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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - UL100-5 High Drama it is the complementary color Behr - 490B-4 Sea Life. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - UL100-5 High Drama. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - UL100-5 High Drama: Behr - S-G-150 Ruby Ring, Behr - 130B-7 Cherry Wine, Behr - MQ4-01 Candy Drop, Behr - P140-5 Lovebirds and Behr - P150-4 Hot Gossip

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - UL100-5 High Drama. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - UL100-5 High Drama: Behr - UL100-5 High Drama, Behr - PMD-22 Ripe Currant, Behr - PPU2-02 Red Pepper, Behr - BXC-69 Cimarron and Behr - PPU1-02 Divine Wine

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

Complementary color

CMYK 53 / 0 / 4 / 22

HEX #5DC6BF

RGB 93 198 191

HSL 176, 0.48%, 0.57%

LAB 73.85, -31.98, -5.76

Behr
490B-4 Sea Life

CMYK 0 / 62 / 59 / 37

HEX #A03D41

RGB 160 61 65 1

HSL 357.58, 0.45%, 0.43%

LAB 39.9, 41.41, 19.2

Behr
S-G-150 Ruby Ring

CMYK 0 / 61 / 51 / 31

HEX #B04556

RGB 176 69 86 1

HSL 350.47, 0.44%, 0.48%

LAB 44.46, 45.05, 12.84

Behr
130B-7 Cherry Wine

CMYK 0 / 52 / 45 / 24

HEX #C25D6A

RGB 194 93 106 1

HSL 352.28, 0.45%, 0.56%

LAB 52.22, 41.65, 11.98

Behr
MQ4-01 Candy Drop

CMYK 0 / 47 / 40 / 22

HEX #C76A77

RGB 199 106 119 1

HSL 351.61, 0.45%, 0.6%

LAB 55.87, 38.19, 9.55

Behr
P140-5 Lovebirds

CMYK 0 / 45 / 39 / 12

HEX #E07C89

RGB 224 124 137 1

HSL 352.2, 0.62%, 0.68%

LAB 63.4, 39.99, 10.29

Behr
P150-4 Hot Gossip

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 0 / 57 / 55 / 46

HEX #8A3C3E

RGB 138 60 62 1

HSL 358.46, 0.39%, 0.39%

LAB 35.95, 33.47, 15.16

Behr
PMD-22 Ripe Currant

CMYK 0 / 48 / 54 / 52

HEX #7A3F38

RGB 122 63 56 1

HSL 6.36, 0.37%, 0.35%

LAB 33.94, 24.8, 15.81

Behr
PPU2-02 Red Pepper

CMYK 0 / 43 / 48 / 58

HEX #6B3D38

RGB 107 61 56 1

HSL 5.88, 0.31%, 0.32%

LAB 31.23, 19.55, 11.78

Behr
BXC-69 Cimarron

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 0 / 59 / 59 / 42

HEX #933C3C

RGB 147 60 60 1

HSL 0, 0.42%, 0.41%

LAB 37.41, 36.73, 18.62

Behr
HDC-WR15-12 New Sled

CMYK 0 / 50 / 59 / 42

HEX #954A3D

RGB 149 74 61 1

HSL 8.86, 0.42%, 0.41%

LAB 40.61, 30.24, 22.22

Behr
MQ1-24 Smokin Hot

CMYK 0 / 39 / 61 / 40

HEX #995D3B

RGB 153 93 59 1

HSL 21.7, 0.44%, 0.42%

LAB 45.52, 21.11, 29.64

Behr
240D-7 Chestnut Stallion

CMYK 0 / 31 / 65 / 39

HEX #9C6C37

RGB 156 108 55 1

HSL 31.49, 0.48%, 0.41%

LAB 49.58, 13.54, 36.71

Behr
PPU6-01 Curry Powder

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 0 / 59 / 55 / 21

HEX #CA535B

RGB 202 83 91 1

HSL 355.97, 0.53%, 0.56%

LAB 51.27, 47.98, 19.78

Behr
T15-14 Super Hero

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 43 / 48 / 58

HEX #6B3D38

RGB 107 61 56 1

HSL 5.88, 0.31%, 0.32%

LAB 31.23, 19.55, 11.78

Behr
BXC-69 Cimarron

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 3 / 0 / 63 / 41

HEX #929637

RGB 146 150 55 1

HSL 62.53, 0.46%, 0.4%

LAB 60.07, -14.29, 48.01

Behr
S-H-410 Appletini

CMYK 66 / 32 / 0 / 41

HEX #336797

RGB 51 103 151 1

HSL 208.8, 0.5%, 0.4%

LAB 42.21, -1.48, -31.34

Behr
580B-7 American Anthem

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 54 / 0 / 51 / 44

HEX #428F46

RGB 66 143 70 1

HSL 123.12, 0.37%, 0.41%

LAB 53.22, -39.58, 31.58

Behr
P390-7 Park Picnic

CMYK 54 / 41 / 0 / 52

HEX #39497B

RGB 57 73 123 1

HSL 225.45, 0.37%, 0.35%

LAB 31.95, 9.13, -30.44

Behr
MQ5-49 Expressionism

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 3 / 0 / 63 / 41

HEX #929637

RGB 146 150 55 1

HSL 62.53, 0.46%, 0.4%

LAB 60.07, -14.29, 48.01

Behr
S-H-410 Appletini

CMYK 65 / 0 / 13 / 42

HEX #349581

RGB 52 149 129 1

HSL 167.63, 0.48%, 0.39%

LAB 55.9, -33.1, 2.29

Behr
P440-6 Esmeralda

CMYK 58 / 40 / 0 / 39

HEX #415E9C

RGB 65 94 156 1

HSL 220.88, 0.41%, 0.43%

LAB 40.46, 8.75, -37.05

Behr
BIC-21 Blue Dahlia

CMYK 0 / 64 / 56 / 40

HEX #9A3843

RGB 154 56 67 1

HSL 353.27, 0.47%, 0.41%

LAB 38.03, 41.78, 15.27

Behr
UL100-5 High Drama

CMYK 13 / 0 / 65 / 45

HEX #7A8C31

RGB 122 140 49 1

HSL 71.87, 0.48%, 0.37%

LAB 55.19, -19.95, 44.9

Behr
P360-7 Sassy Grass

CMYK 65 / 0 / 13 / 42

HEX #349581

RGB 52 149 129 1

HSL 167.63, 0.48%, 0.39%

LAB 55.9, -33.1, 2.29

Behr
P440-6 Esmeralda

CMYK 39 / 37 / 0 / 40

HEX #5D6098

RGB 93 96 152 1

HSL 236.95, 0.24%, 0.48%

LAB 42.7, 13.3, -30.99

Behr
P550-6 Wizard´S Potion

Description

Color code: Behr - UL100-5 High Drama | qconv.com Color code: Behr - UL100-5 High Drama | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 56 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 56 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 56 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 56% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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