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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 32 / 13 it is the complementary color CMYK 68 / 37 / 0 / 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 32 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 32 / 13: CMYK 0 / 17 / 36 / 11, CMYK 0 / 15 / 32 / 4, CMYK 0 / 12 / 28 / 0, CMYK 0 / 5 / 20 / 0 and CMYK 0 / 0 / 13 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 32 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 32 / 13: CMYK 0 / 15 / 32 / 13, CMYK 0 / 17 / 36 / 20, CMYK 0 / 19 / 40 / 26, CMYK 0 / 21 / 45 / 33 and CMYK 0 / 24 / 51 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

Complementary color

CMYK 68 / 37 / 0 / 59

HEX #214268

RGB 33 66 104

HSL 212.11, 0.52%, 0.27%

LAB 27.35, 1.41, -25.81

 

CMYK 0 / 17 / 36 / 11

HEX #E3BD92

RGB 227 189 146

HSL 31.85, 0.59%, 0.73%

LAB 78.93, 7.65, 26.83

 

CMYK 0 / 15 / 32 / 4

HEX #F4CFA5

RGB 244 207 165

HSL 31.9, 0.78%, 0.8%

LAB 85.29, 7.09, 25.72

 

CMYK 0 / 12 / 28 / 0

HEX #FFE1B8

RGB 255 225 184

HSL 34.65, 1%, 0.86%

LAB 91.04, 4.36, 23.87

NCS® S0515-Y30R

CMYK 0 / 5 / 20 / 0

HEX #FFF3CB

RGB 255 243 203

HSL 46.15, 1%, 0.9%

LAB 95.86, -2.2, 20.76

NCS® S0510-Y10R

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

CMYK 0 / 17 / 36 / 20

HEX #CDAB84

RGB 205 171 132

HSL 32.05, 0.42%, 0.66%

LAB 72.08, 6.88, 24.72

 

CMYK 0 / 19 / 40 / 26

HEX #BC9971

RGB 188 153 113

HSL 32, 0.36%, 0.59%

LAB 65.49, 7.52, 25.94

 

CMYK 0 / 21 / 45 / 33

HEX #AB875E

RGB 171 135 94

HSL 31.95, 0.31%, 0.52%

LAB 58.78, 8.27, 27.24

 

CMYK 0 / 24 / 51 / 40

HEX #9A754B

RGB 154 117 75

HSL 31.9, 0.34%, 0.45%

LAB 51.95, 9.18, 28.66

 

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

CMYK 0 / 10 / 32 / 13

HEX #DDC896

RGB 221 200 150

HSL 42.25, 0.51%, 0.73%

LAB 81.23, 0.03, 27.73

 

CMYK 0 / 4 / 32 / 13

HEX #DDD496

RGB 221 212 150

HSL 52.39, 0.51%, 0.73%

LAB 84.31, -6.16, 31.85

 

CMYK 1 / 0 / 32 / 13

HEX #DBDD96

RGB 219 221 150

HSL 61.69, 0.51%, 0.73%

LAB 86.49, -11.49, 34.7

 

CMYK 6 / 0 / 32 / 13

HEX #CFDD96

RGB 207 221 150

HSL 71.83, 0.51%, 0.73%

LAB 85.59, -16.03, 33.36

 

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

CMYK 0 / 17 / 33 / 93

HEX #120F0C

RGB 18 15 12

HSL 30, 0.2%, 0.06%

LAB 4.49, 0.59, 1.76

 

CMYK 0 / 14 / 32 / 73

HEX #453B2F

RGB 69 59 47

HSL 32.73, 0.19%, 0.23%

LAB 25.56, 2.17, 9.06

 

CMYK 0 / 15 / 32 / 53

HEX #786652

RGB 120 102 82

HSL 31.58, 0.19%, 0.4%

LAB 44.38, 3.91, 13.98

 

CMYK 0 / 15 / 32 / 33

HEX #AB9274

RGB 171 146 116

HSL 32.73, 0.25%, 0.56%

LAB 62.06, 4.8, 19.38

 

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

CMYK 24 / 0 / 32 / 13

HEX #A9DD96

RGB 169 221 150

HSL 103.94, 0.51%, 0.73%

LAB 83.1, -29.74, 29.59

 

CMYK 28 / 32 / 0 / 13

HEX #9F96DD

RGB 159 150 221

HSL 247.61, 0.51%, 0.73%

LAB 65.28, 18.81, -34.93

 

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

CMYK 32 / 0 / 15 / 13

HEX #96DDBC

RGB 150 221 188

HSL 152.11, 0.51%, 0.73%

LAB 82.82, -29.14, 9.19

 

CMYK 15 / 32 / 0 / 13

HEX #BC96DD

RGB 188 150 221

HSL 272.11, 0.51%, 0.73%

LAB 67.82, 27.54, -30.8

 

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

CMYK 24 / 0 / 32 / 13

HEX #A9DD96

RGB 169 221 150

HSL 103.94, 0.51%, 0.73%

LAB 83.1, -29.74, 29.59

 

CMYK 32 / 17 / 0 / 13

HEX #96B7DD

RGB 150 183 221

HSL 212.11, 0.51%, 0.73%

LAB 73.27, -2.24, -22.69

 

CMYK 9 / 32 / 0 / 13

HEX #CA96DD

RGB 202 150 221

HSL 283.94, 0.51%, 0.73%

LAB 69.18, 31.9, -28.59

 

CMYK 0 / 15 / 32 / 13

HEX #DEBD97

RGB 222 189 151

HSL 32.11, 0.52%, 0.73%

LAB 78.55, 6.32, 23.6

 

CMYK 32 / 0 / 31 / 13

HEX #96DD98

RGB 150 221 152

HSL 121.69, 0.51%, 0.73%

LAB 82.09, -35.71, 27.02

 

CMYK 32 / 17 / 0 / 13

HEX #96B7DD

RGB 150 183 221

HSL 212.11, 0.51%, 0.73%

LAB 73.27, -2.24, -22.69

 

CMYK 0 / 32 / 1 / 13

HEX #DD96DB

RGB 221 150 219

HSL 301.69, 0.51%, 0.73%

LAB 71.08, 37.53, -24.4

 

Description

Color code: CMYK 0 / 15 / 32 / 13 | qconv.com Color code: CMYK 0 / 15 / 32 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 189 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 189 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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