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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - S-G-200 Glowing Firelight it is the complementary color Behr - 540B-6 Sea Ridge. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - S-G-200 Glowing Firelight. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - S-G-200 Glowing Firelight: Behr - UL120-18 Koi, Behr - HDC-MD-05 Desert Coral, Behr - P180-5 Watermelon Slice, Behr - 190B-5 Juicy Passionfruit and Behr - P190-4 Siren

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - S-G-200 Glowing Firelight. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - S-G-200 Glowing Firelight: Behr - S-G-200 Glowing Firelight, Behr - 170B-7 Red Tomato, Behr - UL100-5 High Drama, Behr - PMD-22 Ripe Currant and Behr - PPU2-02 Red Pepper

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

Complementary color

CMYK 66 / 20 / 0 / 20

HEX #45A3CB

RGB 69 163 203

HSL 197.91, 0.56%, 0.53%

LAB 63.15, -15.23, -28.62

Behr
540B-6 Sea Ridge

CMYK 0 / 56 / 70 / 23

HEX #C4573B

RGB 196 87 59 1

HSL 12.26, 0.54%, 0.5%

LAB 50.53, 41.75, 37.12

Behr
UL120-18 Koi

CMYK 0 / 52 / 57 / 18

HEX #D16459

RGB 209 100 89 1

HSL 5.5, 0.57%, 0.58%

LAB 55.47, 42.12, 26.69

Behr
HDC-MD-05 Desert Coral

CMYK 0 / 47 / 55 / 9

HEX #E77B68

RGB 231 123 104 1

HSL 8.98, 0.73%, 0.66%

LAB 63.47, 39.91, 29.19

Behr
P180-5 Watermelon Slice

CMYK 0 / 44 / 54 / 5

HEX #F18870

RGB 241 136 112 1

HSL 11.16, 0.82%, 0.69%

LAB 67.63, 37.69, 30.45

Behr
190B-5 Juicy Passionfruit

CMYK 0 / 33 / 47 / 4

HEX #F5A482

RGB 245 164 130 1

HSL 17.74, 0.85%, 0.74%

LAB 74.56, 26.23, 29.86

Behr
P190-4 Siren

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 0 / 64 / 67 / 31

HEX #B1403A

RGB 177 64 58 1

HSL 3.03, 0.51%, 0.46%

LAB 43.24, 45.62, 28.29

Behr
170B-7 Red Tomato

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 0 / 57 / 55 / 46

HEX #8A3C3E

RGB 138 60 62 1

HSL 358.46, 0.39%, 0.39%

LAB 35.95, 33.47, 15.16

Behr
PMD-22 Ripe Currant

CMYK 0 / 48 / 54 / 52

HEX #7A3F38

RGB 122 63 56 1

HSL 6.36, 0.37%, 0.35%

LAB 33.94, 24.8, 15.81

Behr
PPU2-02 Red Pepper

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 0 / 42 / 70 / 25

HEX #BF6F39

RGB 191 111 57 1

HSL 24.18, 0.54%, 0.49%

LAB 54.8, 27.14, 42.77

Behr
S-H-260 Tiger Stripe

CMYK 0 / 37 / 69 / 24

HEX #C17A3C

RGB 193 122 60 1

HSL 27.97, 0.53%, 0.5%

LAB 57.64, 22.14, 44.46

Behr
270D-7 Fall Leaves

CMYK 0 / 23 / 65 / 26

HEX #BC9042

RGB 188 144 66 1

HSL 38.36, 0.48%, 0.5%

LAB 62.53, 8.22, 46.78

Behr
340D-6 Fervent Brass

CMYK 0 / 12 / 66 / 25

HEX #BFA940

RGB 191 169 64 1

HSL 49.61, 0.5%, 0.5%

LAB 69.34, -4.1, 55.11

Behr
P330-6 Margarita

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 0 / 53 / 72 / 7

HEX #EC7042

RGB 236 112 66 1

HSL 16.24, 0.82%, 0.59%

LAB 61.49, 44.9, 47.37

Behr
210B-6 Aurora Orange

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 57 / 55 / 46

HEX #8A3C3E

RGB 138 60 62 1

HSL 358.46, 0.39%, 0.39%

LAB 35.95, 33.47, 15.16

Behr
PMD-22 Ripe Currant

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 24 / 0 / 67 / 27

HEX #8EBA3D

RGB 142 186 61 1

HSL 81.12, 0.51%, 0.48%

LAB 70.32, -33.32, 56.22

Behr
S-G-420 Limeade

CMYK 63 / 37 / 0 / 31

HEX #416FAF

RGB 65 111 175 1

HSL 214.91, 0.46%, 0.47%

LAB 46.43, 4.68, -38.81

Behr
T18-17 Wide Sky

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 62 / 0 / 49 / 40

HEX #3A984D

RGB 58 152 77 1

HSL 132.13, 0.45%, 0.41%

LAB 55.98, -44.25, 31.3

Behr
450B-6 Formal Garden

CMYK 54 / 34 / 0 / 25

HEX #587EBE

RGB 88 126 190 1

HSL 217.65, 0.44%, 0.55%

LAB 52.64, 5.37, -37.61

Behr
MQ4-25 Blue Iolite

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 24 / 0 / 67 / 27

HEX #8EBA3D

RGB 142 186 61 1

HSL 81.12, 0.51%, 0.48%

LAB 70.32, -33.32, 56.22

Behr
S-G-420 Limeade

CMYK 76 / 13 / 0 / 25

HEX #2DA6BF

RGB 45 166 191 1

HSL 190.27, 0.62%, 0.46%

LAB 63, -23.97, -22.21

Behr
MQ4-52 Gulf Waters

CMYK 28 / 38 / 0 / 41

HEX #6C5D97

RGB 108 93 151 1

HSL 255.52, 0.24%, 0.48%

LAB 43.14, 19.34, -29.62

Behr
P560-6 Just A Fairytale

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 38 / 0 / 58 / 35

HEX #66A545

RGB 102 165 69 1

HSL 99.38, 0.41%, 0.46%

LAB 61.8, -37.89, 42.71

Behr
430B-6 Caterpillar

CMYK 76 / 13 / 0 / 25

HEX #2DA6BF

RGB 45 166 191 1

HSL 190.27, 0.62%, 0.46%

LAB 63, -23.97, -22.21

Behr
MQ4-52 Gulf Waters

CMYK 17 / 32 / 0 / 32

HEX #9076AE

RGB 144 118 174 1

HSL 267.86, 0.26%, 0.57%

LAB 53.97, 21.41, -26.02

Behr
P570-5 Romantic Moment

Description

Color code: Behr - S-G-200 Glowing Firelight | qconv.com Color code: Behr - S-G-200 Glowing Firelight | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 84 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 84 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 68 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 68% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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