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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Valspar - 1002-2B - Pink Quartz it is the complementary color Valspar - V141-6 - Fait Accompli. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Valspar - 1002-2B - Pink Quartz. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Valspar - 1002-2B - Pink Quartz: Valspar - 1002-2B - Pink Quartz, Valspar - 1003-2C - Utterly Pink, Valspar - 7001-20 - Dress Rehearsal, Valspar - 7006-24 - Ultra White

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Valspar - 1002-2B - Pink Quartz. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Valspar - 1002-2B - Pink Quartz: Valspar - 1002-2B - Pink Quartz, Valspar - V039-2 - Private-Label Pink, Valspar - 1006-6A - Sugarplum Dance, Valspar - 1005-5C - Iris Reverie and Valspar - 1006-5C - New Bud

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

Complementary color

CMYK 43 / 2 / 0 / 80

HEX #1D3233

RGB 29 50 51

HSL 182.73, 0.28%, 0.16%

LAB 19.15, -8.04, -3.3

Valspar
V141-6 - Fait Accompli

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 0 / 12 / 8 / 3

HEX #F8DBE5

RGB 248 219 229 1

HSL 339.31, 0.67%, 0.92%

LAB 89.99, 11.65, -1.22

Valspar
1003-2C - Utterly Pink

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 0 / 23 / 13 / 28

HEX #B88DA1

RGB 184 141 161 1

HSL 332.09, 0.23%, 0.64%

LAB 63.19, 19.51, -4.25

Valspar
1005-5C - Iris Reverie

CMYK 0 / 27 / 20 / 31

HEX #B1828D

RGB 177 130 141 1

HSL 345.96, 0.23%, 0.6%

LAB 59.19, 19.78, 1.22

Valspar
1006-5C - New Bud

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 0 / 22 / 15 / 4

HEX #F4BFD0

RGB 244 191 208 1

HSL 340.75, 0.71%, 0.85%

LAB 82.4, 21.55, -1.21

Valspar
V041-3 - Pink Icing

CMYK 0 / 21 / 15 / 7

HEX #EEBCCA

RGB 238 188 202 1

HSL 343.2, 0.6%, 0.84%

LAB 80.97, 20.07, -0.16

Valspar
1007-4A - Prom Pink

CMYK 0 / 18 / 23 / 4

HEX #F4C7BD

RGB 244 199 189 1

HSL 10.91, 0.71%, 0.85%

LAB 83.84, 14.47, 11.02

Valspar
V080-2 - Canyon Hush

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 7 / 5 / 0 / 84

HEX #27282A

RGB 39 40 42 1

HSL 220, 0.04%, 0.16%

LAB 16.09, 0.05, -1.47

Valspar
CI57 - Cracked Pepper

CMYK 0 / 28 / 8 / 65

HEX #594052

RGB 89 64 82 1

HSL 316.8, 0.16%, 0.3%

LAB 30.4, 14.23, -6.55

Valspar
V076-6 - Ripe Mulberry

CMYK 0 / 19 / 6 / 45

HEX #8B7083

RGB 139 112 131 1

HSL 317.78, 0.11%, 0.49%

LAB 50.35, 14.03, -6.42

Valspar
1003-7B - Canton Purple

CMYK 0 / 13 / 8 / 26

HEX #BDA4AD

RGB 189 164 173 1

HSL 338.4, 0.16%, 0.69%

LAB 69.74, 10.66, -1.28

Valspar
1004-8A - Bedroom Plum

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 16 / 3 / 0 / 5

HEX #CBEAF1

RGB 203 234 241 1

HSL 191.05, 0.58%, 0.87%

LAB 90.73, -8.67, -6.8

Valspar
5003-9A - River Mist

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 8 / 0 / 16 / 8

HEX #D8EBC6

RGB 216 235 198 1

HSL 90.81, 0.48%, 0.85%

LAB 90.82, -12.77, 15.86

Valspar
6004-7B - Sprig Of Mint

CMYK 16 / 11 / 0 / 7

HEX #C7D3ED

RGB 199 211 237 1

HSL 221.05, 0.51%, 0.85%

LAB 84.4, 1.17, -14.14

Valspar
4004-7B - Surrender

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 17 / 0 / 4 / 7

HEX #C5EEE4

RGB 197 238 228 1

HSL 165.37, 0.55%, 0.85%

LAB 91.06, -15.15, 0.43

Valspar
6001-9A - Sea Lily

CMYK 16 / 11 / 0 / 7

HEX #C7D3ED

RGB 199 211 237 1

HSL 221.05, 0.51%, 0.85%

LAB 84.4, 1.17, -14.14

Valspar
4004-7B - Surrender

CMYK 0 / 18 / 10 / 5

HEX #F2C7DA

RGB 242 199 218 1

HSL 333.49, 0.62%, 0.86%

LAB 84.37, 18.24, -3.7

Valspar
1002-2B - Pink Quartz

CMYK 0 / 0 / 20 / 6

HEX #EEEFC0

RGB 238 239 192 1

HSL 61.28, 0.59%, 0.85%

LAB 93.33, -7.89, 22.69

Valspar
6007-9A - Limescent

CMYK 17 / 0 / 4 / 7

HEX #C5EEE4

RGB 197 238 228 1

HSL 165.37, 0.55%, 0.85%

LAB 91.06, -15.15, 0.43

Valspar
6001-9A - Sea Lily

CMYK 16 / 14 / 0 / 10

HEX #C1C5E6

RGB 193 197 230 1

HSL 233.51, 0.43%, 0.83%

LAB 80.17, 5.24, -16.81

Valspar
4004-9C - Iris Moon

Description

Color code: Valspar - 1002-2B - Pink Quartz | qconv.com Color code: Valspar - 1002-2B - Pink Quartz | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 199 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 199 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 10 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 10% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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