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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - S470-4 Dolphin Blue it is the complementary color Behr - HDC-AC-05 Cocoa Shell. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - S470-4 Dolphin Blue. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - S470-4 Dolphin Blue: Behr - MQ5-27 Rainy Season, Behr - 500F-5 Gulf Winds, Behr - 510E-3 Ocean Kiss, Behr - PPU14-16 Millstream and Behr - 550C-2 Sapphireberry

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - S470-4 Dolphin Blue. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - S470-4 Dolphin Blue: Behr - S470-4 Dolphin Blue, Behr - BIC-22 Relaxed Blue, Behr - PPU13-03 Catalina Coast, Behr - 500F-7 Mythic Forest and Behr - PPU13-20 Restless Sea

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

Complementary color

CMYK 0 / 19 / 31 / 51

HEX #7E6657

RGB 126 102 87

HSL 23.08, 0.18%, 0.42%

LAB 45.12, 7.22, 12.1

Behr
HDC-AC-05 Cocoa Shell

CMYK 17 / 4 / 0 / 36

HEX #879CA3

RGB 135 156 163 1

HSL 195, 0.13%, 0.58%

LAB 62.99, -5.84, -6.14

Behr
MQ5-27 Rainy Season

CMYK 17 / 0 / 0 / 30

HEX #93B2B2

RGB 147 178 178 1

HSL 180, 0.17%, 0.64%

LAB 70.36, -10.5, -3.52

Behr
500F-5 Gulf Winds

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 17 / 5 / 0 / 13

HEX #B9D4DE

RGB 185 212 222 1

HSL 196.22, 0.36%, 0.8%

LAB 83.27, -6.9, -7.96

Behr
PPU14-16 Millstream

CMYK 16 / 4 / 0 / 7

HEX #C9E5EE

RGB 201 229 238 1

HSL 194.59, 0.52%, 0.86%

LAB 89.22, -7.35, -7.48

Behr
550C-2 Sapphireberry

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169 1

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

CMYK 30 / 9 / 0 / 41

HEX #698A97

RGB 105 138 151 1

HSL 196.96, 0.18%, 0.5%

LAB 55.5, -8.32, -10.69

Behr
BIC-22 Relaxed Blue

CMYK 30 / 9 / 0 / 48

HEX #5C7884

RGB 92 120 132 1

HSL 198, 0.18%, 0.44%

LAB 48.73, -7.04, -9.84

Behr
PPU13-03 Catalina Coast

CMYK 31 / 4 / 0 / 58

HEX #4A686C

RGB 74 104 108 1

HSL 187.06, 0.19%, 0.36%

LAB 41.91, -9.82, -5.78

Behr
500F-7 Mythic Forest

CMYK 40 / 13 / 0 / 64

HEX #38515D

RGB 56 81 93 1

HSL 199.46, 0.25%, 0.29%

LAB 32.95, -6.02, -10.03

Behr
PPU13-20 Restless Sea

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169 1

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

CMYK 23 / 9 / 0 / 35

HEX #8097A6

RGB 128 151 166 1

HSL 203.68, 0.18%, 0.58%

LAB 61.2, -4.67, -10.55

Behr
560F-5 Bleached Denim

CMYK 24 / 14 / 0 / 33

HEX #8193AA

RGB 129 147 170 1

HSL 213.66, 0.19%, 0.59%

LAB 60.28, -1.16, -14.2

Behr
T16-13 Stratus

CMYK 23 / 18 / 0 / 36

HEX #7E85A3

RGB 126 133 163 1

HSL 228.65, 0.17%, 0.57%

LAB 55.94, 4.18, -16.79

Behr
S540-5 Velvet Curtain

CMYK 23 / 18 / 0 / 36

HEX #7E85A3

RGB 126 133 163 1

HSL 228.65, 0.17%, 0.57%

LAB 55.94, 4.18, -16.79

Behr
S540-5 Velvet Curtain

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169 1

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

CMYK 25 / 8 / 0 / 13

HEX #A6CDDE

RGB 166 205 222 1

HSL 198.21, 0.46%, 0.76%

LAB 80.2, -9.06, -12.66

Behr
M490-2 Carefree Sky

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 6 / 2 / 0 / 75

HEX #3C3F40

RGB 60 63 64 1

HSL 195, 0.03%, 0.24%

LAB 26.41, -1.02, -1.05

Behr
ECC-25-3 Obsidian Stone

CMYK 25 / 8 / 0 / 55

HEX #566A73

RGB 86 106 115 1

HSL 198.62, 0.14%, 0.39%

LAB 43.54, -5.22, -7.5

Behr
540F-6 Distance

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169 1

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

CMYK 10 / 25 / 0 / 34

HEX #987FA9

RGB 152 127 169 1

HSL 275.71, 0.2%, 0.58%

LAB 56.8, 17.7, -18.73

Behr
650B-6 Elite Wisteria

CMYK 0 / 4 / 25 / 35

HEX #A7A07E

RGB 167 160 126 1

HSL 49.76, 0.19%, 0.57%

LAB 65.64, -3.08, 18.68

Behr
S350-4 Sustainable

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169 1

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

CMYK 0 / 23 / 6 / 35

HEX #A7819D

RGB 167 129 157 1

HSL 315.79, 0.18%, 0.58%

LAB 58.37, 19.4, -9.32

Behr
M110-5 Amazonian Orchid

CMYK 5 / 0 / 27 / 34

HEX #A1A97B

RGB 161 169 123 1

HSL 70.43, 0.21%, 0.57%

LAB 67.56, -10.69, 22.85

Behr
T18-16 Nurturing

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169 1

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

CMYK 10 / 25 / 0 / 34

HEX #987FA9

RGB 152 127 169 1

HSL 275.71, 0.2%, 0.58%

LAB 56.8, 17.7, -18.73

Behr
650B-6 Elite Wisteria

CMYK 0 / 19 / 23 / 35

HEX #A78881

RGB 167 136 129 1

HSL 11.05, 0.18%, 0.58%

LAB 59.35, 10.67, 8.19

Behr
UL110-11 Regency Rose

CMYK 10 / 0 / 22 / 35

HEX #96A782

RGB 150 167 130 1

HSL 87.57, 0.17%, 0.58%

LAB 66.32, -12.77, 17.19

Behr
M380-5 Hillside Grove

CMYK 26 / 7 / 0 / 34

HEX #7D9DA9

RGB 125 157 169 1

HSL 196.36, 0.2%, 0.58%

LAB 62.79, -8.22, -9.89

Behr
S470-4 Dolphin Blue

CMYK 8 / 25 / 0 / 35

HEX #9A7EA7

RGB 154 126 167 1

HSL 280.98, 0.19%, 0.57%

LAB 56.67, 18.53, -17.76

Behr
MQ4-61 Lilac Intuition

CMYK 0 / 19 / 23 / 35

HEX #A78881

RGB 167 136 129 1

HSL 11.05, 0.18%, 0.58%

LAB 59.35, 10.67, 8.19

Behr
UL110-11 Regency Rose

CMYK 18 / 0 / 23 / 34

HEX #89A882

RGB 137 168 130 1

HSL 108.95, 0.18%, 0.58%

LAB 65.7, -18.08, 16.2

Behr
M400-5 Baby Spinach

Description

Color code: Behr - S470-4 Dolphin Blue | qconv.com Color code: Behr - S470-4 Dolphin Blue | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 157 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 157 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 7 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 7% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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