Information
close all
public license dtp studio oldenburg -
Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - SUZUKI 0DM sand beige it is the complementary color standox Autolacke - TOYOTA-LEXUS 8S5 greyish blue OEM 2005. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - SUZUKI 0DM sand beige. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - HONDA YR520M beige, standox Autolacke - TOYOTA T06 millenia gold OEM 2006, standox Autolacke - SUBARU 13R white, standox Autolacke - SAAB 283 polar white and standox Autolacke - MAZDA UA cameo white
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - SUZUKI 0DM sand beige. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI 0DM sand beige, standox Autolacke - NISSAN JK1 beige, standox Autolacke - KIA F8 cocoa brown OEM2005, standox Autolacke - SSANGYONG OAC chick brown and standox Autolacke - BMW 621 messing
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI ZA4 cool beige, standox Autolacke - DAIHATSU T18 light amber OEM 2005, standox Autolacke - DAIHATSU T18 light amber OEM 2005 and standox Autolacke - DAIHATSU T18 light amber OEM 2005
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI ZA4 cool beige, standox Autolacke - SUZUKI ZA4 cool beige, standox Autolacke - HONDA YR528M-4 shoreline mist OEM 2005, standox Autolacke - ROVER HQJ, C0005 GM cimarron green and standox Autolacke - ALFA ROMEO 379A verde boreale
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - SUZUKI 0DM sand beige shade matches the following richer shades: standox Autolacke - SUZUKI ZA4 cool beige, standox Autolacke - RENAULT A17 jaune manille, standox Autolacke - NISSAN 451 beige, standox Autolacke - NISSAN EX7 yellow and standox Autolacke - VW LT1C inkagelb
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI ZA4 cool beige, standox Autolacke - FIAT-LANCIA 652 grigio nickel, standox Autolacke - FIAT-LANCIA 466A azzurro portofino, standox Autolacke - TOYOTA 8L6 light blue and standox Autolacke - MAZDA 22S, Z4A sky blue
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - DAIHATSU T18 light amber OEM 2005, standox Autolacke - DAIHATSU T18 light amber OEM 2005, standox Autolacke - SUZUKI ZA4 cool beige, standox Autolacke - SUZUKI ZA4 cool beige and standox Autolacke - HONDA YR528M-4 shoreline mist OEM 2005
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SAAB 286 hazelnut, standox Autolacke - HONDA YR542M (B) sandstone OEM 2005, standox Autolacke - SUZUKI ZA4 cool beige, standox Autolacke - MITSUBISHI E02, AC16002 manhattan beige and standox Autolacke - ISUZU 618, N216-P901-0 light silver
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI 0DM sand beige, standox Autolacke - ALFA ROMEO 379A verde boreale and standox Autolacke - SUBARU 154 pale purple
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI 0DM sand beige, standox Autolacke - SUZUKI 40V frost green OEM 2005 and standox Autolacke - SUBARU 154 pale purple
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI 0DM sand beige, standox Autolacke - ALFA ROMEO 379A verde boreale, standox Autolacke - HONDA B91M crystal silver and standox Autolacke - TOYOTA 1D6 silver
