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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - 510E-3 Ocean Kiss it is the complementary color Behr - PPU1-02 Divine Wine. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - 510E-3 Ocean Kiss. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - 510E-3 Ocean Kiss: Behr - T17-08 Polished Aqua, Behr - 500E-3 Rain Washed, Behr - HDC-WR14-5 Icicle Mint, Behr - 500C-2 Aqua Pura and Behr - PPL-15 Icy Wind

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - 510E-3 Ocean Kiss. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - 510E-3 Ocean Kiss: Behr - 510E-3 Ocean Kiss, Behr - 500F-5 Gulf Winds, Behr - ECC-56-3 Lakeview, Behr - PPU12-03 Dragonfly and Behr - S430-6 Forest Edge

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

Complementary color

CMYK 0 / 30 / 30 / 65

HEX #583E3E

RGB 88 62 62

HSL 0, 0.17%, 0.29%

LAB 29.08, 11.39, 4.5

Behr
PPU1-02 Divine Wine

CMYK 15 / 0 / 3 / 24

HEX #A6C3BE

RGB 166 195 190 1

HSL 169.66, 0.19%, 0.71%

LAB 76.59, -10.75, -0.78

Behr
T17-08 Polished Aqua

CMYK 10 / 0 / 1 / 17

HEX #BED4D2

RGB 190 212 210 1

HSL 174.55, 0.2%, 0.79%

LAB 83.28, -7.73, -1.53

Behr
500E-3 Rain Washed

CMYK 11 / 0 / 1 / 9

HEX #CFE8E6

RGB 207 232 230 1

HSL 175.2, 0.35%, 0.86%

LAB 90.18, -8.58, -1.83

Behr
HDC-WR14-5 Icicle Mint

CMYK 9 / 0 / 2 / 5

HEX #DDF2EE

RGB 221 242 238 1

HSL 168.57, 0.45%, 0.91%

LAB 93.9, -7.61, -0.44

Behr
500C-2 Aqua Pura

CMYK 4 / 0 / 2 / 3

HEX #ECF7F1

RGB 236 247 241 1

HSL 147.27, 0.41%, 0.95%

LAB 96.29, -4.69, 1.61

Behr
PPL-15 Icy Wind

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 17 / 0 / 0 / 30

HEX #93B2B2

RGB 147 178 178 1

HSL 180, 0.17%, 0.64%

LAB 70.36, -10.5, -3.52

Behr
500F-5 Gulf Winds

CMYK 19 / 4 / 0 / 37

HEX #819AA0

RGB 129 154 160 1

HSL 191.61, 0.14%, 0.57%

LAB 61.93, -7.39, -6.07

Behr
ECC-56-3 Lakeview

CMYK 21 / 0 / 2 / 44

HEX #72908D

RGB 114 144 141 1

HSL 174, 0.12%, 0.51%

LAB 57.51, -11.16, -1.89

Behr
PPU12-03 Dragonfly

CMYK 20 / 0 / 7 / 52

HEX #627B72

RGB 98 123 114 1

HSL 158.4, 0.11%, 0.43%

LAB 49.47, -11.05, 1.92

Behr
S430-6 Forest Edge

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 17 / 3 / 0 / 23

HEX #A3BEC4

RGB 163 190 196 1

HSL 190.91, 0.22%, 0.7%

LAB 75.2, -7.84, -6.1

Behr
PPU13-11 Clear Vista

CMYK 16 / 8 / 0 / 22

HEX #A9B8C8

RGB 169 184 200 1

HSL 210.97, 0.22%, 0.72%

LAB 74.12, -1.86, -9.84

Behr
HDC-SP14-10 Blue Tribute

CMYK 17 / 11 / 0 / 21

HEX #A6B3C9

RGB 166 179 201 1

HSL 217.71, 0.24%, 0.72%

LAB 72.6, 0.1, -12.67

Behr
PPU15-14 Ballroom Blue

CMYK 19 / 13 / 0 / 22

HEX #A2AFC8

RGB 162 175 200 1

HSL 219.47, 0.26%, 0.71%

LAB 71.22, 0.77, -14.23

Behr
610D-4 Bellflower

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 13 / 1 / 0 / 7

HEX #CFEBED

RGB 207 235 237 1

HSL 184, 0.45%, 0.87%

LAB 91.14, -8.73, -4.08

Behr
510A-2 Salty Tear

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 17 / 4 / 0 / 62

HEX #515E62

RGB 81 94 98 1

HSL 194.12, 0.09%, 0.35%

LAB 38.96, -4.05, -3.98

Behr
740F-6 Marine Magic

CMYK 12 / 0 / 1 / 42

HEX #819392

RGB 129 147 146 1

HSL 176.67, 0.08%, 0.54%

LAB 59.53, -6.61, -1.65

Behr
QE-53 Raindance

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 9 / 14 / 0 / 24

HEX #B0A6C2

RGB 176 166 194 1

HSL 261.43, 0.19%, 0.71%

LAB 69.75, 9.02, -13.02

Behr
650D-4 Winter Amethyst

CMYK 0 / 6 / 16 / 24

HEX #C3B7A4

RGB 195 183 164 1

HSL 36.77, 0.21%, 0.7%

LAB 74.92, 1.07, 11.19

Behr
MQ2-51 Pasha Brown

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 3 / 21 / 0 / 20

HEX #C4A1CB

RGB 196 161 203 1

HSL 290, 0.29%, 0.71%

LAB 70.55, 20.32, -16.61

Behr
P100-4 Lover´S Knot

CMYK 1 / 0 / 15 / 23

HEX #C3C5A7

RGB 195 197 167 1

HSL 64, 0.21%, 0.71%

LAB 78.65, -5.84, 14.84

Behr
S360-3 Balance Green

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 9 / 14 / 0 / 24

HEX #B0A6C2

RGB 176 166 194 1

HSL 261.43, 0.19%, 0.71%

LAB 69.75, 9.02, -13.02

Behr
650D-4 Winter Amethyst

CMYK 0 / 16 / 17 / 21

HEX #C9A8A6

RGB 201 168 166 1

HSL 3.43, 0.24%, 0.72%

LAB 71.67, 11.71, 5.53

Behr
140E-3 Rose Bisque

CMYK 1 / 0 / 16 / 24

HEX #BFC1A2

RGB 191 193 162 1

HSL 63.87, 0.2%, 0.7%

LAB 77.18, -6.02, 15.4

Behr
S370-3 Sage Brush

CMYK 17 / 1 / 0 / 23

HEX #A4C3C5

RGB 164 195 197 1

HSL 183.64, 0.22%, 0.71%

LAB 76.65, -9.94, -4.49

Behr
510E-3 Ocean Kiss

CMYK 8 / 18 / 0 / 22

HEX #B8A4C8

RGB 184 164 200 1

HSL 273.33, 0.25%, 0.71%

LAB 70.11, 14.04, -15.72

Behr
650B-4 Violet Fields

CMYK 0 / 16 / 17 / 21

HEX #C9A8A6

RGB 201 168 166 1

HSL 3.43, 0.24%, 0.72%

LAB 71.67, 11.71, 5.53

Behr
140E-3 Rose Bisque

CMYK 6 / 0 / 17 / 24

HEX #B6C2A1

RGB 182 194 161 1

HSL 81.82, 0.21%, 0.7%

LAB 76.74, -10, 15.23

Behr
M380-4 Chopped Dill

Description

Color code: Behr - 510E-3 Ocean Kiss | qconv.com Color code: Behr - 510E-3 Ocean Kiss | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 195 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 195 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 1 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 1% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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