242 205 220

HSL 335.68, 0.59%, 0.88%

LAB 85.86, 15.4, -2.58

 

CMYK 0 / 13 / 6 / 0

HEX #FFDFEF

RGB 255 223 239

HSL 330, 1%, 0.94%

LAB 91.8, 13.64, -3.73

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 21 / 12 / 34

HEX #A98595

RGB 169 133 149

HSL 333.33, 0.17%, 0.59%

LAB 59.32, 16.42, -3.28

 

CMYK 0 / 24 / 14 / 40

HEX #987382

RGB 152 115 130

HSL 335.68, 0.15%, 0.52%

LAB 52.45, 17.02, -2.57

 

CMYK 0 / 28 / 18 / 47

HEX #87616F

RGB 135 97 111

HSL 337.89, 0.16%, 0.45%

LAB 45.43, 17.7, -1.79

 

CMYK 0 / 33 / 22 / 54

HEX #764F5C

RGB 118 79 92

HSL 340, 0.2%, 0.39%

LAB 38.23, 18.47, -0.92

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 19 / 15 / 27

HEX #BA979E

RGB 186 151 158

HSL 348, 0.2%, 0.66%

LAB 65.78, 14.18, 1.27

 

CMYK 0 / 19 / 19 / 27

HEX #BA9797

RGB 186 151 151

HSL 0, 0.2%, 0.66%

LAB 65.6, 13.05, 4.93

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 19 / 5 / 27

HEX #BA97B1

RGB 186 151 177

HSL 315.43, 0.2%, 0.66%

LAB 66.33, 17.49, -8.59

 

CMYK 1 / 19 / 0 / 27

HEX #B997BA

RGB 185 151 186

HSL 298.29, 0.2%, 0.66%

LAB 66.51, 18.83, -13.36

 

CMYK 6 / 19 / 0 / 27

HEX #AF97BA

RGB 175 151 186

HSL 281.14, 0.2%, 0.66%

LAB 65.59, 15.41, -14.85

 

CMYK 11 / 19 / 0 / 27

HEX #A697BA

RGB 166 151 186

HSL 265.71, 0.2%, 0.66%

LAB 64.79, 12.36, -16.12

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 32 / 17 / 22

HEX #C889A7

RGB 200 137 167

HSL 331.43, 0.36%, 0.66%

LAB 64.13, 28.5, -6.07

 

CMYK 0 / 43 / 22 / 16

HEX #D67BA7

RGB 214 123 167

HSL 330.99, 0.53%, 0.66%

LAB 62.72, 40.89, -7.98

 

CMYK 0 / 52 / 27 / 11

HEX #E46DA7

RGB 228 109 167

HSL 330.76, 0.69%, 0.66%

LAB 61.84, 52.53, -9.08

 

CMYK 0 / 61 / 31 / 5

HEX #F25FA6

RGB 242 95 166

HSL 331.02, 0.85%, 0.66%

LAB 61.49, 63.02, -8.82

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 4 / 2 / 33

HEX #ACA5A8

RGB 172 165 168

HSL 334.29, 0.04%, 0.66%

LAB 68.39, 3.07, -0.66

 

CMYK 12 / 0 / 6 / 30

HEX #9EB3A9

RGB 158 179 169

HSL 151.43, 0.12%, 0.66%

LAB 71.13, -9.22, 2.64

 

CMYK 25 / 0 / 12 / 24

HEX #90C1A9

RGB 144 193 169

HSL 150.61, 0.28%, 0.66%

LAB 74.15, -21.09, 6.89

 

CMYK 37 / 0 / 18 / 19

HEX #82CFA9

RGB 130 207 169

HSL 150.39, 0.45%, 0.66%

LAB 77.42, -32.15, 11.46

 

CMYK 1 / 19 / 0 / 27

HEX #B897BA

RGB 184 151 186

HSL 296.57, 0.2%, 0.66%

LAB 66.42, 18.49, -13.51

 

CMYK 0 / 19 / 4 / 27

HEX #BA97B2

RGB 186 151 178

HSL 313.71, 0.2%, 0.66%

LAB 66.36, 17.68, -9.11

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 19 / 15 / 27

HEX #BA979F

RGB 186 151 159

HSL 346.29, 0.2%, 0.66%

LAB 65.81, 14.34, 0.74

 

CMYK 0 / 18 / 19 / 27

HEX #BA9897

RGB 186 152 151

HSL 1.71, 0.2%, 0.66%

LAB 65.85, 12.49, 5.29

 

CMYK 0 / 33 / 17 / 40

HEX #98667E

RGB 152 102 126

HSL 331.2, 0.2%, 0.5%

LAB 49.11, 23.84, -5.14

 

CMYK 0 / 25 / 13 / 34

HEX #A97E93

RGB 169 126 147

HSL 330.7, 0.2%, 0.58%

LAB 57.52, 20.04, -4.79

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 13 / 6 / 21

HEX #CAB0BD

RGB 202 176 189

HSL 330, 0.2%, 0.74%

LAB 74.37, 11.58, -3.17

 

CMYK 0 / 9 / 5 / 14

HEX #DBC8D1

RGB 219 200 209

HSL 331.58, 0.21%, 0.82%

LAB 82.36, 8.19, -2.08

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 6 / 19 / 27

HEX #BAAF97

RGB 186 175 151

HSL 41.14, 0.2%, 0.66%

LAB 71.78, -0.07, 13.73

 

CMYK 19 / 2 / 0 / 27

HEX #97B6BA

RGB 151 182 186

HSL 186.86, 0.2%, 0.66%

LAB 71.95, -9.6, -5.54

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 10 / 0 / 19 / 27

HEX #A8BA97

RGB 168 186 151

HSL 90.86, 0.2%, 0.66%

LAB 73.34, -12.59, 15.7

 

CMYK 19 / 10 / 0 / 27

HEX #97A8BA

RGB 151 168 186

HSL 210.86, 0.2%, 0.66%

LAB 68.12, -2.06, -11.24

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 6 / 19 / 27

HEX #BAAF97

RGB 186 175 151

HSL 41.14, 0.2%, 0.66%

LAB 71.78, -0.07, 13.73

 

CMYK 19 / 0 / 10 / 27

HEX #97BAA8

RGB 151 186 168

HSL 149.14, 0.2%, 0.66%

LAB 72.58, -15.44, 5.23

 

CMYK 19 / 13 / 0 / 27

HEX #97A1BA

RGB 151 161 186

HSL 222.86, 0.2%, 0.66%

LAB 66.22, 1.81, -14.08

 

CMYK 0 / 19 / 10 / 27

HEX #BA97A8

RGB 186 151 168

HSL 330.86, 0.2%, 0.66%

LAB 66.06, 15.88, -3.94

 

CMYK 0 / 0 / 19 / 27

HEX #BABA97

RGB 186 186 151

HSL 60, 0.2%, 0.66%

LAB 74.69, -5.91, 17.8

 

CMYK 19 / 0 / 10 / 27

HEX #97BAA8

RGB 151 186 168

HSL 149.14, 0.2%, 0.66%

LAB 72.58, -15.44, 5.23

 

CMYK 19 / 19 / 0 / 27

HEX #9797BA

RGB 151 151 186

HSL 240, 0.2%, 0.66%

LAB 63.56, 7.41, -18.11

 

Description

Color code: HEX #BA97A8 | qconv.com Color code: HEX #BA97A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 151 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 151 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 10 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 10% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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