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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - 120C-3 Rose Marquis it is the complementary color Behr - S-H-480 Forest Rain. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - 120C-3 Rose Marquis. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - 120C-3 Rose Marquis: Behr - 120C-3 Rose Marquis, Behr - 140C-3 Hibiscus Petal, Behr - 120C-2 Pink Punch, Behr - 110A-3 Palace Rose and Behr - 110A-2 Poetic Princess

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - 120C-3 Rose Marquis. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - 120C-3 Rose Marquis: Behr - 120C-3 Rose Marquis, Behr - 130D-4 Rose Sachet, Behr - MQ1-08 Smell The Roses, Behr - 130D-5 Rhubarb and Behr - PPU1-11 Crantini

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

Complementary color

CMYK 69 / 0 / 17 / 59

HEX #216957

RGB 33 105 87

HSL 165, 0.52%, 0.27%

LAB 39.77, -26.91, 3.66

Behr
S-H-480 Forest Rain

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 0 / 24 / 20 / 4

HEX #F6BCC6

RGB 246 188 198 1

HSL 349.66, 0.76%, 0.85%

LAB 81.64, 22.31, 3.07

Behr
120C-2 Pink Punch

CMYK 0 / 19 / 14 / 3

HEX #F8CAD5

RGB 248 202 213 1

HSL 345.65, 0.77%, 0.88%

LAB 85.5, 17.94, 0.69

Behr
110A-3 Palace Rose

CMYK 0 / 9 / 8 / 3

HEX #F8E1E4

RGB 248 225 228 1

HSL 352.17, 0.62%, 0.93%

LAB 91.42, 8.36, 1.39

Behr
110A-2 Poetic Princess

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 0 / 35 / 31 / 19

HEX #CE858F

RGB 206 133 143 1

HSL 351.78, 0.43%, 0.66%

LAB 63.24, 29.34, 6.35

Behr
130D-4 Rose Sachet

CMYK 0 / 39 / 30 / 27

HEX #BB7283

RGB 187 114 131 1

HSL 346.03, 0.35%, 0.59%

LAB 56.33, 30.97, 2.99

Behr
MQ1-08 Smell The Roses

CMYK 0 / 47 / 41 / 31

HEX #B05E67

RGB 176 94 103 1

HSL 353.41, 0.34%, 0.53%

LAB 49.76, 34.15, 9.93

Behr
130D-5 Rhubarb

CMYK 0 / 49 / 45 / 42

HEX #954C52

RGB 149 76 82 1

HSL 355.07, 0.32%, 0.44%

LAB 41.48, 31.17, 10.52

Behr
PPU1-11 Crantini

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 0 / 22 / 34 / 15

HEX #D9AA8F

RGB 217 170 143 1

HSL 21.89, 0.49%, 0.71%

LAB 73.21, 13.5, 20.51

Behr
QE-02 Salmon Sand

CMYK 0 / 15 / 32 / 13

HEX #DDBB96

RGB 221 187 150 1

HSL 31.27, 0.51%, 0.73%

LAB 77.94, 6.86, 23.28

Behr
PMD-69 Jute

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 6 / 9 / 74

HEX #433F3D

RGB 67 63 61 1

HSL 20, 0.05%, 0.25%

LAB 26.98, 1.28, 1.83

Behr
MQ1-35 Off Broadway

CMYK 0 / 34 / 29 / 53

HEX #774E55

RGB 119 78 85 1

HSL 349.76, 0.21%, 0.39%

LAB 37.89, 18.35, 2.98

Behr
MQ1-01 Rule Breaker

CMYK 0 / 30 / 28 / 35

HEX #A67577

RGB 166 117 119 1

HSL 357.55, 0.22%, 0.55%

LAB 54.2, 19.55, 6.61

Behr
S130-5 Heirloom Rose

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 34 / 16 / 0 / 12

HEX #94BEE1

RGB 148 190 225 1

HSL 207.27, 0.56%, 0.73%

LAB 75.18, -5.58, -21.96

Behr
P520-3 Toile Blue

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 26 / 0 / 25 / 15

HEX #A0D9A3

RGB 160 217 163 1

HSL 123.16, 0.43%, 0.74%

LAB 81.7, -28.78, 20.85

Behr
450B-4 Green Trance

CMYK 29 / 21 / 0 / 20

HEX #91A1CD

RGB 145 161 205 1

HSL 224, 0.38%, 0.69%

LAB 66.46, 4.47, -24.33

Behr
600B-4 Pageant Song

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 33 / 0 / 3 / 15

HEX #93DAD3

RGB 147 218 211 1

HSL 174.08, 0.49%, 0.72%

LAB 82.41, -23.62, -3.63

Behr
490A-3 Sweet Rhapsody

CMYK 29 / 21 / 0 / 20

HEX #91A1CD

RGB 145 161 205 1

HSL 224, 0.38%, 0.69%

LAB 66.46, 4.47, -24.33

Behr
600B-4 Pageant Song

CMYK 0 / 33 / 27 / 13

HEX #DD94A1

RGB 221 148 161 1

HSL 349.32, 0.52%, 0.72%

LAB 68.84, 29.25, 4.48

Behr
120C-3 Rose Marquis

CMYK 10 / 0 / 31 / 13

HEX #C8DF9A

RGB 200 223 154 1

HSL 80, 0.52%, 0.74%

LAB 85.7, -19.09, 31.36

Behr
420A-3 Key Lime

CMYK 33 / 0 / 3 / 15

HEX #93DAD3

RGB 147 218 211 1

HSL 174.08, 0.49%, 0.72%

LAB 82.41, -23.62, -3.63

Behr
490A-3 Sweet Rhapsody

CMYK 17 / 23 / 0 / 18

HEX #ADA1D1

RGB 173 161 209 1

HSL 255, 0.34%, 0.73%

LAB 68.73, 14.04, -22.87

Behr
P560-4 Magic Wand

Description

Color code: Behr - 120C-3 Rose Marquis | qconv.com Color code: Behr - 120C-3 Rose Marquis | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 148 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 148 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 27 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 27% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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