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - SUZUKI 0DM sand beige shade: standox Autolacke - SUZUKI 0DM sand beige, standox Autolacke - TOYOTA 6P9 green, standox Autolacke - HONDA B91M crystal silver and standox Autolacke - HONDA R516P iris red
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 36.67, 0.09%, 0.62%
LAB 66.53, 0.57, 6.62
Complementary color
HSL 208.24, 0.09%, 0.37%
LAB 40.23, -1.62, -5.73
Lighter colors
HSL 34.29, 0.15%, 0.63%
LAB 67.21, 1.62, 9.89
HSL 35, 0.15%, 0.69%
LAB 73.4, 1.15, 8.41
HSL 51, 0.16%, 0.76%
LAB 80.42, -1.91, 8.86
HSL 53.33, 0.2%, 0.83%
LAB 86.81, -2.08, 8.11
HSL 49.41, 0.35%, 0.9%
LAB 93.28, -1.38, 7.13
Darker colors
HSL 36.67, 0.09%, 0.62%
LAB 66.53, 0.57, 6.62
HSL 37.89, 0.08%, 0.55%
LAB 59.29, 0.43, 7.31
HSL 28.57, 0.08%, 0.49%
LAB 52.71, 2.4, 6.97
HSL 35.45, 0.1%, 0.41%
LAB 45.68, 1.17, 8.56
HSL 44.35, 0.13%, 0.34%
LAB 39.17, -0.71, 10.67
Warmer colors
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 23.33, 0.09%, 0.61%
LAB 64.34, 2.78, 5.11
HSL 23.33, 0.09%, 0.61%
LAB 64.34, 2.78, 5.11
HSL 23.33, 0.09%, 0.61%
LAB 64.34, 2.78, 5.11
Colder colors
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 47.14, 0.07%, 0.62%
LAB 66.58, -0.92, 6.09
HSL 87.27, 0.12%, 0.63%
LAB 68.66, -7.6, 10.13
HSL 91.58, 0.1%, 0.61%
LAB 66.48, -7.12, 8.64
Richer colors
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 34.8, 0.26%, 0.62%
LAB 67.35, 3.16, 17.93
HSL 37.81, 0.37%, 0.62%
LAB 69.82, 3.29, 27.45
HSL 43.3, 0.59%, 0.62%
LAB 75.6, 1.3, 46.03
HSL 38.48, 0.74%, 0.61%
LAB 75.29, 9.15, 53.69
Paler colors
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 213.33, 0.09%, 0.61%
LAB 63.64, -0.8, -6.21
HSL 220.8, 0.26%, 0.62%
LAB 61.57, 2.14, -19.57
HSL 211.58, 0.27%, 0.59%
LAB 60.3, -2.2, -18.75
HSL 207, 0.36%, 0.56%
LAB 59.13, -5.31, -23.47
Analogue colors
HSL 23.33, 0.09%, 0.61%
LAB 64.34, 2.78, 5.11
HSL 23.33, 0.09%, 0.61%
LAB 64.34, 2.78, 5.11
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 47.14, 0.07%, 0.62%
LAB 66.58, -0.92, 6.09
Monochromatic colors
HSL 34.74, 0.08%, 0.46%
LAB 50.44, 1.06, 7.15
HSL 30, 0.1%, 0.55%
LAB 58.58, 2.38, 8.03
HSL 36.67, 0.09%, 0.62%
LAB 66.16, 0.57, 6.63
HSL 36.92, 0.08%, 0.7%
LAB 73.5, 0.34, 4.69
HSL 45, 0.1%, 0.77%
LAB 80.25, -0.55, 4.86
Partial complementary colors
HSL 36.67, 0.09%, 0.62%
LAB 66.53, 0.57, 6.62
HSL 91.58, 0.1%, 0.61%
LAB 66.48, -7.12, 8.64
HSL 228.75, 0.09%, 0.63%
LAB 64.49, 1.55, -7.14
Triadic colors
HSL 36.67, 0.09%, 0.62%
LAB 66.53, 0.57, 6.62
HSL 152, 0.08%, 0.61%
LAB 66.04, -6.67, 1.82
HSL 228.75, 0.09%, 0.63%
LAB 64.49, 1.55, -7.14
Rectangular (tetradic) colors
HSL 36.67, 0.09%, 0.62%
LAB 66.53, 0.57, 6.62
HSL 91.58, 0.1%, 0.61%
LAB 66.48, -7.12, 8.64
HSL 211.58, 0.1%, 0.61%
LAB 63.94, -1.14, -6.32
HSL 200, 0.03%, 0.64%
LAB 67.48, -1.03, -1.54
Square colors
HSL 36.67, 0.09%, 0.62%
LAB 66.53, 0.57, 6.62
HSL 132.63, 0.1%, 0.63%
LAB 67.42, -9.59, 5.49
HSL 211.58, 0.1%, 0.61%
LAB 63.94, -1.14, -6.32
HSL 331.76, 0.19%, 0.65%
LAB 65.18, 15.38, -3.58
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 161 green and 150 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 11 yellow and 34 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
36% - casa cago カーサカーゴ｜６畳の...
Link: http://www.casacago.com
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)